《功夫熊猫2》中熊猫形象的重塑与融合
发布时间：2018-10-18 06:57
【摘要】：近年来，中国的国宝熊猫作为重要文化元素，不断被创作成动画电影中的角色而走向世界。美国好莱坞利用熊猫这一中国元素接连创作出两部动画电影《功夫熊猫》、《功夫熊猫2》。相对于中国的《熊猫京京》、《熊猫总动员》等动画电影，好莱坞的两部“熊猫”在国际上赢得了更大的反响与口碑，影片中东西方文化交融的文化表现更是引人关注。 在本文中，基于文化身份理论和文化价值观理论，选择国产动画电影《熊猫总动员》和好莱坞动画电影《功夫熊猫2》为语料，作者使用对比分析的方法，从剧本、表现手法、配音配乐等方面总结了中美动画的各自特色，从电影的文化表现上探讨了好莱坞熊猫更吸引观众眼球的主要原因，即传递美国的普世价值观，如博爱、自由、包容等；同时，作者分析了中国动画和好莱坞动画在构造角色手段上的异同。作者在对照国产动画《熊猫总动员》的基础上，分析了好莱坞动画《功夫熊猫2》熊猫角色从中国传统孝道到西方自由主义的重塑和从中国武侠精神到西方个人英雄主义融合变异的具体过程，从而使其符合美国民族自身文化的精髓。影片中这种对中美文化进行重塑和融合的文化表现，是《功夫熊猫2》获得成功的重要原因之一。本研究结果发现，动画影视作品的制作和成功离不开本土文化的土壤基因，本国文化在吸收他国文化元素后，经过变异会更有利于本国文化的传播。 本研究论文一共有6个部分。第一部分对本论文研究做了一个基本介绍。第二部分是本文的文献综述以及支撑本论文探讨分析的相关理论。作者在第三部分首先通过一部中国动画电影《熊猫总动员》描述了中国熊猫的形象以及它所代表的中国文化，，也就是熊猫的传统中国符号象征。然后作者又通过一部好莱坞动画电影《功夫熊猫2》描述了其中的熊猫形象和它所代表的美国文化。第四部分是本论文的主体部分，分别从个人集体主义以及文化身份认同两个方面分析了对中国熊猫形象的重塑和融合。作者基于相关理论对两部电影中的两种文化价值观进行了比较研究，揭示了《功夫熊猫2》是如何对熊猫形象从中国孝道文化到美国自由主义进行重塑的，又是如何从中国武侠精神到美国英雄主义进行融合的。第五部分讨论了动画片文化表现的民族化和不同价值观的共存。第六部分是全文的结论。
[Abstract]:In recent years, as an important cultural element, China's National Treasure Panda has been created as a character in animated films. Hollywood has created two animated films, Kung Fu Panda and Kung Fu Panda 2. Compared with China's Beijing Panda, Panda General Mobilization and other animated movies, Hollywood's two Panda have won a greater international response and reputation, and the cultural performance of the blend of Eastern and Western cultures in the film has attracted more attention. In this paper, based on the theory of cultural identity and the theory of cultural values, the author chooses the domestic animated film "Panda General Mobilization" and the Hollywood animated film "Kung Fu Panda 2" as the corpus. This paper summarizes the characteristics of Chinese and American animation from the aspects of dubbing and soundtrack, and discusses the main reasons why Hollywood pandas attract the audience's attention from the cultural performance of the film, that is, to convey the universal values of the United States, such as fraternity, freedom, tolerance, and so on; at the same time, The author analyzes the similarities and differences between Chinese animation and Hollywood animation in the means of constructing characters. The author, on the basis of comparing the animation "Panda General Mobilization" made in China, This paper analyzes the concrete process of the remolding of panda characters from Chinese traditional filial piety to western liberalism and from the Chinese martial arts spirit to the fusion and variation of western individual heroism in Hollywood animation Kung Fu Panda 2. So that it conforms to the essence of the American nation's own culture. This cultural expression of remolding and merging Chinese and American culture is one of the important reasons for the success of Kung Fu Panda 2. The results of this study show that the production and success of animated film and television works can not be separated from the soil genes of native culture. After absorbing the elements of other cultures, the local culture will be more conducive to the spread of its own culture. There are six parts in this thesis. The first part makes a basic introduction to the research of this paper. The second part is the literature review of this paper and the relevant theories supporting the discussion and analysis of this paper. In the third part, the author first describes the image of the Chinese panda and the Chinese culture, which is the traditional symbol of the panda, through a Chinese animated film, "Panda General Mobilization". Then the author describes the panda image and the American culture through a Hollywood animated film Kung Fu Panda 2. The fourth part is the main part of this paper, respectively from the individual collectivism and cultural identity analysis of the image of China's panda reconstruction and integration. Based on the relevant theories, the author makes a comparative study of the two cultural values in the two films, and reveals how Kung Fu Panda 2 rebuilds the panda image from Chinese filial piety culture to American liberalism. Also how from the Chinese martial arts spirit to the American heroism carries on the fusion. The fifth part discusses the nationalization and coexistence of different values of animation culture. The sixth part is the conclusion of the full text.
