影视语言叙述表意方式的研究
发布时间：2018-10-25 18:12
【摘要】：本论文主要研究影视语言叙述表意的方式。影视语言作为不同于自然语言的一种新语言符号，，其微观结构、宏观功能、表面语言形态、以及深层表意方式等，都与自然语言有着根本的差异，从而也体现出影视语言作为一种新语言所具有的独特特性。 区别于抽象的自然语言，影视语言是一种形象性的视听语言，对客观现实具有最大限度的历史记录性，是一种在时空运动中的视听综合性动态语言。相对于简单的音、意双层分节结构，影视语言叙述表意方式能够通过色彩、声音、构图等元素进行协调和系统表意，其表意元素的组合关系极具复杂性和丰富性。 论文首先介绍影视语言的概念，然后重点讲述影视语言叙述的三个主要特性，并将其所具备的特性与自然语言做比较。针对于影视语言叙述表意的结构、实现、和最终呈现效果，论文中都一一给予论证和描述。虽然在影视作品创作过程中并没有规定的遵守法则，但影视语言的镜头组合在作品语境中需符合叙述的逻辑。目前，“影视语言叙述的表意方式”这一课题在国内外的研究甚少，对于它的研究需要使用语言学、符号学、传播学、电影学等学科知识进行交叉与融合。也因此，本论文基于诸上所提学科，结合学者伯格纳所提叙述传播结构，对影视语言的叙述表意结构和方式做深层次分析，力图通过对影视语言叙述表意方式的研究，最终达到对影视艺术作品的审美和传播。
[Abstract]:This paper mainly deals with the way in which the film and television language describes the English language. As a new language symbol different from natural language, the film and video language has a fundamental difference with natural language, such as its microstructure, macro-function, surface language form and deep thinking mode. It also reflects the unique characteristics of film and television as a new language. Different from the abstract natural language, the film and television language is an image-visual language, which has the greatest historical record to the objective reality, and is an audio-visual comprehensive dynamic in space-time motion. Language. With respect to simple tone, double-layer segmented structure, film and television language narration, it can be coordinated and systematic through the elements such as color, sound, composition and so on. Its combination relationship is very complex and abundant. The paper first introduces the concept of film and television language, then focuses on the three main characteristics of film and television language narration, and compares the characteristics and nature. Language is a comparison. In view of the structure, realization, and final presentation effect of the speaker in the film and television language, all the articles are given in the paper. It is proved and described. Although there are no rules of observance in the course of the creation of film and television works, the lens combination of the film and television language needs to be met in the context of the work. narrative Logic. At present, "film and television language narration" The research needs to be carried out in the fields of linguistics, semiotics, communication, film science and so on. As a result, the thesis analyzes the narrative structure and mode of the film and television language based on the research subject and the communication structure mentioned by the scholar Berner, and tries to make a description of the film and television language. A study of the manner in which a film and television work of art is finally achieved.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2294434
[Abstract]:This paper mainly deals with the way in which the film and television language describes the English language. As a new language symbol different from natural language, the film and video language has a fundamental difference with natural language, such as its microstructure, macro-function, surface language form and deep thinking mode. It also reflects the unique characteristics of film and television as a new language. Different from the abstract natural language, the film and television language is an image-visual language, which has the greatest historical record to the objective reality, and is an audio-visual comprehensive dynamic in space-time motion. Language. With respect to simple tone, double-layer segmented structure, film and television language narration, it can be coordinated and systematic through the elements such as color, sound, composition and so on. Its combination relationship is very complex and abundant. The paper first introduces the concept of film and television language, then focuses on the three main characteristics of film and television language narration, and compares the characteristics and nature. Language is a comparison. In view of the structure, realization, and final presentation effect of the speaker in the film and television language, all the articles are given in the paper. It is proved and described. Although there are no rules of observance in the course of the creation of film and television works, the lens combination of the film and television language needs to be met in the context of the work. narrative Logic. At present, "film and television language narration" The research needs to be carried out in the fields of linguistics, semiotics, communication, film science and so on. As a result, the thesis analyzes the narrative structure and mode of the film and television language based on the research subject and the communication structure mentioned by the scholar Berner, and tries to make a description of the film and television language. A study of the manner in which a film and television work of art is finally achieved.
【学位授予单位】：云南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
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