王家卫电影叙事风格研究
发布时间：2018-10-25 18:44
【摘要】：王家卫，创作长达八年之久的电影作品《一代宗师》公映后，又一次成为华语影坛和国际影坛备受瞩目的焦点。作为“香港新浪潮”催生的大师级编剧兼导演，他凭借极具个人特色的叙事和影像风格，赢得无数荣誉和赞赏，并在通往电影界一代宗师的道路上继续稳步前行。 鉴于王家卫的影片对未来华语影片的发展具有深刻、长久的影响力，因此本文试图从电影学和电影符号学入手，对王家卫的叙事以及影像风格进行分析和研究。全文分四章展开： 第一章对王家卫电影的发展历程进行梳理：尤其是对王家卫电影创作背景、题材、创作班底以及其电影几个重要时期进行分析和讨论，以便呼应其他三个章节所涉及的影片； 第二章对王家卫影片的叙事符码进行解析：从色彩符码的艺术性、物像符码的象征性以及音乐符码的空间性三个方面展开，结合影片对色彩的形象识别和叙事功能、构筑物像的意义以及音乐对叙事时空的建构功能进行探讨； 第三章对王家卫电影的叙事策略进行解析：从人物角色的身份特征、主观的叙事时间、叙事中采用的非线性叙事结构以及画外音叙事策略入手，结合具体影片对以上四个方面进行分析和思考； 最后一章主要论述王家卫的电影风格对两岸三地新生代导演产生的具体影响，对新生代导演与王家卫导演的共同点进行阐述，，并结合具体影片从叙事价值取向和叙事结构两个方面探讨王家卫对他们的创作产生的启示。
[Abstract]:Wang Jiawei, who has been producing the film for eight years, has once again become the focus of attention in both Chinese and international film circles. As a masterful screenwriter and director of the New Wave of Hong Kong, he won numerous honors and admiration for his unique narrative and video style, and continued his steady progress on the road to a generation of masters in the film world. In view of the profound and lasting influence of Wang Jiawei's films on the future development of Chinese films, this paper attempts to analyze and study the narration and image style of Wang Jiawei from the perspective of cinematology and film semiotics. The thesis is divided into four chapters: the first chapter combs the development course of Wang Jiawei's film: especially analyzes and discusses the background, subject matter, creative class and several important periods of his film. In order to echo the other three chapters of the film; The second chapter analyzes the narrative code of Wang Jiawei film from three aspects: the artistic character of color code, the symbolism of object image code and the space of music code, combined with the image recognition and narrative function of color in the film. The significance of the structure image and the function of music in constructing narrative space and time are discussed. The third chapter analyzes the narrative strategy of Wang Jiawei's film: starting with the character identity, subjective narrative time, nonlinear narrative structure and voice-over narrative strategy. Combined with the specific film to analyze and reflect on the above four aspects; The last chapter mainly discusses the specific influence of Wang Jiawei's film style on the new generation of directors in the three places across the Taiwan Strait, and expounds the common ground between the new generation of directors and the director Wang Jiawei. Combined with the specific film from the narrative value orientation and narrative structure two aspects of Wang Jiawei's inspiration to their creation.
【学位授予单位】：重庆工商大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2294512
[Abstract]:Wang Jiawei, who has been producing the film for eight years, has once again become the focus of attention in both Chinese and international film circles. As a masterful screenwriter and director of the New Wave of Hong Kong, he won numerous honors and admiration for his unique narrative and video style, and continued his steady progress on the road to a generation of masters in the film world. In view of the profound and lasting influence of Wang Jiawei's films on the future development of Chinese films, this paper attempts to analyze and study the narration and image style of Wang Jiawei from the perspective of cinematology and film semiotics. The thesis is divided into four chapters: the first chapter combs the development course of Wang Jiawei's film: especially analyzes and discusses the background, subject matter, creative class and several important periods of his film. In order to echo the other three chapters of the film; The second chapter analyzes the narrative code of Wang Jiawei film from three aspects: the artistic character of color code, the symbolism of object image code and the space of music code, combined with the image recognition and narrative function of color in the film. The significance of the structure image and the function of music in constructing narrative space and time are discussed. The third chapter analyzes the narrative strategy of Wang Jiawei's film: starting with the character identity, subjective narrative time, nonlinear narrative structure and voice-over narrative strategy. Combined with the specific film to analyze and reflect on the above four aspects; The last chapter mainly discusses the specific influence of Wang Jiawei's film style on the new generation of directors in the three places across the Taiwan Strait, and expounds the common ground between the new generation of directors and the director Wang Jiawei. Combined with the specific film from the narrative value orientation and narrative structure two aspects of Wang Jiawei's inspiration to their creation.
【学位授予单位】：重庆工商大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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