“小鲜肉”:中国电影的男性身体书写
发布时间：2018-09-06 12:16
【摘要】：在最近几年里,"小鲜肉"作为一道"奇观"登上了大银幕,他们颠覆了传统的主动的/男性与被动的/女性之间的二元关系,将自己的身体与女性身体进行置换供观众观看。因此,"小鲜肉"的身体书写与女性的身体书写存在着既相同又相异的地方。本文希望通过剖析"小鲜肉"身体在银幕上的呈现,进而分析出隐藏在他们身体之后的独特的商品逻辑、意识形态话语以及文化内涵。
[Abstract]:In recent years, "little meat" has appeared on the big screen as a "wonder", overturning the traditional dual relationship between active / male and passive / female, replacing their bodies with women's bodies for the audience to watch. Therefore, there are similarities and differences between body writing and female body writing. This paper hopes to analyze the presentation of "little fresh meat" bodies on the screen, and then analyze the unique commodity logic, ideological discourse and cultural connotations hidden behind their bodies.
【作者单位】： 重庆工商大学;
【分类号】：J905
，
本文编号：2226323
[Abstract]:In recent years, "little meat" has appeared on the big screen as a "wonder", overturning the traditional dual relationship between active / male and passive / female, replacing their bodies with women's bodies for the audience to watch. Therefore, there are similarities and differences between body writing and female body writing. This paper hopes to analyze the presentation of "little fresh meat" bodies on the screen, and then analyze the unique commodity logic, ideological discourse and cultural connotations hidden behind their bodies.
【作者单位】： 重庆工商大学;
【分类号】：J905
，
本文编号：2226323
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