微电影的审美之维及其价值构建

发布时间：2018-09-10 12:52

【摘要】：对美的问题的探讨是一个令人愉悦、兴奋,具有一定的现实意义和价值指向,同时也是一个有着较大难度的研究课题。对微电影的美的研究也如是。自2010年第一部微电影《一触即发》问世以来,微电影的创作便以喷薄的态势强劲发展,被学界评议,成为影像丛林的一支“新秀”。反观当下的微电影,也呈现出良莠不齐的创作情状。对其研究还不尽人意,尤其从美学视域,对其审美特性、审美价值等方面的论说还不够完备。美在关系中生成。微电影美的呈现是影片艺术价值得以彰显的显性标志,也是审美主体加以审美体验的内在驱动力。因此,对微电影的美的相关问题加以深度研究,不仅能对欣赏主体的审美体验、趣味、理想等加以正确引导,还能对微电影美的实践探索提供借鉴和指导作用。正文第一章主要对微电影的美进行本体意义上的追问和诠释。提出微电影的美是在“微共同体”合力之下的感性显现,趋异于单一个体化力量的审美创造。微电影的这种影像叠化的美,不论生产、传播还是接受、消费,都体现了一种审美自由和情境自由。方寸之间的视听美、故事讲述的简约美和细微美、形神兼备的演技美等,是微电影的美的主要存在形态。第二章主要对微电影美的价值进行剖析。在美学价值方面,微电影以近景加特写的构图方式、光影的组合比照、不完整的声响节奏等美学特征宣告着自身作为审美形式家族“新秀”的新晋身份。同时,微电影以光影缤纷间的瞬时之魅趋异于传统电影的美学价值。在传播学方面,微电影以其审美形态,丰富了传统的传播介质,使传播话语实践得以扩容。其商业价值主要体现为审美诉求与内在的商业利益的合谋、一些视频网站经济效益的飙升等。第三章主要围绕文化创意、影音技术、美和技术与人之间关系的优化等方面对微电影美的创造进行探讨。人性的温度、情感的热度、理性的深度,流行的元素、经典的意象、精品的制作,都是当下微电影在思想内容、叙事维度等需要着力挖掘的方面。作为与技术相伴而生的一种艺术样式,微电影制作应充分掌握当下的多媒体技术,将影音之美同科技之力加以缝合,促其由功能层向形式层转化。同时,微电影因受制于播映时间、片长等要求,制作者应时刻恪守图像经济学意识,方寸间看世界,短瞬中悟人生。微电影是一种“参与的美学”。为提升微电影创制者与观赏者的审美素养,微电影美育的推动和普及成为当下所需关注的问题之一。微电影跨越传统电影“围栏”的阻隔,有助于我们思考和重识美学研究的边界问题。
[Abstract]:The discussion of the problem of beauty is a pleasant, exciting, practical significance and value direction, but also a difficult research topic. The same is true of the beauty of microfilms. Since the first micro-film "hair-trigger" came out in 2010, the creation of micro-film has developed strongly with the trend of thinning, and has become a "new star" in the image jungle. Look at the present micro-film, but also show mixed creative conditions. Its research is not satisfactory, especially from the perspective of aesthetics, aesthetic characteristics, aesthetic value and other aspects of the theory is not complete. Beauty is generated in relationships. The appearance of micro-film beauty is the dominant symbol of film artistic value and the internal driving force of aesthetic subject to aesthetic experience. Therefore, the in-depth study on the beauty of micro-film can not only guide the aesthetic experience, taste and ideal of the subject, but also provide reference and guidance for the practical exploration of the beauty of micro-film. The first chapter focuses on the beauty of micro-film in the Noumenon significance of inquiry and interpretation. It is pointed out that the beauty of microfilm is a perceptual manifestation under the joint force of "microcommunity", which is different from the aesthetic creation of a single individualized force. The superimposed beauty of microfilm, whether it is produced, disseminated or accepted or consumed, embodies a kind of aesthetic freedom and situational freedom. Audiovisual beauty between square inches, simple beauty and subtle beauty in story narration, acting beauty with both form and spirit are the main existing forms of beauty in micro movies. The second chapter mainly analyzes the value of micro-film beauty. In the aspect of aesthetic value, the micro-film is composed by close-shot and close-up, the combination of light and shadow, the incomplete sound rhythm and other aesthetic features announce its new status as the "new star" of the aesthetic form family. At the same time, micro-film is different from the aesthetic value of traditional film by the instantaneous charm between light and shadow. In the field of communication, micro-film enriches the traditional media and expands the practice of communication discourse with its aesthetic form. Its commercial value is mainly reflected in the collusion between aesthetic appeal and internal commercial interests, the soaring economic benefits of some video websites and so on. The third chapter mainly discusses the creation of the beauty of micro-film from the aspects of cultural creativity, audio-visual technology, beauty and the optimization of the relationship between technology and people. The temperature of human nature, the heat of emotion, the depth of reason, the popular elements, the classical image, the production of fine works are all the aspects that need to be excavated in the ideological content, narrative dimension and so on. As an art style accompanied by technology, microfilm making should fully grasp the present multimedia technology, suture the beauty of video and audio with the force of technology, and promote its transformation from function layer to form layer. At the same time, due to the limitation of the time and length of the film, the producer should always abide by the consciousness of image economics, look at the world from square to inch, and realize life in a short instant. Micro-film is a kind of participating aesthetics. In order to improve the aesthetic literacy of micro film creators and viewers, the promotion and popularization of micro film aesthetic education has become one of the issues needing attention. Micro-film transcends the barrier of traditional film "fence", which helps us to think about the boundary problem of aesthetic research.
【学位授予单位】：沈阳师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J901

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