大众文化视角下21世纪中国魔幻电影研究
发布时间：2018-09-02 06:53
【摘要】：电影,作为大众文化中的代表性文化形态,在大众传媒高速发展的今天,越来越受到人们的关注。进入二十一世纪以来,以《指环王》、《哈利·波特》《纳尼亚传奇》等系列电影为代表的魔幻电影凭借着精妙绝伦的想象力、宏大的叙事框架、具有视觉冲击的影像特征为全世界刮来一阵魔幻之风,这些影片以精美的画面和逼真的特效把观众带入了一个从未涉足过的世界,观众的口碑和票房的双丰收引得各大电影公司纷纷效仿,短短十几年的时间便使魔幻电影成为一大卖座电影类型。 大众文化的特点之一就是文化产品被大批量复制、传播对象广泛,市场和受众的需求也往往影响着电影的创作。经过多年的发展,中国电影也逐渐进入了市场化和类型化时期,经过中国电影人的不断探索和努力,也创作出了一些带有东方元素的中国魔幻电影。但是由于这一类型在中国本土还属于新鲜事物,处在蓬勃发展时期,因此从它目前的发展状况来看,还存在着一些不足。本文就将目光投向中国大众文化形态的代表之一——魔幻电影,具体分析中国魔幻电影的叙事影像特征和消费主义语境下透露出的文化特征,并从中分析出我国魔幻电影存在的问题以及未来的发展趋势。 绪论中介绍了本文的研究意义,研究现状以及研究方法。 正文部分的第一章介绍了魔幻电影的定义和发展情况,并立足我国本土研究,对本文所要研究的对象进行了界定,在国内对中国魔幻电影尚无准确定义的情况下,根据研究对象的特征为中国魔幻电影下了定义,并探讨了我国魔幻电影产生的社会文化语境。 第二章结合具体文本,对中国魔幻电影的影像叙事方面进行了分析,首先从电影的叙事策略方面分析,分别从题材的选取、叙事主题、叙事结构和叙事空间四个方面对中国魔幻电影进行了文本分析,概括出中国魔幻电影的基本叙事方式。接着从中国魔幻电影的影像画面特征进行分析,指出奇观化是魔幻电影最重要的影像特征也是最明显的表现形式,具体从静态造型、动作行为方面进行分析,分析出中国魔幻电影所具备的奇观化特征。 第三章将目光从电影的表现形式——叙事和影像方面转向了其背后隐藏着的文化特征。经过对具体文本的分析之后,分析出中国魔幻电影的内在文化特征,不仅对我国传统价值进行了当代演绎,将符合当代价值观念的部分进行了保留和强化,将不符合当代价值观念的部分进行了颠覆和消解,同时,又从影像呈现中体现了大众对于娱乐消费方面的诉求,具体体现在对伦理秩序的弱化和对女性身体的消费。 经过对中国魔幻电影的叙事影像以及文化特征的分析之后,第四章则要谈到中国魔幻电影自身的不足,最后对中国魔幻电影的未来进行展望,探讨其未来的发展趋势。
[Abstract]:Film, as a representative cultural form in mass culture, has attracted more and more attention in the rapid development of mass media. Since the 21 century, magic films, such as the Lord of the Rings, Harry Potter, Narnia Legend and so on, have relied on their brilliant imagination and grand narrative framework. The visual impact features a magical wind blowing around the world, and these films bring the audience into a world that has never been set foot in, with beautiful pictures and vivid special effects. Public praise and box-office harvest led to the film companies have to follow, in just a decade to make magic movies become a big hit movie type. One of the characteristics of popular culture is that the cultural products are copied in large quantities, the objects of communication are widespread, and the market and the needs of the audience often affect the creation of films. After years of development, Chinese films have gradually entered the period of marketization and typology. Through the continuous exploration and efforts of Chinese filmmakers, some Chinese magic films with oriental elements have also been created. However, because this type is still new in China, it is in a period of vigorous development, so there are still some deficiencies in its current development. This paper focuses on one of the representatives of Chinese popular culture, magic film, and analyzes the narrative image characteristics of Chinese magic film and the cultural characteristics revealed in the context of consumerism. From the analysis of our country magic film problems and the future development trend. The introduction introduces the significance, research status and research methods of this paper. The first chapter of the text introduces the definition and development of magic film, and based on the local study of our country, defines the object of this paper, if there is no accurate definition of Chinese magic film in China. According to the characteristics of the object of study, this paper defines the Chinese magic film, and probes into the social and cultural context of the magic film in China. The second chapter combines the concrete text, carries on the analysis to the Chinese magic film image narration aspect, first from the movie narrative strategy aspect analysis, separately from the theme selection, the narrative theme, The narrative structure and narrative space of Chinese magic film are analyzed, and the basic narrative mode of Chinese magic film is summarized. Then it analyzes the image picture features of Chinese magic film, and points out that wonder is the most important image feature and the most obvious form of expression of magic film. It is analyzed from the aspects of static modeling and action behavior. Analysis of the magic film in China has the characteristics of wonders. The third chapter focuses on the cultural features hidden behind the film from the aspects of narrative and image. After analyzing the specific text, this paper analyzes the internal cultural characteristics of Chinese magic film, not only deduces the traditional value of our country, but also preserves and strengthens the part that accords with the contemporary value. The part which does not accord with the contemporary values is subverted and dispelled. At the same time, the mass demands for entertainment consumption are reflected in the image presentation, which is embodied in the weakening of the ethical order and the consumption of the female body. After analyzing the narrative images and cultural characteristics of Chinese magic films, the fourth chapter discusses the shortcomings of the Chinese magic movies, and finally looks forward to the future of Chinese magic movies and discusses the future development trend.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2218608
