新世纪中国当代军旅题材电视剧研究
发布时间:2018-08-16 10:46
【摘要】:中国电视剧从诞生之日起至今已有50多年的历史,电视剧在响应党的号召完成教化群众的同时,兼并着娱乐和文化的功能,给中国人民带来一种全新的精神娱乐体验。进入21世纪,中国电视剧更是出现了井喷式的发展,每年的电视剧产量居高不下。看电视成为大众的普遍精神娱乐方式。中国电视剧的题材种类不断发生变化,呈现出多样化的发展趋势。在此基础上,中国军旅题材电视剧得到了长足的发展,军旅题材电视剧在给观众带来视觉享受的同时,成功宣扬了主旋律文化,体现了国家的主流意识形态。随着社会的发展,人民生活水平的提高,人们对军旅题材电视剧的发展提出了更高层次的要求,随之而来的是军旅题材电视剧各种类型的变化。因此,中国当代军旅题材电视剧应运而生。中国当代军旅题材电视剧接近当下,更符合现代人的审美情趣,于是,,它的井喷现象成为一种可能。本文通过对新世纪中国当代军旅题材电视剧的界定梳理,发现其井喷发展的现象,通过对其主题和艺术特色分析,对新世纪中国当代军旅题材电视剧繁荣原因和面临的困境进行探讨。最后论述新世纪中国当代军旅题材电视剧如何突围,以及在突围中要处理好主旋律和大众文化之间的关系。另外需要说明的是,本文所涉及的中国当代军旅题材电视剧,主要是指中国大陆的当代军旅题材电视剧,港澳台地区的当代军旅题材电视剧鲜有,不作为本文的研究对象。 本论文共分为三个部分,第一部分为绪论,首先简单阐述中国当代军旅题材电视剧在我国的发展状况,其次对目前学术界在中国当代军旅题材电视剧问题上的研究现状做出综述;最后指出文章的价值意义所在。 第二部分为本文的正文部分,分为四章。第一章,新世纪中国当代军旅题材电视剧概述,分为两节。第一节,对于新世纪中国当代军旅题材电视剧界定,主要阐述了电视剧分类标准,以及众专家学者等对于中国当代军旅题材电视剧概念的阐释,最后为本文所讲述的中国当代军旅题材电视剧进行界定;第二节,对于新世纪以来中国当代军旅题材电视剧在发展中呈现出的井喷现象进行介绍。第二章,新世纪中国当代军旅题材电视剧主题和艺术特色分析,分为三节。第一节,主题意蕴分析,主要从主旋律、现代化建设、新生代风采三个方面展开论述;第二节,叙事策略分析,从电视剧的人物和情节两方面进行分析;第三节,影像风格分析,主要从镜头、喜剧元素、明星代言三个方面进行分析。第三章,新世纪中国当代军旅题材电视剧繁荣原因,分为两节。第一节,题材上的优势所在,从主旋律的优越性和审核制度的宽松分析;第二节,大众消费文化的崛起,从市场效应成为催化剂以及观众审美情趣的迎合的角度分析。第四章,新世纪中国当代军旅题材电视剧所面临的困境和突围,分为两节。第一节是所面临的困境,从创作禁区,类型模式化,娱乐元素扩大化和对现实问题的回避四个方面进行分析;第二节,如何实现突围,要处理好主旋律和大众文化之间关系,要不断突破创作瓶颈,在内容和题材上要不断创新,弘扬主流价值,避免庸俗化。 第三部分是结语,总结一下中国当代军旅题材电视剧是当代文化语境的产物,是意识形态主导文化在当代多元化文化背景下主动出击的产物,指出中国当代军旅题材电视剧在今后创作中要继续推陈出新,革故鼎新,贴近生活,贴近实际,才具有更强的生命力。
[Abstract]:Chinese TV plays have a history of more than 50 years since they were born. While responding to the Party's call to educate the masses, TV plays have both entertainment and cultural functions, bringing a brand-new spiritual and entertainment experience to the Chinese people. Watching TV has become a popular way of spiritual entertainment for the public. The variety of subjects of Chinese TV plays has been changing constantly, showing a diversified trend of development. With the development of society and the improvement of people's living standards, people have put forward higher requirements for the development of military TV dramas, followed by changes in various types of military TV dramas. The blowout phenomenon of TV plays on military themes in the new century has become a possibility because they are closer to the present and more in line with the aesthetic tastes of modern people. This paper combs through the definition of TV plays on military themes in the new century and finds out the blowout development phenomenon. Through the analysis of their themes and artistic features, the prosperity of TV plays on military themes in the new century will be achieved. Finally, it discusses how to break through the encirclement of contemporary Chinese military TV dramas in the new century, and how to deal with the relationship between the main theme and popular culture. TV dramas are rarely seen in Hong Kong, Macao and Taiwan.
This paper is divided into three parts. The first part is the introduction. First, it briefly expounds the development of contemporary Chinese military TV Series in China, secondly, it makes a summary of the current academic research on contemporary Chinese military TV series, and finally points out the significance of the article.
