21世纪新生代电影女性导演创作研究

发布时间：2018-08-13 17:27

【摘要】：21世纪是一个女性备受关注的“她世纪”，随着当代女性自我意识的觉醒，女性的社会地位、生命价值、政治权利、情感生活越来越成为社会大众所研究探讨的话题。女性身份地位的改观体现在社会生活的各个方面，特别是在电影文化传播领域。电影作为一种综合的艺术形式，在营造诗意氛围、塑造人物性格的同时，还以充满艺术感染力的个性话语传递着时代的观念和意识。近几年来，无论是国际影坛还是中国影坛，都出现了一个值得关注的艺术现象，那就是以描写女性生存状态为表现主题并带有鲜明独特的女性意识的女性电影蓬勃兴起。一些女性形象在女性电影中所反映出的女性意识形态不只具有性别意味，同时还具有非常丰富的社会文化内涵。因此，论文以新世纪之初开始萌芽发展的70后新生代电影女性导演作为研究对象。社会环境一定会为文艺创作打上时代的烙印,电影尤甚。因而对70后新生代女性导演的研究须结合女性导演们所处的社会背景和文化氛围来看待。这群70后新生代电影女导演虽然作品为数不多，但是丝毫不会影响她们凸显女性意识的创作观念的传播以及作品对大众的吸引力。论文将着重对其中各领风骚的代表人物及其彰显特色的代表作品作出深刻分析。从本色现实主义与诗意并存的电影精神，简洁的表现手法与黑色幽默的运用，女性形象的全方位展示以及紧跟市场商业化潮流等几个方面探讨她们追求“好看”又有“意味”的电影观念，，同时论文追溯了先辈女性导演们囿于束缚的女性表达，比较而言，在新世纪女性导演获得了更加自由的女性表达。她们的作品中女性意识的多元表现是本文研究的另一重点。并从女性主题的变化与拓展，女性导演的体验式表达以及男性角色的策略性规避等方面做出细致分析。最后论文就日常化的叙事主题，女性化的叙事视角，碎片化的叙事结构、镜像性的叙事空间以及个人化的叙事语调分析归纳了她们在作品中巧妙灵活运用的叙事策略。这些都是值得探索并传播的理论和实践范本。本文将从上述内容和角度对新世纪的新生代电影女性导演进行研究，以期能给女性的电影创作及电影事业的发展带来些许参考意义。
[Abstract]:The 21st century is a century in which women are concerned. With the awakening of contemporary women's self-consciousness, women's social status, life value, political rights and emotional life are becoming more and more the topic of discussion. The change of women's status is reflected in all aspects of social life, especially in film culture. Film, as a comprehensive art form, not only creates a poetic atmosphere and shapes the characters'personality, but also conveys the ideas and consciousness of the times with artistic appeal. In recent years, there has been a noticeable artistic phenomenon in both international and Chinese film circles, that is, describing women. Female movies with vivid and unique feminine consciousness and the theme of existence flourish. Some female images in female movies not only reflect the feminine ideology of gender, but also have very rich social and cultural connotations.
Therefore, the thesis takes the Post-70s female film directors as the research object. The social environment will surely mark the era for literary and artistic creation, especially for films. Therefore, the study of Post-70s female film directors should be combined with the social background and cultural atmosphere of female directors.
Although there are few works of these Post-70s and new generation female film directors, they have no influence on the spread of their creative ideas and the attraction of their works to the public. The coexistence of film spirit, concise technique of expression and the use of black humor, the all-round display of women's images and the trend of market commercialization are discussed in this paper. Meanwhile, the paper traces back to the constrained female expression of the predecessor female directors. Women directors in the 21st century have gained more free expression of women.
The diversified expression of women's consciousness in their works is another focus of this paper. It makes a detailed analysis from the changes and development of women's themes, the experiential expression of women directors and the strategic evasion of male roles. Mirror narrative space and personalized narrative tone analysis summarize their ingenious and flexible use of narrative strategies in their works. These are worth exploring and disseminating the theoretical and practical model. This paper will study the new century from the above content and perspective of the new generation of female film directors, in order to give women's film creation. The development of film industry has brought some reference meaning.
【学位授予单位】：湖南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911

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