浅析镜头语言在剧情片《路》中的运用
发布时间：2018-08-18 10:18
【摘要】：影视文学剧本是由人物的塑造、情节的编排和矛盾冲突构成，有了文学剧本，挑选合适的演员，加上中期的拍摄和后期的剪辑，就形成了一部完整的影视剧作品。蒙太奇手法是影视作品拍摄制作过程中最为实用却也最难掌握的方式，如何通过对分镜头的运用，将文字语言转化成为镜头语言，并且使镜头语言更加直观，这是运用蒙太奇手法的一大难点。 本文重在对《路》这部影片中镜头语言的运用进行具体分析，，在景别的运用上，分别说明了各种景别的定义，并结合影片中运用的景别进行分析。片子中通过运用推、摇、移这三种主要的拍摄方式，形成不同感觉的画面，促进剧情发展。最后在画面的处理方面，也是结合影片的剪辑部分逐一分析。本文还讲述了镜头语言与光线色彩的关系，拍摄中的重点难点及不足。 在一部作品当中，镜头语言的运用是否得当，关系到作品能否充分地展示主题，表现主要内容，从而引发人们的共鸣。所以说镜头语言是影视作品重要的组成部分。
[Abstract]:The screenplay of film and television literature is made up of characters, plot arrangement and conflict. With the literary script, the suitable actors are selected, and the middle stage shooting and the later editing, a complete film and TV play works is formed. Montage technique is the most practical but also the most difficult to master in the process of film and television production. How to transform the text language into the lens language through the use of the separated lens, and make the lens language more intuitive, This is the use of montage technique a major difficulty. This paper focuses on the use of lens language in the film "Road", explains the definition of each kind of scene in the application of scene, and analyzes the application of scene in the film. Through the use of push, shake, and shift of the three main shooting methods, to form different feelings of the screen, promote the development of the plot. Finally in the picture processing aspect, also is unifies the movie clip part one by one analysis. This paper also describes the relationship between lens language and light color, the key points and difficulties in shooting. In a work, whether the use of lens language is appropriate or not is related to whether the work can fully display the theme and the main content, thus arousing the resonance of people. Therefore, lens language is an important part of film and television works.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2189163
[Abstract]:The screenplay of film and television literature is made up of characters, plot arrangement and conflict. With the literary script, the suitable actors are selected, and the middle stage shooting and the later editing, a complete film and TV play works is formed. Montage technique is the most practical but also the most difficult to master in the process of film and television production. How to transform the text language into the lens language through the use of the separated lens, and make the lens language more intuitive, This is the use of montage technique a major difficulty. This paper focuses on the use of lens language in the film "Road", explains the definition of each kind of scene in the application of scene, and analyzes the application of scene in the film. Through the use of push, shake, and shift of the three main shooting methods, to form different feelings of the screen, promote the development of the plot. Finally in the picture processing aspect, also is unifies the movie clip part one by one analysis. This paper also describes the relationship between lens language and light color, the key points and difficulties in shooting. In a work, whether the use of lens language is appropriate or not is related to whether the work can fully display the theme and the main content, thus arousing the resonance of people. Therefore, lens language is an important part of film and television works.
【学位授予单位】：辽宁大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
【参考文献】
相关期刊论文 前3条
1 王健龙;;利用三维优势充分发挥镜头语言[J];大众文艺;2011年15期
2 储菲菲;;影像语言结构的梦幻与神奇——析电影《迷墙》的镜头语言[J];青年作家(中外文艺版);2010年08期
3 赵春;;一种影像,两道风景——小津安二郎与侯孝贤电影比较[J];艺术学界;2011年01期
本文编号：2189163
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