【学位授予单位】：湖北工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954
本文编号：2278343
[Abstract]:In recent years, as an important cultural element, China's National Treasure Panda has been created as a character in animated films. Hollywood has created two animated films, Kung Fu Panda and Kung Fu Panda 2. Compared with China's Beijing Panda, Panda General Mobilization and other animated movies, Hollywood's two Panda have won a greater international response and reputation, and the cultural performance of the blend of Eastern and Western cultures in the film has attracted more attention. In this paper, based on the theory of cultural identity and the theory of cultural values, the author chooses the domestic animated film "Panda General Mobilization" and the Hollywood animated film "Kung Fu Panda 2" as the corpus. This paper summarizes the characteristics of Chinese and American animation from the aspects of dubbing and soundtrack, and discusses the main reasons why Hollywood pandas attract the audience's attention from the cultural performance of the film, that is, to convey the universal values of the United States, such as fraternity, freedom, tolerance, and so on; at the same time, The author analyzes the similarities and differences between Chinese animation and Hollywood animation in the means of constructing characters. The author, on the basis of comparing the animation "Panda General Mobilization" made in China, This paper analyzes the concrete process of the remolding of panda characters from Chinese traditional filial piety to western liberalism and from the Chinese martial arts spirit to the fusion and variation of western individual heroism in Hollywood animation Kung Fu Panda 2. So that it conforms to the essence of the American nation's own culture. This cultural expression of remolding and merging Chinese and American culture is one of the important reasons for the success of Kung Fu Panda 2. The results of this study show that the production and success of animated film and television works can not be separated from the soil genes of native culture. After absorbing the elements of other cultures, the local culture will be more conducive to the spread of its own culture. There are six parts in this thesis. The first part makes a basic introduction to the research of this paper. The second part is the literature review of this paper and the relevant theories supporting the discussion and analysis of this paper. In the third part, the author first describes the image of the Chinese panda and the Chinese culture, which is the traditional symbol of the panda, through a Chinese animated film, "Panda General Mobilization". Then the author describes the panda image and the American culture through a Hollywood animated film Kung Fu Panda 2. The fourth part is the main part of this paper, respectively from the individual collectivism and cultural identity analysis of the image of China's panda reconstruction and integration. Based on the relevant theories, the author makes a comparative study of the two cultural values in the two films, and reveals how Kung Fu Panda 2 rebuilds the panda image from Chinese filial piety culture to American liberalism. Also how from the Chinese martial arts spirit to the American heroism carries on the fusion. The fifth part discusses the nationalization and coexistence of different values of animation culture. The sixth part is the conclusion of the full text.
【学位授予单位】：湖北工业大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954
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