论谢晋电影的悲剧精神

发布时间：2018-09-04 10:33

【摘要】：谢晋电影以痛斥生存的疾苦、哀叹境遇的失意为悲剧基调，影片中所表现的悲剧精神历经了长时间的发展，谢晋电影中的悲剧精神在中国电影界中占有着举足轻重的地位。在数十年的发展过程中，谢晋电影的悲剧精神逐渐形成了独树一帜的审美特征，谢晋导演将中国悲剧的审美意趣和价值取向用民族特有的方式鲜明地突显出来，而这种民族性就是谢晋导演的电影作品能够在世界悲剧之林中占有重要地位的原因。在日益竞争激烈且多样化的电影市场机制中，和所有的经典一样，电影中的悲剧精神也在承受着市场以及受众需求等等方面的冲击。如何在这样的大背景之下，传承谢晋导演悲剧样式及影片的创作经验，并且使谢晋电影中的悲剧精神在现当代获得蓬勃的发展，已然成为了值得深入研究的问题。谢晋导演的电影作品已经在很大范围内被承认与认可，对其独特的影片魅力的质疑也越来越少，但是如何使得中国电影中的悲剧精神在发展的过程中不丧失其最尤为重要的民族性，怎样继承和发展谢晋电影的悲剧精神，，已经成为一个亟待解决的问题。现如今已经不存在当时的社会环境和历史背景，影片观众的民族文化心理也已从当时的单一化转向了多元化，在各式思想与文化不断冲击着传统文化的当下，悲剧样式的影片以及悲剧精神也不得不面对如何适应当下的环境被更多的观众接受和认可的问题。从谢晋电影的独特审美特征及形成原因出发，反思谢晋悲剧性电影的发展历程，利用当下的新的传播媒介和新的传播方式，具体的分析当代受众的审美期待和心理特征，客观分析谢晋电影悲剧精神的独特审美特征，试图为悲剧精神寻找一条更能被当代大众接受的新思路。本文的观点，在不削减悲剧性的前提下，在保留作品优良品质的同时充分的考虑到市场、受众等因素，在电影作品中倾注更多的人文精神，是使电影中悲剧精神能够在当下得到发展的有益尝试。
[Abstract]:Xie Jin's films take the misery of existence and the frustration of the situation as the tragic tone. The tragic spirit in the film has been developed for a long time, and the tragic spirit in the Xie Jin film plays an important role in the Chinese film industry. In the course of decades of development, the tragic spirit of Xie Jin film has gradually formed a unique aesthetic characteristic, and the aesthetic interest and value orientation of Chinese tragedy have been clearly highlighted by director Xie Jin in a unique national way. This nationality is the reason why Xie Jin's films can play an important role in the world tragedy. In the increasingly competitive and diversified mechanism of the film market, like all classics, the tragic spirit of the film is also suffering from the market and audience needs and other aspects of the impact. How to inherit the tragic style of Xie Jin and the creative experience of the film, and how to make the tragic spirit develop vigorously in the modern and contemporary era, has become a problem worthy of further study. The films directed by Xie Jin have been recognized and recognized to a large extent, and there are fewer and fewer doubts about their unique film charm. However, how to make the tragic spirit of Chinese film not lose its most important nationality in the process of development, how to inherit and develop the tragic spirit of Xie Jin film, has become a problem to be solved urgently. Nowadays, there is no social environment and historical background at that time, and the national cultural psychology of the film audience has also changed from the simplification at that time to the diversification. In the present moment, various kinds of thoughts and cultures constantly impact on the traditional culture. Tragic films and tragic spirit also have to face the problem of how to adapt to the current environment and be accepted by more audiences. Starting from the unique aesthetic characteristics and the forming reasons of Xie Jin's films, this paper reflects on the development of Xie Jin's tragic films, and analyzes the aesthetic expectations and psychological characteristics of contemporary audiences by using the new media and new communication methods. This paper analyzes objectively the unique aesthetic features of Xie Jin's tragic spirit, and tries to find a new way of thinking which can be accepted by the contemporary public. In this paper, without reducing the tragic premise, while preserving the excellent quality of the work while fully taking into account the market, audience and other factors, put more humanistic spirit into the film works, It is a beneficial attempt to make the tragic spirit in the film develop in the present.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911;J905

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