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动画创作中具有民族特点的动作设计研究

发布时间:2018-10-05 13:45
【摘要】:动画是动的艺术,动作设计在动画的整个创作过程中,是一个复杂的思维过程,占有举足轻重的地位。如何以动画的形式来描述运动,赋予动画动作意义,并使动作如何动画化,以及如何传达出思想,表现出戏剧性效果是动作设计的核心。目前,中国动画影片中动作设计的重要性常常被忽略,没有将角色灵魂和影片要表达的思想通过动作传神地体现出来,没有自身民族的特色和文化底蕴,对于“如何能设计出独具中国民族特色的动作”这个领域,涉猎和研究较少。本文将动画动作设计的民族特点进行深层次的探讨和研究,从民族的角度来解读动画动作设计。第一章节主要讲述了本文的研究背景、选题目的,现实意义、国内外研究现状,提出了文章的主要创新点;第二章阐述动画动作设计的概念、分类和作用;第三章阐述了具有民族特点的动作设计的界定,分析和对比不同国家和民族之间的动作设计民族特点差异、成因和影响等,进一步研究具有民族特点的动作设计的深层次根源问题;第四章通过解析民族性标志动作、生活化动作、微相动作、戏剧动作、歌舞动作、功夫动作、无厘头动作,把民族性动作设计划分为特征化、性格化、程式化三大类,让民族性动作设计更加多元化。第五章论述动作设计民族特点对受众的浅层和深层心理影响,对动画相关环节的影响,例如镜头运动、节奏和风格,动画场景设计的配合,时间的掌控等,还有对文化传播的启蒙性、普及性、娱乐性作用,总结归纳出动作设计民族特点的启示和对本土动画动作设计的思考。通过对各类民族艺术形式的借鉴,吸取传统艺术的动作元素,使动作设计更加多样化,创造出富有中国民族特色和底蕴的动作设计。本文通过研究大量的中外优秀动画的动作设计,发掘出各国各民族在动作设计上的本质区别,引发了自己的深度思考,希望本文能够给高校动画专业关于动作设计方面的教学有一定的参考价值,对于本人毕业设计作品有一定的启发、借鉴和理论指导意义,并且期盼能够改变一些动画创作者对于传统固定的动作技术的依赖,创作出具有中国民族特点的动作设计,同时将独具中华民族文化内涵和特色的动作设计运用到新的动画影片中。这不仅对动画产业的发展至关重要,而且对中国民族文化的传承、交流、发展都有重要的现实意义。
[Abstract]:Animation is the art of moving. Action design is a complex process of thinking in the whole process of animation creation and occupies a pivotal position. How to describe the motion in the form of animation, how to give the animation meaning, how to animate the action and how to convey the idea, showing the dramatic effect is the core of action design. At present, the importance of action design in Chinese animation films is often neglected, and the soul of the characters and the ideas to be expressed in the films are not reflected vividly through the actions, without the national characteristics and cultural details of their own. There is little research on how to design the unique action with Chinese national characteristics. In this paper, the ethnic characteristics of animation action design are deeply discussed and studied, and the animation action design is interpreted from the angle of nationality. The first chapter mainly describes the research background, the purpose of the topic, practical significance, domestic and foreign research status, put forward the main innovative points of the article, the second chapter describes the concept of animation action design, classification and role; The third chapter expounds the definition of action design with national characteristics, and analyzes and compares the differences, causes and influences of the national characteristics of action design among different countries and nationalities. Further study on the deep-rooted problem of action design with national characteristics. Chapter four analyzes the movements of national symbol, live-action, micro-phase, drama, song and dance, kung fu, nonsense, etc. The national action design is divided into three categories: characteristic, character and stylization, which makes the design of national action more diversified. The fifth chapter discusses the national characteristics of action design on the audience's shallow and deep psychological impact, on the impact of animation related links, such as lens movement, rhythm and style, animation scene design coordination, time control, etc. It also summarizes the enlightenment, popularization and entertainment function of cultural communication, and summarizes the inspiration of the national characteristics of action design and the thinking of local animation action design. By drawing lessons from various forms of national art, drawing on the action elements of traditional art, we can make the action design more diversified, and create the action design which is rich in Chinese national characteristics and inside information. By studying the action design of a large number of excellent animations at home and abroad, this paper finds out the essential differences in action design between different countries and nationalities, and causes their own deep thinking. I hope this paper can give some reference value to the teaching of action design for the animation major in colleges and universities, and has certain inspiration, reference and theoretical guidance significance for my graduation design works. And I hope to change the reliance of some animation creators on traditional fixed action techniques, and to create action designs with the characteristics of the Chinese nation. At the same time, the unique cultural connotation and characteristics of the Chinese nation action design is applied to the new animation film. This is not only of great importance to the development of animation industry, but also of practical significance to the inheritance, communication and development of Chinese national culture.
【学位授予单位】:武汉理工大学
【学位级别】:硕士
【学位授予年份】:2015
【分类号】:J954

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