国产电影创作与新的“当代史”书写

发布时间：2018-08-18 10:13

【摘要】：本文主要分析近些年一些国产电影对当代史的重新叙述,来反思当下中国所面对的复杂情势。目前,有三种不同的当代史故事,一类是弥合当代史的创伤(《集结号》《唐山大地震》等),二是无法归来的父亲(《归来》《闯入者》等),三是新的中国主体(《狼图腾》《战狼》等)。相比冷战后其他社会主义国家的解体,当代史与当下中国保持着密切的互动关系,这不仅因为当下中国依然处在当代史的传统(阴影)之中,更重要的是当下中国的不确定性和矛盾时刻迫使人们返回到当代史中来锚定自己的位置
[Abstract]:This paper mainly analyzes the restatement of contemporary history in some domestic films in recent years to reflect on the complex situation facing China. At present, there are three different kinds of contemporary history stories, one is to heal the trauma of contemporary history (Assembly number > < Tangshan earthquake > etc.), the other is the father who cannot return ("return" < intruder), and the third is the new Chinese main body ("Wolf Totem" < Wolf Warriors > etc.) Compared with the disintegration of other socialist countries after the cold war, contemporary history has maintained close interaction with the present China, not only because China is still in the tradition (shadow) of contemporary history. What is more important is that the uncertainties and contradictions in China now force people to return to anchor their place in contemporary history.
【作者单位】：中国艺术研究院电影电视艺术研究所;
【分类号】：J905

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