意大利新现实主义的美学空间
发布时间：2018-08-31 20:02
【摘要】：作为二战之后第一次大规模的电影运动,意大利新现实主义给我们留下了一批影响深远的优秀作品,其丰富的作品内涵和先进的美学观念,在其之后的不同国家和地区,直接或间接地开启了一次次新的电影革命,影响了一代又一代的电影创作者。因为将摄影机放到社会现实中去进行实景拍摄,并将其与故事紧密结合在一起,意大利新现实主义作品的空间因此有了更新的形态和更多的内涵。分析意大利新现实主义的空间架构,就是要试图找到新现实主义通过塑造现实形成自己独特美学空间的方法。围绕这个问题的探讨,必将从其影片空间的美学实践中来进行探析。本文对于影片空间架构的分析,一方面基于对镜头空间和场景空间的结构分析,另一方面基于故事走向的整体叙事空间架构分析。本文以电影美学为理论基础,结合电影剧作学的理论方法,围绕意大利新现实主义的美学特征之一的美学空间展开论述。全文分为四章。第一章梳理意大利新现实主义的历史,同时就作品本身作简要的介绍；第二章探讨新现实主义空间美学功能,从写实功能和表意功能两个方面展开；第三章分析了意大利新现实主义在叙事和组织上的架构；第四章结合理论分析,探讨剧本创作和理论形成的关系,以及理论探讨如何应用于电影创作实践。
[Abstract]:As the first large-scale film movement after World War II, Italy's neo-realism left us with a number of outstanding works with far-reaching influence, its rich content and advanced aesthetic concepts, in different countries and regions after the war. Directly or indirectly opened a new film revolution, affecting generation after generation of film creators. Because the camera is put into the social reality to shoot the real scene, and it is closely combined with the story, the space of the Italian neo-realism works has a new form and more connotation. To analyze the space structure of Italian neo-realism is to try to find a way for neo-realism to form its own unique aesthetic space by shaping reality. The discussion around this problem will be analyzed from the aesthetic practice of its film space. In this paper, the analysis of the space structure of the film is based on the structure analysis of the lens space and scene space on the one hand, and the overall narrative space structure analysis based on the trend of the story on the other. Based on the theory of film aesthetics and the theoretical method of film drama, this paper discusses the aesthetic space of one of the aesthetic characteristics of new realism in Italy. The full text is divided into four chapters. The first chapter combs the history of Italian neo-realism, at the same time makes a brief introduction to the work itself, the second chapter discusses the space aesthetic function of neo-realism, from realistic function and ideographic function. The third chapter analyzes the structure of Italian neo-realism in narrative and organization, the fourth chapter discusses the relationship between script creation and theoretical formation, and discusses how to apply it to film creation practice.
【学位授予单位】：中国电影艺术研究中心
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905
本文编号：2216017
[Abstract]:As the first large-scale film movement after World War II, Italy's neo-realism left us with a number of outstanding works with far-reaching influence, its rich content and advanced aesthetic concepts, in different countries and regions after the war. Directly or indirectly opened a new film revolution, affecting generation after generation of film creators. Because the camera is put into the social reality to shoot the real scene, and it is closely combined with the story, the space of the Italian neo-realism works has a new form and more connotation. To analyze the space structure of Italian neo-realism is to try to find a way for neo-realism to form its own unique aesthetic space by shaping reality. The discussion around this problem will be analyzed from the aesthetic practice of its film space. In this paper, the analysis of the space structure of the film is based on the structure analysis of the lens space and scene space on the one hand, and the overall narrative space structure analysis based on the trend of the story on the other. Based on the theory of film aesthetics and the theoretical method of film drama, this paper discusses the aesthetic space of one of the aesthetic characteristics of new realism in Italy. The full text is divided into four chapters. The first chapter combs the history of Italian neo-realism, at the same time makes a brief introduction to the work itself, the second chapter discusses the space aesthetic function of neo-realism, from realistic function and ideographic function. The third chapter analyzes the structure of Italian neo-realism in narrative and organization, the fourth chapter discusses the relationship between script creation and theoretical formation, and discusses how to apply it to film creation practice.
【学位授予单位】：中国电影艺术研究中心
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905
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