《冈仁波齐》的镜像之美与哲学内涵

发布时间：2018-08-12 10:46

【摘要】：正《冈仁波齐》,"第六代"导演代表张杨作品,2017年6月20日在国内公映,因其独特的介于真实与虚构间的创意策划与艺术探索、拍摄的镜像之美以及蕴含的宗教哲学内涵,引起市场的关注,其带有纪录片特质的剧情片类型,对中国目前商业片充斥的电影市场无疑是个有力的补充。一、真实与虚构:冷静的镜像语言《冈仁波齐》是披着纪录片外衣的剧情片,用纪录片的纪实风格结合故事的讲述,选取典型的11位朝圣者作为拍摄对象,纪录他们一步一叩首的朝
[Abstract]:"Gang Rinpoche", "Sixth Generation" director Zhang Yang's work, which was released in China on June 20, 2017, has attracted market attention for its unique creative planning and artistic exploration between reality and fiction, the beauty of photographic images and the religious and philosophical connotations it contains. The type of drama with documentary characteristics has attracted commercial attention in China. Firstly, truth and fiction: calm mirror language < Gang Rinpoche > is a dramatic film in the cloak of a documentary film, which combines documentary style with story telling, choosing 11 pilgrims as the subjects of filming and recording their kowtows step by step.
【作者单位】：山东女子学院文化传播学院;
【基金】：基金项目山东省青少年优秀传统文化重点教育研究基地的阶段性成果
【分类号】：J905

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