《哈利波特与魔法石》电影音乐和声技法研究

发布时间：2018-09-09 16:41

【摘要】：约翰·威廉姆斯作为世界上最杰出的电影音乐作曲家之一,创作了大量优秀的电影配乐。本文选取约翰·威廉姆斯2001年的配乐作品——《哈利波特与魔法石》作为研究对象,从主题音乐、氛围音乐两个方面分别对电影配乐的和声技法进行探究,从而分析约翰·威廉姆斯在创作这部电影音乐时的配乐思路。全文共分为以下四个部分:第一章:约翰·威廉姆斯及《哈利波特与魔法石》。本章前两节首先简要介绍了约翰·威廉姆斯的生平及电影《哈利波特与魔法石》电影音乐的创作背景,为后面电影音乐的分析提供支持。第三节笔者将分析的重点分成两类——主题音乐与氛围音乐,通过总结它们的特点,为第二章、第三章的分析进行铺垫。第二章:《哈利波特与魔法石》主题音乐及其和声技法分析。本章以主题音乐为切入点,通过对《哈利波特与魔法石》中重要的主题进行总结,将主题音乐分为海德薇主题及其它九大重要主题。第一节从横向旋律旋法的角度,讲述了十个主题的特点、在电影中的作用,以及它们彼此之间的联系。第二节从纵向和声的角度,首先对整部电影的核心主题——海德薇主题,对其进行细致的和声分析,并总结海德薇主题的和声对其他九个主题的影响,以此体现海德薇主题的核心统治力。第三章:《哈利波特与魔法石》氛围音乐及其和声技法分析。笔者将氛围音乐分成四类,分别是连接推动类、模拟物理音响类、对白伴奏类和情感类。通过分析部分氛围音乐的和声技法,总结各类别氛围音乐的共性特征。第四章:《哈利波特与魔法石》电影音乐和声技法透视。本章在第二章、第三章的分析基础上,总结电影中特定的情绪与和声技法的关系,从而进一步理解和声技法对画面的支持作用,由各类主题音乐与氛围音乐和声技法的特点,总结威廉姆斯在《哈利波特与魔法石》中的创作思路,为电影音乐创作提供指导。结语:在上述四个章节的分析研究的基础上,对约翰·威廉姆斯在电影《哈利波特与魔法石》所使用的和声技法进行归纳与总结,进而管窥约翰·威廉姆斯创作电影音乐时的方法与思路,为创作电影音乐的作曲家提供指导和启示。
[Abstract]:John Williams, as one of the most outstanding composers of film music in the world, has created a lot of excellent soundtracks. This paper chooses John Williams' 2001 soundtrack work, Harry Potter and the Sorcerer Stone, as the research object, and probes into the harmony techniques of the film soundtrack from two aspects of the theme music and the atmosphere music. So as to analyze John Williams in the creation of this film music ideas. The thesis is divided into four parts: chapter one: John Williams and Harry Potter and the Sorcerer's Stone. The first two sections of this chapter first briefly introduce John Williams's life and the background of the film Harry Potter and the Sorcerer Stone, and provide support for the analysis of the film music. In the third section, the author divides the emphasis of the analysis into two kinds-theme music and atmosphere music, and through summing up their characteristics, paves the way for the analysis of the second chapter and the third chapter. Chapter two: analysis of the theme Music and its Harmony techniques in Harry Potter and the Sorcerer's Stone. This chapter takes the theme music as the breakthrough point, through the summary of the important themes in Harry Potter and the Sorcerer's Stone, divides the theme music into the Hedwig theme and the other nine important themes. The first section deals with the characteristics of the ten themes, their role in the film and their relationship with each other from the perspective of horizontal melodic rotation. In the second section, from the angle of vertical harmony, firstly, the core theme of the film, Hedwig theme, is analyzed in detail, and the influence of Hedwig theme on the other nine themes is summarized. This reflects the core dominance of Hedwig's theme. Chapter three: analysis of Atmospheric Music and its Harmony techniques. The author divides the atmosphere music into four categories, which are connected push, simulated physical sound, white accompaniment and emotion. By analyzing the harmony techniques of some kinds of atmosphere music, the common features of each kind of atmosphere music are summarized. Chapter four: Harry Potter and the Sorcerer's Stone. Based on the analysis of the second chapter and the third chapter, this chapter summarizes the relationship between the specific emotion and the harmony technique in the film, so as to further understand the supporting function of the harmony technique to the picture, and the characteristics of the harmony technique of all kinds of theme music and atmosphere music. This paper summarizes Williams' creative ideas in Harry Potter and the Sorcerer's Stone, and provides guidance for the creation of film music. Conclusion: based on the analysis of the above four chapters, the author summarizes the harmony techniques used by John Williams in the film Harry Potter and the Sorcerer Stone. Furthermore, the author explores the methods and ideas of John Williams in creating film music, and provides guidance and inspiration for the composers of film music.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J617.6

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