当代城市与城市女性的影像纪录者—宁瀛电影研究
发布时间：2018-08-26 09:23
【摘要】：宁瀛具有独立的创作精神,她出生于1956年,并于1990年开始独立拍片。她坚持深度纪实的创作理念,且其影片风格并非一成不变,不断进行实验性的探索是她的态度。从早期“北京三部曲”的客观记录风格,到《无穷动》后现代风格的初露端倪,再到《A面B面》中的黑色幽默,无一不看出宁瀛在电影创作方面的激情以及真实表达自己的坚定。 从电影的主题来看,基于对转型期间城市空间和社会问题的探索之上,人的生存状态是宁瀛一直关注和表现的客体。本文第一章以宁瀛作品的创作时间为纵线,将她镜头中的城市变化作为切入点,探索城市变化背后的秘密——人的迷失以及社会秩序的重构；第二章则从电影界对宁瀛“先锋女导演”这个称谓入手,分析其作为中国当代最具先锋气质的导演之一,对于银幕中的女性形象以及中国女性主义电影这方面的探索和表达。本文的第三章是在前人研究的基础上,更加深入地分析其再现与表现相结合的艺术特色。一方面是纪实主义的艺术语言,长镜头及开放式的结尾；另一方面是黑色幽默的表现风格,象征和隐喻语言的运用。
[Abstract]:Ning Ying has an independent creative spirit, she was born in 1956, and started shooting independently in 1990. She adheres to the idea of deep documentary writing, and her film style is not fixed. It is her attitude to make experimental explorations. From the objective recording style of the early "Beijing Trilogy" to the beginning of the postmodern style of "Infinity", to the black humor in "A face B", All of us can see Ning Ying's passion in film creation and her firm expression. From the theme of the film, based on the exploration of urban space and social problems during the transition period, the living state of human beings is the object that Ningying has been paying close attention to and expressing all the time. The first chapter takes the writing time of Ning Ying's works as the vertical line, takes the urban change in her lens as the breakthrough point, explores the secret behind the urban change-the loss of human beings and the reconstruction of social order. The second chapter starts with the title of Ningying's "Pioneer female Director" in the film industry, and analyzes its exploration and expression on the female image on screen and the Chinese feminist film as one of the most vanguard directors in contemporary China. The third chapter is based on the previous studies, more in-depth analysis of the combination of reproduction and performance of the artistic characteristics. On the one hand, it is the artistic language of documentalism, long shot and open ending; on the other hand, it is the expression style of black humor, the use of symbolic and metaphorical language.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911
本文编号：2204425
[Abstract]:Ning Ying has an independent creative spirit, she was born in 1956, and started shooting independently in 1990. She adheres to the idea of deep documentary writing, and her film style is not fixed. It is her attitude to make experimental explorations. From the objective recording style of the early "Beijing Trilogy" to the beginning of the postmodern style of "Infinity", to the black humor in "A face B", All of us can see Ning Ying's passion in film creation and her firm expression. From the theme of the film, based on the exploration of urban space and social problems during the transition period, the living state of human beings is the object that Ningying has been paying close attention to and expressing all the time. The first chapter takes the writing time of Ning Ying's works as the vertical line, takes the urban change in her lens as the breakthrough point, explores the secret behind the urban change-the loss of human beings and the reconstruction of social order. The second chapter starts with the title of Ningying's "Pioneer female Director" in the film industry, and analyzes its exploration and expression on the female image on screen and the Chinese feminist film as one of the most vanguard directors in contemporary China. The third chapter is based on the previous studies, more in-depth analysis of the combination of reproduction and performance of the artistic characteristics. On the one hand, it is the artistic language of documentalism, long shot and open ending; on the other hand, it is the expression style of black humor, the use of symbolic and metaphorical language.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911
【参考文献】
相关期刊论文 前1条
1 修倜;当代中国电影中的黑色幽默[J];电影艺术;2005年01期
，本文编号：2204425
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