后新电影时代与台湾国族认同研究
发布时间：2018-08-12 11:28
【摘要】：电影作为社会文化的组成部分，能够集中的反应某一时期民族心理以及社会意识的变化。因此对于后新时代台湾电影的研究，就有助于我们把握台湾民众的国族认同心理。1987年以后，台湾电影进入后新电影时代，这一时期的台湾电影呈现出复杂的国族认同的特征，本文从共时的角度出发，对这一现象进行梳理，把这一复杂的认同总结为四个方面：中华民族身份认同的消解、本土意识对国族认同的影响、日本元素对国族身份认同的影响、全球化视野下台湾的国族身份认同。然后从这四个方面出发分为四个章节，以历时的角度对这些现象背后深刻的社会、历史、政治、文化原因进行了分析和总结。通过这一研究希望可以更为深入地去探究台湾电影自身的文化定位，并对未来台湾电影在国族认同方面的趋向做出展望。
[Abstract]:As a part of social culture, film can reflect the change of national psychology and social consciousness in a certain period. Therefore, the study of Taiwan films in the post-new era will help us to grasp the national identity psychology of the people of Taiwan. After 1987, when Taiwan films entered the post-new film era, Taiwan films in this period showed the characteristics of complicated national identity. From a synchronic point of view, this paper combs this phenomenon and sums up this complex identity in four aspects: the dissolving of the identity of the Chinese nation, the influence of local consciousness on the national identity, and the influence of the Japanese element on the national identity. The National identity of Taiwan in the View of Globalization. Then it is divided into four chapters from these four aspects, and the profound social, historical, political and cultural reasons behind these phenomena are analyzed and summarized from a diachronic point of view. The purpose of this study is to explore the cultural orientation of Taiwan films and to look forward to the future trend of Taiwan films in the national identity.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J909.2
[Abstract]:As a part of social culture, film can reflect the change of national psychology and social consciousness in a certain period. Therefore, the study of Taiwan films in the post-new era will help us to grasp the national identity psychology of the people of Taiwan. After 1987, when Taiwan films entered the post-new film era, Taiwan films in this period showed the characteristics of complicated national identity. From a synchronic point of view, this paper combs this phenomenon and sums up this complex identity in four aspects: the dissolving of the identity of the Chinese nation, the influence of local consciousness on the national identity, and the influence of the Japanese element on the national identity. The National identity of Taiwan in the View of Globalization. Then it is divided into four chapters from these four aspects, and the profound social, historical, political and cultural reasons behind these phenomena are analyzed and summarized from a diachronic point of view. The purpose of this study is to explore the cultural orientation of Taiwan films and to look forward to the future trend of Taiwan films in the national identity.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J909.2
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