跨文化形象传播下“冲奥”电影中国形象构建与变迁
[Abstract]:Since 1979, the people's Republic of China began to send films to participate in the Oscar for best foreign language film competition, referred to as "Olympic." By 2016, a total of 30 movies had been selected. The Academy Award for Best Foreign language Film not only represents the outstanding achievements of the film development in different countries or regions, but also symbolizes the international influence and cultural soft power of the recipient countries. From the perspective of cross-cultural imageology, this paper analyzes the relationship between the film and Chinese image. First of all, the definition of Chinese image from the perspective of cross-cultural imageology and a brief review of Oscar's best foreign language film history in a panoramic way are briefly described from a theoretical point of view. Secondly, from the political, economic, social and cultural perspectives, this paper expounds the reasons for the construction and changes of the Chinese image of the film. Thirdly, the 30 films are divided into five categories: main melody, folklore, blockbuster, art and city, and three representative works are selected to show different aspects of Chinese image. Finally, through the text analysis and comparative study of the film, the author puts forward some suggestions and suggestions on the long process of identifying the Chinese image of "ideal self" in the film. The innovation of the article is mainly reflected in the relatively clear delineation of the process of film media, cross-cultural image and Chinese image, and the internal texture of the Chinese image and the reflection of the country, nation and society reflected in the changes and changes of the Chinese image. The interaction of political and economic factors.
【学位授予单位】:武汉体育学院
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J905
【参考文献】
相关期刊论文 前10条
1 曾珍;;真实再现 史诗叙述——《大唐玄奘》的文化意义[J];电影评介;2016年11期
2 钟振;;《夜莺》讲述中国梦[J];当代广西;2015年01期
3 谢晓冬;;大众传媒与国家形象的建构[J];安徽文学(下半月);2014年04期
4 邹华芬;;历史、想象与身份认同——影片《成吉思汗》与《一代天骄成吉思汗》的叙事比较[J];民族学刊;2013年06期
5 彭涛;;中国电影史链条上的主旋律电影及其未来走向[J];华中师范大学学报(人文社会科学版);2013年02期
6 王一川;;死地上的族群生存实验——《一九四二》中的人生境界探求[J];当代电影;2013年01期
7 张颐武;;在伤悼饥饿中救赎新生[J];当代电影;2013年01期
8 潘桦;向璐舜;;民族化视野下的世界情怀——聚焦“奥斯卡最佳外语片”题材的人文取向[J];现代传播(中国传媒大学学报);2012年11期
9 邓繁荣;钟帆;;国内外形象学研究的现状分析[J];西南民族大学学报(人文社会科学版);2012年S1期
10 郑睿;;国族想象:作为行动场域的观影身份认同[J];电影评介;2012年01期
相关重要报纸文章 前1条
1 尹鸿;;电影要柔性塑造国家形象[N];人民日报;2009年
相关博士学位论文 前2条
1 解建峰;革命历史题材电影的意识形态表达及其困境(1990-2011)[D];上海大学;2012年
2 庄诒晶;自我建构的影像民族志[D];浙江大学;2011年
相关硕士学位论文 前3条
1 司健余;奥斯卡最佳外语片研究[D];山东师范大学;2015年
2 徐辰;从管制到放松管制[D];上海交通大学;2014年
3 乐惠娟;20世纪90年代后中国内地电影中的母亲形象[D];广西师范大学;2007年
,本文编号:2266099
本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2266099.html