21世纪新生代电影女性导演创作研究

发布时间：2018-08-13 17:27

【摘要】：21世纪是一个女性备受关注的“她世纪”，随着当代女性自我意识的觉醒，女性的社会地位、生命价值、政治权利、情感生活越来越成为社会大众所研究探讨的话题。女性身份地位的改观体现在社会生活的各个方面，特别是在电影文化传播领域。电影作为一种综合的艺术形式，在营造诗意氛围、塑造人物性格的同时，还以充满艺术感染力的个性话语传递着时代的观念和意识。近几年来，，无论是国际影坛还是中国影坛，都出现了一个值得关注的艺术现象，那就是以描写女性生存状态为表现主题并带有鲜明独特的女性意识的女性电影蓬勃兴起。一些女性形象在女性电影中所反映出的女性意识形态不只具有性别意味，同时还具有非常丰富的社会文化内涵。因此，论文以新世纪之初开始萌芽发展的70后新生代电影女性导演作为研究对象。社会环境一定会为文艺创作打上时代的烙印,电影尤甚。因而对70后新生代女性导演的研究须结合女性导演们所处的社会背景和文化氛围来看待。这群70后新生代电影女导演虽然作品为数不多，但是丝毫不会影响她们凸显女性意识的创作观念的传播以及作品对大众的吸引力。论文将着重对其中各领风骚的代表人物及其彰显特色的代表作品作出深刻分析。从本色现实主义与诗意并存的电影精神，简洁的表现手法与黑色幽默的运用，女性形象的全方位展示以及紧跟市场商业化潮流等几个方面探讨她们追求“好看”又有“意味”的电影观念，同时论文追溯了先辈女性导演们囿于束缚的女性表达，比较而言，在新世纪女性导演获得了更加自由的女性表达。她们的作品中女性意识的多元表现是本文研究的另一重点。并从女性主题的变化与拓展，女性导演的体验式表达以及男性角色的策略性规避等方面做出细致分析。最后论文就日常化的叙事主题，女性化的叙事视角，碎片化的叙事结构、镜像性的叙事空间以及个人化的叙事语调分析归纳了她们在作品中巧妙灵活运用的叙事策略。这些都是值得探索并传播的理论和实践范本。本文将从上述内容和角度对新世纪的新生代电影女性导演进行研究，以期能给女性的电影创作及电影事业的发展带来些许参考意义。
[Abstract]:The 21st century is a "her century" for women. With the awakening of women's self-consciousness, women's social status, life value, political rights and emotional life have become more and more a topic of study and discussion by the public. The improvement of women's status is reflected in all aspects of social life, especially in the field of film culture communication. As a comprehensive art form, film not only creates poetic atmosphere and character, but also conveys the concept and consciousness of the times with artistic appeal. In recent years, both international and Chinese film circles have witnessed a remarkable artistic phenomenon, that is, the vigorous rise of female films with distinctive female consciousness and depicting the living state of women. Some female images reflect not only the gender connotation but also the social and cultural connotations in the female films. Therefore, the paper takes the new generation of female film directors who began to sprout and develop at the beginning of the new century as the research object. The social environment will surely mark the times for literary and artistic creation, especially movies. Therefore, the study of the female directors of the post-70 's should be considered in the light of the social background and cultural atmosphere of the female directors. Although this group of female directors of the new generation of post-70s films has few works, it will not affect the dissemination of creative ideas that highlight the female consciousness and the appeal of the works to the public. The thesis will make a deep analysis of the representative figures and their representative works. From the essence of realism and poetic spirit of the film, concise expression techniques and the use of black humor, The all-around display of women's images and the trend of commercialization of the market explore their concept of "good looking" and "meaning". At the same time, the paper traces the expression of women in the restraint of the female directors of the previous generation. In the new century, female directors have gained more freedom of female expression. The multiple expression of female consciousness in their works is another focus of this paper. It also makes a detailed analysis on the change and expansion of female theme, the experiential expression of female director and the strategic circumvention of male role. At last, the thesis sums up the narrative strategies which are skillfully and flexibly used in their works by analyzing the daily narrative theme, the feminine narrative perspective, the fragmented narrative structure, the mirror narrative space and the individual narrative tone. These are theoretical and practical models worth exploring and spreading. This paper will study the new generation of female film directors in the new century from the above contents and angles in order to bring some reference significance to women's film creation and the development of film career.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911

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