《龙纹身的女孩》和《疯狂的麦克斯：狂暴之路》中的女性暴力解读
发布时间：2018-08-25 14:43
【摘要】：21世纪以来,电子科技时代的快速发展使得电影在全球范围内的号召力和影响力日趋扩大,电影中传递的思想也越来越多的反映当代社会的思想走势。本文选取两部炙手可热的好莱坞电影《龙纹身的女孩》及《疯狂的麦克斯:狂暴之路》来探讨其所展现的新世纪暴力女性形象。本文以西蒙·德·波伏娃提出的存在主义女性主义为切入视角去挖掘女性成为父权社会背景下男性暴力承受者的深层次原因,并试图揭示女性以暴制暴的可行性与进步性。在父权社会,女人没有主体地位,他者的身份的束缚致使她们的存在并缺乏超越性和创造性。父权制社会建立的文化和规定导致了女人的这种劣势地位。西蒙娜·德·波伏瓦认为女性只有在意识到自身超越性和内在性的冲突之后,为实现独立而奋斗,才能获得女性的真正解放。两部电影中女性均以诉诸暴力的形式完成了自身由被施暴者像是施暴者的转变,由此摆脱了男性暴力对女性的身体折磨和精神控制。《龙纹身的女孩》及《疯狂的麦克斯:狂暴之路》中的女性的共性是,她们都以其自身的暴力实践进行女性的权利抗争,以暴力的方式反抗男性为中心的社会文化和伦理。不过,波伏娃在《第二性》也强调了女性的理想处境是在社会制度、男性观念全面解放的前提下超越不利环境,全面实现女性作为个体“人”的价值。她坚决反对将女性从男性世界中割裂出来,认为妇女解放的目标和理想结果是在承认男女差异的基础上实现两性的完全平等及和谐共处,共同创造两性组成的世界的美好未来。在《龙纹身的女孩》和《疯狂的麦克斯:狂暴之路》中,女性并没有以暴力继续与男性保持对立关系,而是试图在保证自身绝对自主的前提下探索与男性的和平共处。
[Abstract]:Since the 21st century, with the rapid development of electronic science and technology era, the appeal and influence of the film in the global scope are increasingly expanded, and the ideas transmitted in the film more and more reflect the ideological trend of the contemporary society. In this paper, two popular Hollywood films, the Girl with Dragon Tattoo, and the Crazy Max: the Road to violence, are selected to explore the images of violent women in the new century. From the perspective of existentialist feminism put forward by Simon de Bovova, this paper explores the deep reasons why women become male victims of violence in patriarchal society, and tries to reveal the feasibility and progress of female violence control by violence. In the patriarchal society, women have no subjective status, and the bondage of other's status leads to their existence and lack of transcendence and creativity. The culture and regulations established by patriarchal society lead to the inferior position of women. Simone de Beaufoy believes that women can be truly liberated only when they realize the conflict of transcendence and internality and strive for independence. In both films, women make their own transition from the aggressor to the perpetrator, in the form of violence. So they get rid of the physical torture and mental control of women from male violence. Girls with Dragon Tattoo and Mad Max: raging Road, they all fight for women's rights with their own violent practices. Revolt against male-centered social culture and ethics in a violent manner. However, in the second Sex, Bovova also emphasized that the ideal situation of women is to transcend the unfavorable environment under the premise of the social system and the complete emancipation of the male concept, and fully realize the value of women as individual "human". She firmly opposes the separation of women from the male world, believing that the goal and ideal result of women's liberation is to achieve full equality and harmonious coexistence of both sexes on the basis of recognizing the differences between men and women, and to jointly create a bright future for a world composed of men and women. In Girls with Dragon Tattoo and Mad Max: raging Road, women try to explore peaceful coexistence with men without violence.
【学位授予单位】：广东外语外贸大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
本文编号：2203193
[Abstract]:Since the 21st century, with the rapid development of electronic science and technology era, the appeal and influence of the film in the global scope are increasingly expanded, and the ideas transmitted in the film more and more reflect the ideological trend of the contemporary society. In this paper, two popular Hollywood films, the Girl with Dragon Tattoo, and the Crazy Max: the Road to violence, are selected to explore the images of violent women in the new century. From the perspective of existentialist feminism put forward by Simon de Bovova, this paper explores the deep reasons why women become male victims of violence in patriarchal society, and tries to reveal the feasibility and progress of female violence control by violence. In the patriarchal society, women have no subjective status, and the bondage of other's status leads to their existence and lack of transcendence and creativity. The culture and regulations established by patriarchal society lead to the inferior position of women. Simone de Beaufoy believes that women can be truly liberated only when they realize the conflict of transcendence and internality and strive for independence. In both films, women make their own transition from the aggressor to the perpetrator, in the form of violence. So they get rid of the physical torture and mental control of women from male violence. Girls with Dragon Tattoo and Mad Max: raging Road, they all fight for women's rights with their own violent practices. Revolt against male-centered social culture and ethics in a violent manner. However, in the second Sex, Bovova also emphasized that the ideal situation of women is to transcend the unfavorable environment under the premise of the social system and the complete emancipation of the male concept, and fully realize the value of women as individual "human". She firmly opposes the separation of women from the male world, believing that the goal and ideal result of women's liberation is to achieve full equality and harmonious coexistence of both sexes on the basis of recognizing the differences between men and women, and to jointly create a bright future for a world composed of men and women. In Girls with Dragon Tattoo and Mad Max: raging Road, women try to explore peaceful coexistence with men without violence.
【学位授予单位】：广东外语外贸大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
【参考文献】
相关期刊论文 前1条
1 汪献平;;娱乐还是抗争?——当代女性暴力电影研究[J];戏剧(中央戏剧学院学报);2006年03期
，本文编号：2203193
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