影视镜头“空”的意境美
发布时间：2018-09-04 07:28
【摘要】：正镜头亦称"景物镜头",是影视作品中独特的语言形式。影视镜头除了实体画面之外,有时需要"空"。什么是影视镜头的"空"?首先,镜头的"空"并不是指没有颜色,而是指单一色调的背景,例如大面积影调单一的天空、夜空、水面、地面等,也可以是陪衬主体起空白作用的画面,例如色调相近的远山,大面积的树木、草地等。这些镜头在影视作品中往往能够产生借物喻情、情景交融、烘托气氛等艺术效果,也就是我们所称的意境美。
[Abstract]:The positive lens, also called the scene lens, is the unique language form in the film and television works. Film and television lens in addition to the physical screen, sometimes need to be "empty." What is the "empty" of film and television? First of all, the "emptiness" of the lens does not mean that there is no color, but the background of a single tone, such as a large area of shadow, a single sky, a night sky, water surface, the ground, etc., can also serve as a blank screen for the main body. For example, similar tones of distant mountains, large areas of trees, grasslands and so on. These scenes in film and television works often produce the artistic effects, which are called artistic conception beauty, such as borrowing things, blending feelings and scenes, setting off atmosphere and so on.
【作者单位】： 福州广播电视台;
【分类号】：J93
本文编号：2221404
[Abstract]:The positive lens, also called the scene lens, is the unique language form in the film and television works. Film and television lens in addition to the physical screen, sometimes need to be "empty." What is the "empty" of film and television? First of all, the "emptiness" of the lens does not mean that there is no color, but the background of a single tone, such as a large area of shadow, a single sky, a night sky, water surface, the ground, etc., can also serve as a blank screen for the main body. For example, similar tones of distant mountains, large areas of trees, grasslands and so on. These scenes in film and television works often produce the artistic effects, which are called artistic conception beauty, such as borrowing things, blending feelings and scenes, setting off atmosphere and so on.
【作者单位】： 福州广播电视台;
【分类号】：J93
【相似文献】
相关期刊论文 前10条
1 史芹;;电视空镜头之意境美学与实现要素[J];东南传播;2012年10期
2 万晓娟;史军;刘豫辉;;《远山的瑶歌》的意境美[J];当代电视;2006年07期
3 黄红;;中国戏曲的意境美初探[J];濮阳职业技术学院学报;2008年02期
4 马娜;;浅谈影视作品中的美学意境[J];电影评介;2011年13期
5 杜潇枭;;李安电影意境的营造[J];浙江传媒学院学报;2012年03期
6 李坤;;戏剧中的意境生成[J];戏剧之家(上半月);2014年03期
7 兰岳云;胡巧红;;虚实相生──由电影《少年派的奇幻漂流》谈“意境”[J];现代物业(中旬刊);2013年05期
8 马文策;王玉红;;略论中国实验动画的意境表现[J];美与时代(上);2014年04期
9 梁璐璐;;中国电影中建筑意象与电影意境的建构关系[J];当代电影;2008年08期
10 陈贵标;意境·节奏·典型——广州师范学院建校四十周年电视专题片《走向未来》的艺术构思[J];广州师院学报(社会科学版);2000年09期
，本文编号：2221404
本文链接：https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2221404.html
