我国谍战题材影视作品叙事研究
发布时间:2018-09-02 07:40
【摘要】:自新时期以来,影视事业发展的突飞猛进,各类题材影视层出不穷。爱情剧、喜剧、家庭伦理剧、侦探剧、历史剧等等。但是,还有这样一个题材吸引着我们的注意力,那就是谍战剧。它也是属于时代的产物,因为现代人生活安逸特别,在这种状态下的人们需要通过英雄人物来振奋他们的内心,从而更积极向上的生活。整日美国大片里的英雄主义,在银屏中经常出现的英雄人物,如蜘蛛侠、钢铁侠、变形金刚系列等带给观众的冲击力一样。从2006年起,谍战剧就迎来了自己的春天,接档剧集从未间断。在2009年,谍战剧迎来了空前的收视热潮,《潜伏》的出现让国人对谍战剧有了全新的认识,让学术界不断努力潜心研究这一类型作品。直至今日热潮仍未退却,许多制作团队从热情高涨到盲目跟随,转向冷静思考最后重新出发,,这些种种努力和蜕变为谍战剧在中国市场打拼出了一个不可取代的地位。 本文主要研究谍战作品的叙事功能,首先对其进行合理的定义并将其发展演变过程进行梳理。然后针对其在叙事理论上的应用做出分析,并随后归纳出其叙事结构的方式。最后将着眼于国际市场,将国外高收视率的谍战作品与我国同类型作品进行对比。例如创作背景、叙事方式、女性特征等等诸多方面中归纳出各自的优缺点,并取长补短。在全文的最后也会为我国谍战题材影视作品更好的发展提出一些合理性的意见与建议。
[Abstract]:Since the new era, the rapid development of film and television industry, various themes of film and television emerge in endlessly. Love dramas, comedies, family ethics dramas, detective dramas, historical dramas, etc. However, there is another theme that attracts our attention, and that is espionage. It is also a product of the times, because modern life is special, in which people need to inspire their hearts through heroes to live a more positive life. The heroism of American blockbusters all day is the same as the impact of the Spider-Man, Iron Man, Transformers series on the screen. Since 2006, espionage has ushered in its own spring, the next series never stopped. In 2009, espionage drama ushered in an unprecedented viewing boom, the emergence of "latent" made the Chinese people have a new understanding of espionage drama, so that the academic community has been working hard to study this type of work. To this day, the craze has not abated, and many production teams have moved from enthusiasm to blindly following, to thinking calmly and finally restarting, which has transformed into an irreplaceable role for spy dramas in the Chinese market. This paper mainly studies the narrative function of espionage works, firstly defines it reasonably and combs its development and evolution process. Then it analyzes its application in narrative theory, and then sums up the way of its narrative structure. Finally, focusing on the international market, the foreign works of high ratings spy warfare are compared with the works of the same type in our country. For example, the writing background, narrative style, female characteristics and so on, summed up their advantages and disadvantages, and learn from each other. At the end of the paper, some reasonable opinions and suggestions will be put forward for the better development of China's espionage film and television works.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905
本文编号:2218704
[Abstract]:Since the new era, the rapid development of film and television industry, various themes of film and television emerge in endlessly. Love dramas, comedies, family ethics dramas, detective dramas, historical dramas, etc. However, there is another theme that attracts our attention, and that is espionage. It is also a product of the times, because modern life is special, in which people need to inspire their hearts through heroes to live a more positive life. The heroism of American blockbusters all day is the same as the impact of the Spider-Man, Iron Man, Transformers series on the screen. Since 2006, espionage has ushered in its own spring, the next series never stopped. In 2009, espionage drama ushered in an unprecedented viewing boom, the emergence of "latent" made the Chinese people have a new understanding of espionage drama, so that the academic community has been working hard to study this type of work. To this day, the craze has not abated, and many production teams have moved from enthusiasm to blindly following, to thinking calmly and finally restarting, which has transformed into an irreplaceable role for spy dramas in the Chinese market. This paper mainly studies the narrative function of espionage works, firstly defines it reasonably and combs its development and evolution process. Then it analyzes its application in narrative theory, and then sums up the way of its narrative structure. Finally, focusing on the international market, the foreign works of high ratings spy warfare are compared with the works of the same type in our country. For example, the writing background, narrative style, female characteristics and so on, summed up their advantages and disadvantages, and learn from each other. At the end of the paper, some reasonable opinions and suggestions will be put forward for the better development of China's espionage film and television works.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J905
【参考文献】
相关期刊论文 前7条
1 吴闻博;;谍战剧《潜伏》的戏剧结构分析[J];当代电影;2009年10期
2 朱小小;;《潜伏》——中国谍战剧的重大突破[J];剧影月报;2009年03期
3 张金华;;国产谍战剧的一次华丽转身——对电视剧《潜伏》的审美解读[J];声屏世界;2009年09期
4 胡元;;谍影重重——论当下荧屏谍战片热[J];视听纵横;2008年05期
5 郭淑梅;李大武;;生活化·职场化·喜剧化——谍战剧《潜伏》的经典转身[J];文艺评论;2009年06期
6 毛凌滢;;改编电视剧批评:多元视角与跨学科的立体审视[J];现代传播(中国传媒大学学报);2008年04期
7 赵莹;;浅析电视剧《暗算》的叙事策略[J];中国电视;2007年01期
本文编号:2218704
本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2218704.html