1997-2017香港警匪电影叙事和主题向度研究
发布时间：2018-10-17 12:24
【摘要】：“九七回归”是香港历史上一个重大事件,它也加速了包括警匪片在内的香港电影的类型嬗变和多元化发展。警匪电影的人物设置、情节走向、叙事环境和表达方式等渐趋变化,受到2003年CEPA签订的影响下,越来越多香港导演越来越多地关注主体生存氛围的构建,以及对于人性在回归、迷失、救赎与超越中的抒写。人物设置由单一的身份到复杂多元的身份,故事情节从警匪简单的二元对立到融入法律、道德标准的多元冲突,叙事环境从观众熟知的香港景象到无国界无地域。他们丰富了香港警匪片的样式,更促进了香港警匪片主题内涵的深化。使这一类型电影由警匪间单纯的追逃游戏向人性的深度和社会生活更广阔的层面转变,并生成了新的叙事模式。这种叙事模式不仅表达了“九七回归”产生的身份困惑、以及由于主权归宿而出现的“命运归宿的未知”等焦虑,也表达了对于新社会环境的陌生感。此外,这种模式也对港人集体经历进行了展示,从消极到黑暗,并最终蜕变成为光明的发展维度。
[Abstract]:"1997 Reunification" is a major event in Hong Kong's history. It also accelerates the evolution and diversification of Hong Kong films, including police and bandit films. Under the influence of the signing of CEPA in 2003, more and more Hong Kong directors pay more and more attention to the construction of the living atmosphere of the subject, as well as the return of human nature. The expression of lost, Redemption and Transcendence. The characters are set from single identity to complex and pluralistic identity, the story is from simple dualistic opposition of police and bandit to integration into law, multiple conflict of moral standard, narration environment from Hong Kong scene known to the audience to borderless and borderless region. They enrich the style of Hong Kong police bandit film, and promote the deepening of the theme of Hong Kong police bandit film. It makes this kind of film change from the pure game of pursuing and escaping between police and bandit to the depth of human nature and the broader level of social life, and produces a new narrative mode. This narrative mode not only expresses the confusion of identity arising from "the return of 1997" and the anxiety of "the unknown fate" arising from the sovereign fate, but also expresses the strangeness of the new social environment. In addition, this model also demonstrated the collective experience of Hong Kong people, from negative to dark, and finally transformed into a bright development dimension.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J909.2
本文编号：2276646
[Abstract]:"1997 Reunification" is a major event in Hong Kong's history. It also accelerates the evolution and diversification of Hong Kong films, including police and bandit films. Under the influence of the signing of CEPA in 2003, more and more Hong Kong directors pay more and more attention to the construction of the living atmosphere of the subject, as well as the return of human nature. The expression of lost, Redemption and Transcendence. The characters are set from single identity to complex and pluralistic identity, the story is from simple dualistic opposition of police and bandit to integration into law, multiple conflict of moral standard, narration environment from Hong Kong scene known to the audience to borderless and borderless region. They enrich the style of Hong Kong police bandit film, and promote the deepening of the theme of Hong Kong police bandit film. It makes this kind of film change from the pure game of pursuing and escaping between police and bandit to the depth of human nature and the broader level of social life, and produces a new narrative mode. This narrative mode not only expresses the confusion of identity arising from "the return of 1997" and the anxiety of "the unknown fate" arising from the sovereign fate, but also expresses the strangeness of the new social environment. In addition, this model also demonstrated the collective experience of Hong Kong people, from negative to dark, and finally transformed into a bright development dimension.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J909.2
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