中国传统文化中的“和合”理念在动画创作上的运用
发布时间：2018-10-16 18:11
【摘要】：“和合”思想是中国传统思想文化中被普遍接受和认同的人文精神,也是中国美学的主导精神,从古代至现代的中国艺术家们在创作中都深受该理念的影响。“和合”理念的整体性、辩证性、有机性决定了它可以运用在不同时代不同类型的艺术创作中。动画设计作为现代设计中重要的一部分,也发挥着日益突出的重要作用。将中国传统美学理念合理运用在动画设计中,可以让动画继承和发扬传统文化中的价值与精髓,提高人们对于传统文化的认知与审美。同时也是中国动画实现民族化的一种探索。在此前提下,研究“和合”理念在动画创作上的运用有着重要意义。本文研究了中国传统文化中“和合”理念在动画设计上的运用,根据分析研究得出的理论指导实践,将中国传统美学理念与中国风动画相结合,创作了原创动画作品《槐安梦》,从该实践成果中展现了“和合”理念的运用。本文首先阐述了课题的研究背景和意义,并分析国内外对此的研究现状,在此基础上,进一步提出课题的研究目的、研究内容及方式。接着从中国传统美学循序渐进地分析至中国的“和合”文化,并从不同角度阐释“和合”理念,概述其在现代设计上的意义和作用,为实践创作提供了理论依据。本文先从中国画入手,分析中国传统绘画上对该理念的具体运用,并论述中国动画对此的继承与更迭。其后以运用“和合”理念最为典型的两部动画作品《山水情》和《牧笛》为例,从人物意象、镜头语言、思想内涵、声效编排上进行了详尽的研究分析,以此来指导创作实践。最后展现了原创动画作品《槐安梦》的创作过程,分析“和合”理念在绘制手法、主题思想、造型设计、镜头语言上的具体运用。实践结果表明,“和合”作为中国传统美学的思想精粹,对动画创作有着巨大的指导意义,是中国动画实现民族化不可或缺的支撑。
[Abstract]:The thought of "harmony" is the humanistic spirit which is generally accepted and recognized in Chinese traditional ideology and culture, and is also the leading spirit of Chinese aesthetics. Chinese artists from ancient to modern times have been deeply influenced by this idea in their works. The unity, dialectics and organic nature of the concept of "harmony" determine that it can be applied to different types of artistic creation in different times. As an important part of modern design, animation design also plays an increasingly important role. The rational application of Chinese traditional aesthetic concept in animation design can allow animation to inherit and carry forward the value and essence of traditional culture and improve people's cognition and aesthetic appreciation of traditional culture. At the same time, it is also a kind of exploration of realizing nationalization of Chinese animation. Under this premise, it is of great significance to study the application of the concept of "he" in animation creation. This paper studies the application of the concept of "harmony" in Chinese traditional culture in animation design. According to the theory and practice obtained from the analysis and research, it combines the traditional Chinese aesthetic concept with the Chinese style animation. Created the original animation work, Huai an Dream, from the practical results to show the application of the concept of "he". In this paper, the research background and significance of the subject are first expounded, and the present situation of the research at home and abroad is analyzed. On the basis of this, the purpose, content and method of the research are put forward. Then it analyzes the Chinese "harmony" culture step by step from the Chinese traditional aesthetics, explains the concept of "harmony" from different angles, summarizes its significance and function in modern design, and provides a theoretical basis for practical creation. This article begins with the Chinese painting, analyzes the concrete application of this idea in the Chinese traditional painting, and discusses the inheritance and change of the Chinese animation. Then, taking the two animation works "Mountain and Water situation" and "Pastor" as an example, the author makes a detailed research and analysis from the aspects of character image, lens language, thought connotation and sound effect arrangement to guide the creative practice. Finally, it shows the creative process of the original animation "Dream of Huai'an", and analyzes the concrete application of the idea of "harmony" in drawing technique, theme thought, modeling design and lens language. The practical results show that as the essence of Chinese traditional aesthetics, "he" has great guiding significance for animation creation and is an indispensable support for the nationalization of Chinese animation.
【学位授予单位】：湖北工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954;G122
本文编号：2275214
[Abstract]:The thought of "harmony" is the humanistic spirit which is generally accepted and recognized in Chinese traditional ideology and culture, and is also the leading spirit of Chinese aesthetics. Chinese artists from ancient to modern times have been deeply influenced by this idea in their works. The unity, dialectics and organic nature of the concept of "harmony" determine that it can be applied to different types of artistic creation in different times. As an important part of modern design, animation design also plays an increasingly important role. The rational application of Chinese traditional aesthetic concept in animation design can allow animation to inherit and carry forward the value and essence of traditional culture and improve people's cognition and aesthetic appreciation of traditional culture. At the same time, it is also a kind of exploration of realizing nationalization of Chinese animation. Under this premise, it is of great significance to study the application of the concept of "he" in animation creation. This paper studies the application of the concept of "harmony" in Chinese traditional culture in animation design. According to the theory and practice obtained from the analysis and research, it combines the traditional Chinese aesthetic concept with the Chinese style animation. Created the original animation work, Huai an Dream, from the practical results to show the application of the concept of "he". In this paper, the research background and significance of the subject are first expounded, and the present situation of the research at home and abroad is analyzed. On the basis of this, the purpose, content and method of the research are put forward. Then it analyzes the Chinese "harmony" culture step by step from the Chinese traditional aesthetics, explains the concept of "harmony" from different angles, summarizes its significance and function in modern design, and provides a theoretical basis for practical creation. This article begins with the Chinese painting, analyzes the concrete application of this idea in the Chinese traditional painting, and discusses the inheritance and change of the Chinese animation. Then, taking the two animation works "Mountain and Water situation" and "Pastor" as an example, the author makes a detailed research and analysis from the aspects of character image, lens language, thought connotation and sound effect arrangement to guide the creative practice. Finally, it shows the creative process of the original animation "Dream of Huai'an", and analyzes the concrete application of the idea of "harmony" in drawing technique, theme thought, modeling design and lens language. The practical results show that as the essence of Chinese traditional aesthetics, "he" has great guiding significance for animation creation and is an indispensable support for the nationalization of Chinese animation.
【学位授予单位】：湖北工业大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954;G122
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