中国当代电视穿越剧的亚文化研究

发布时间：2018-10-08 07:29

【摘要】：近年来,中国当代电视穿越剧作为一种新的电视剧类型,不仅屡创收视热潮,而且越来越受到学术界的关注。作为当代大众文化的一个具有代表性的文化现象,穿越剧的兴起有其深刻的社会动因和文化意义。立足于文化研究的理论视野中,本文重点探讨隐藏在电视穿越剧当中的三种亚文化形态——即草根亚文化、女性亚文化以及青年亚文化,并对其在当代社会生活中所具有的面向主流意识形态、精英话语的文化批判功能予以必要的剖析。为此,全文将重点借用伯明翰学派学者和约翰·费斯克等人的相关理论资源,分四个章节展开具体讨论。首先,对电视穿越剧的兴起及其成因进行宏观把握,在题材内容、社会心理、视觉审美三个方面揭示中国当代穿越剧的若干总体特征,并为后三章以亚文化为切入点而展开的分析提供立论基础。其次,从所出文学文本的草根化特征、角色构成的平民化特征、对元叙事的解构三个方面,揭示出穿越剧中所包含的草根亚文化诉求及其对主流文化和精英阶层的文化批判功能。再次,有针对性地选取个案,对隐藏在穿越剧中的女性亚文化予以多维度的说明,揭示其一改被建构的传统女性形象,对于男性权力话语进行颠覆和反抗的途径与手段。最后,结合现实语境,对穿越剧中所包含的青年亚文化予以剖析,通过对其中的典型角色形象进行分析,说明青年亚文化对主流文化和成人世界的冒犯、挑衅与抵抗。总之,本文基于一个相对积极、乐观的理论立场,对穿越剧中代表特定人群文化诉求的三种亚文化形态进行了相对细致的剖析；通过揭示其极具批判性、颠覆性和抵抗性的文化批判功能,对穿越剧所具有的社会文化价值予以了充分而辩证的肯定。
[Abstract]:In recent years, as a new type of TV series, Chinese contemporary TV traversing drama has not only created an upsurge of viewers, but also attracted more and more attention from academic circles. As a representative cultural phenomenon of contemporary popular culture, the rise of traversing drama has its profound social motivation and cultural significance. Based on the theoretical perspective of cultural research, this paper focuses on three subcultural forms hidden in TV traversing dramas-namely grass root subculture, female subculture and youth subculture. It also analyzes the cultural critical function of elite discourse in contemporary social life, which is oriented to mainstream ideology and elite discourse. Therefore, this paper will focus on the Birmingham School scholars and John Fiske and other related theoretical resources, divided into four chapters to launch a specific discussion. First of all, the rise of TV traversing drama and its causes of macro grasp, in the subject matter content, social psychology, visual aesthetic three aspects to reveal some general characteristics of contemporary Chinese traversing drama. It also provides a theoretical basis for the analysis of sub-culture in the latter three chapters. Secondly, from three aspects: the grassroots characteristics of the literary texts, the popularized characteristics of the role composition, and the deconstruction of the meta-narrative, It reveals the subcultural appeal of grass root and its cultural criticism function to mainstream culture and elite class. Thirdly, the author chooses the case specifically, explains the female subculture hidden through the play in many dimensions, reveals the ways and means of subversion and resistance to the male power discourse by revealing the traditional female image which has been transformed and constructed. Finally, combining with the realistic context, this paper analyzes the youth subculture contained in the drama, and through the analysis of the typical character image, explains the offending, provocation and resistance of the youth subculture to the mainstream culture and the adult world. In a word, based on a relatively positive and optimistic theoretical standpoint, this paper makes a relatively detailed analysis of the three sub-cultural forms that represent the cultural aspirations of a particular group of people in the play, and reveals that they are highly critical. The cultural critical function of subversion and resistance gives a full and dialectical affirmation to the social and cultural value of traversing drama.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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