20世纪90年代以来家庭伦理剧模式化问题研究
发布时间：2018-08-25 18:41
【摘要】：中国的家庭伦理剧自20世纪90年代以来,经过二十多年的发展,逐渐形成一套成熟的创作套路，但这种成熟又使另外一方面的问题凸显出来，即家庭伦理剧陷入了创作的模式化：故事情节大同小异、人物设定似曾相识、题材表现循环往复，等等，这种模式化无疑已经开始制约着中国家庭伦理剧的进一步发展。 既然中国家庭伦理剧的创作中存在着模式化问题已是不容置疑的事实，那就更要求我们不但能够从宏观上对这一现象有所把握，更需要从微观层面深入探讨造成这一现象的具体成因，，并由此推导出有可能解决这一问题的可行性方法。 本文拟从“模式化”这一视角对切入，对20世纪90年代以来在社会上引起过较大反响的家庭伦理剧作品予以观照，力图明晰其中存在着人物模式化、题材模式化、叙事风格模式化及主题模式化等几大模式化现象，并进行相应的分析。在此基础上，进一步探讨造成这些问题的几方因素：审查体制、观众接受心理、制作方和创作者等。在对其成因有了明确的把握后，试图提出一部分可行的理论性方案。
[Abstract]:Since the 1990s, after more than 20 years of development, Chinese family ethics drama has gradually formed a set of mature creative routines, but this maturity has made the other side of the problem stand out. That is, the family ethics drama has fallen into the pattern of creation: the story plot is more or less the same, the character set deja vu, the theme performance circulates back and forth, and so on, this kind of pattern has undoubtedly begun to restrict the further development of the Chinese family ethics drama. Since it is an indisputable fact that there is a stylized problem in the creation of Chinese family ethics dramas, it requires us not only to have a good grasp of this phenomenon from the macro perspective, It is necessary to probe into the causes of this phenomenon from the micro level, and to deduce the feasible method to solve the problem. From the perspective of "pattern", this article intends to take a look at the family ethics drama works which have aroused great repercussions in the society since the 1990s, and try to make it clear that there are patterns of characters and motifs in them. Narration style pattern and theme pattern and so on several big pattern phenomenon, and carries on the corresponding analysis. On the basis of this, several factors causing these problems are further discussed: censorship system, audience acceptance psychology, producers and creators, and so on. After having a clear understanding of its causes, this paper tries to put forward some feasible theoretical schemes.
【学位授予单位】：广西民族大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2203762
[Abstract]:Since the 1990s, after more than 20 years of development, Chinese family ethics drama has gradually formed a set of mature creative routines, but this maturity has made the other side of the problem stand out. That is, the family ethics drama has fallen into the pattern of creation: the story plot is more or less the same, the character set deja vu, the theme performance circulates back and forth, and so on, this kind of pattern has undoubtedly begun to restrict the further development of the Chinese family ethics drama. Since it is an indisputable fact that there is a stylized problem in the creation of Chinese family ethics dramas, it requires us not only to have a good grasp of this phenomenon from the macro perspective, It is necessary to probe into the causes of this phenomenon from the micro level, and to deduce the feasible method to solve the problem. From the perspective of "pattern", this article intends to take a look at the family ethics drama works which have aroused great repercussions in the society since the 1990s, and try to make it clear that there are patterns of characters and motifs in them. Narration style pattern and theme pattern and so on several big pattern phenomenon, and carries on the corresponding analysis. On the basis of this, several factors causing these problems are further discussed: censorship system, audience acceptance psychology, producers and creators, and so on. After having a clear understanding of its causes, this paper tries to put forward some feasible theoretical schemes.
【学位授予单位】：广西民族大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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