[Abstract]:Film, as a representative cultural form in mass culture, has attracted more and more attention in the rapid development of mass media. Since the 21 century, magic films, such as the Lord of the Rings, Harry Potter, Narnia Legend and so on, have relied on their brilliant imagination and grand narrative framework. The visual impact features a magical wind blowing around the world, and these films bring the audience into a world that has never been set foot in, with beautiful pictures and vivid special effects. Public praise and box-office harvest led to the film companies have to follow, in just a decade to make magic movies become a big hit movie type. One of the characteristics of popular culture is that the cultural products are copied in large quantities, the objects of communication are widespread, and the market and the needs of the audience often affect the creation of films. After years of development, Chinese films have gradually entered the period of marketization and typology. Through the continuous exploration and efforts of Chinese filmmakers, some Chinese magic films with oriental elements have also been created. However, because this type is still new in China, it is in a period of vigorous development, so there are still some deficiencies in its current development. This paper focuses on one of the representatives of Chinese popular culture, magic film, and analyzes the narrative image characteristics of Chinese magic film and the cultural characteristics revealed in the context of consumerism. From the analysis of our country magic film problems and the future development trend. The introduction introduces the significance, research status and research methods of this paper. The first chapter of the text introduces the definition and development of magic film, and based on the local study of our country, defines the object of this paper, if there is no accurate definition of Chinese magic film in China. According to the characteristics of the object of study, this paper defines the Chinese magic film, and probes into the social and cultural context of the magic film in China. The second chapter combines the concrete text, carries on the analysis to the Chinese magic film image narration aspect, first from the movie narrative strategy aspect analysis, separately from the theme selection, the narrative theme, The narrative structure and narrative space of Chinese magic film are analyzed, and the basic narrative mode of Chinese magic film is summarized. Then it analyzes the image picture features of Chinese magic film, and points out that wonder is the most important image feature and the most obvious form of expression of magic film. It is analyzed from the aspects of static modeling and action behavior. Analysis of the magic film in China has the characteristics of wonders. The third chapter focuses on the cultural features hidden behind the film from the aspects of narrative and image. After analyzing the specific text, this paper analyzes the internal cultural characteristics of Chinese magic film, not only deduces the traditional value of our country, but also preserves and strengthens the part that accords with the contemporary value. The part which does not accord with the contemporary values is subverted and dispelled. At the same time, the mass demands for entertainment consumption are reflected in the image presentation, which is embodied in the weakening of the ethical order and the consumption of the female body. After analyzing the narrative images and cultural characteristics of Chinese magic films, the fourth chapter discusses the shortcomings of the Chinese magic movies, and finally looks forward to the future of Chinese magic movies and discusses the future development trend.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
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