The second part is the main body of this paper, which is divided into four chapters. The first chapter is the summary of the contemporary Chinese military TV plays in the new century, which is divided into two sections. The second section introduces the blowout phenomenon in the development of Chinese contemporary military TV plays since the new century. The second chapter, the analysis of the theme and artistic characteristics of Chinese contemporary military TV plays in the new century, is divided into three sections. The second section, narrative strategy analysis, from the characters and plots of the TV drama analysis; the third section, image style analysis, mainly from the lens, comedy elements, star endorsement three aspects of analysis. The reasons for the prosperity of military TV plays are divided into two sections. The first section, the advantages of the subject matter, from the superiority of the main melody and the loosening of the auditing system; the second section, the rise of mass consumer culture, from the perspective of market effect as a catalyst and audience aesthetic appeal. The difficulties and breakthroughs faced by TV dramas are divided into two sections. The first section is the difficulties faced by TV dramas, which are analyzed from four aspects: the prohibited zone of creation, the pattern of types, the enlargement of entertainment elements and the avoidance of realistic problems. The second section is how to break through the difficulties, how to deal with the relationship between the theme and popular culture, and how to break through the bottleneck of creation. In content and subject matter, we should constantly innovate, carry forward the mainstream value and avoid vulgarization.
The third part is the conclusion. It summarizes that the contemporary Chinese military TV plays are the product of the contemporary cultural context and the active attack of the ideological dominant culture under the contemporary pluralistic cultural background. It has stronger vitality.
【学位授予单位】:山东师范大学
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:J905
本文编号:2185751
[Abstract]:Chinese TV plays have a history of more than 50 years since they were born. While responding to the Party's call to educate the masses, TV plays have both entertainment and cultural functions, bringing a brand-new spiritual and entertainment experience to the Chinese people. Watching TV has become a popular way of spiritual entertainment for the public. The variety of subjects of Chinese TV plays has been changing constantly, showing a diversified trend of development. With the development of society and the improvement of people's living standards, people have put forward higher requirements for the development of military TV dramas, followed by changes in various types of military TV dramas. The blowout phenomenon of TV plays on military themes in the new century has become a possibility because they are closer to the present and more in line with the aesthetic tastes of modern people. This paper combs through the definition of TV plays on military themes in the new century and finds out the blowout development phenomenon. Through the analysis of their themes and artistic features, the prosperity of TV plays on military themes in the new century will be achieved. Finally, it discusses how to break through the encirclement of contemporary Chinese military TV dramas in the new century, and how to deal with the relationship between the main theme and popular culture. TV dramas are rarely seen in Hong Kong, Macao and Taiwan.
This paper is divided into three parts. The first part is the introduction. First, it briefly expounds the development of contemporary Chinese military TV Series in China, secondly, it makes a summary of the current academic research on contemporary Chinese military TV series, and finally points out the significance of the article.
The second part is the main body of this paper, which is divided into four chapters. The first chapter is the summary of the contemporary Chinese military TV plays in the new century, which is divided into two sections. The second section introduces the blowout phenomenon in the development of Chinese contemporary military TV plays since the new century. The second chapter, the analysis of the theme and artistic characteristics of Chinese contemporary military TV plays in the new century, is divided into three sections. The second section, narrative strategy analysis, from the characters and plots of the TV drama analysis; the third section, image style analysis, mainly from the lens, comedy elements, star endorsement three aspects of analysis. The reasons for the prosperity of military TV plays are divided into two sections. The first section, the advantages of the subject matter, from the superiority of the main melody and the loosening of the auditing system; the second section, the rise of mass consumer culture, from the perspective of market effect as a catalyst and audience aesthetic appeal. The difficulties and breakthroughs faced by TV dramas are divided into two sections. The first section is the difficulties faced by TV dramas, which are analyzed from four aspects: the prohibited zone of creation, the pattern of types, the enlargement of entertainment elements and the avoidance of realistic problems. The second section is how to break through the difficulties, how to deal with the relationship between the theme and popular culture, and how to break through the bottleneck of creation. In content and subject matter, we should constantly innovate, carry forward the mainstream value and avoid vulgarization.
The third part is the conclusion. It summarizes that the contemporary Chinese military TV plays are the product of the contemporary cultural context and the active attack of the ideological dominant culture under the contemporary pluralistic cultural background. It has stronger vitality.
【学位授予单位】:山东师范大学
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:J905
【参考文献】
相关期刊论文 前10条
1 李治安;;当前军旅题材电视剧的四大类型[J];当代电视;2006年06期
2 韩骏伟;军旅影视艺术的现状与思考[J];电视研究;2003年01期
3 杨旦修;;我国军旅题材电视剧的概念、分类及创作的历史沿革[J];电视研究;2010年03期
4 杜芳;戴艳军;;论当代军事题材“主旋律”影视片及其价值[J];电影文学;2012年22期
5 李红玲;;聚焦2012上半年电视剧市场[J];电视研究;2012年10期
6 刘复生;朱慧丽;;商业时代的“主旋律”——“主旋律”创作领域影视剧与小说的互动关系[J];海南师范大学学报(社会科学版);2007年02期
7 陈鸿秀;;明星制:中国影视业发展的有效途径[J];青海社会科学;2007年01期
8 林凌;;反思新世纪军旅电视剧[J];社会科学;2008年05期
9 张东;狂潮中的冷思——近期军事题材电视剧创作问题思考[J];文艺研究;2001年02期
10 尹鸿;冲突与共谋——论中国电视剧的文化策略[J];文艺研究;2001年06期
本文编号:2185751
本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2185751.html