中国青春偶像剧中的性别政治
发布时间：2018-10-25 19:16
【摘要】：青春偶像剧作为电视剧的一大主要类型，自20世纪90年代发展起来后，就吸引不少研究者的眼光，取得一些研究成果。本文力图在总结前人研究成果的基础上，，选择一个新的研究视角，即女性主义的立场,综合运用女性主义批评、符号理论以及传播理论,从整体上把握中国青春偶像剧中存在的性别政治和冲突,从而打开中国青春偶像剧研究的另一片天地。 全文共分四个部分： 第一部分：绪论。简要阐述本论文的研究对象、研究现状以及研究方法和内容，从整体上把握研究对象，掌握研究方向。 第二部分：影像世界里的女性形象。以四部典型青春偶像剧中的女性形象作为分析对象,阐释这些女性形象中所渗透的种种男权话语设定,揭示女性“被观看”、“被欣赏”的处境，分析女性形象建构背后的文化意义。 第三部分：影像传播中的性别政治。从符号学和传播学的角度,解读中国青春偶像剧传播过程中的性别冲突,分析其中所隐含的欲望关系以及权力话语关系。 第四部分：镜像认同下的偶像崇拜。主要阐述在中国青春偶像剧中偶像的形成原因和过程，进而深入阐述这些完美镜像外衣下又隐藏着怎样的意识形态，暗含着何种权力操纵。 结语总结中国青春偶像剧中蕴含的性别政治的特征，有针对性地指出中国青春偶像剧今后的道路，从而为我国电视剧事业乃至女性事业的进一步发展提供借鉴。
[Abstract]:As one of the major types of TV dramas, idol drama has attracted the eyes of many researchers and achieved some research results since its development in the 1990s. On the basis of summing up the previous research results, this paper tries to choose a new research perspective, that is, the standpoint of feminism, the comprehensive use of feminist criticism, symbolic theory and communication theory. To grasp the gender politics and conflict in Chinese youth idol drama as a whole, and open another world of Chinese youth idol drama research. The full text is divided into four parts: the first part: introduction. This paper briefly describes the research object, research status, research methods and contents, from the overall grasp of the research object, grasp the direction of research. The second part: the female image in the image world. Taking the female images in the four typical youth idol dramas as the analysis objects, this paper explains the various male-dominated discourse settings permeated by these female images, and reveals the situation of women being "watched" and "appreciated". Analyze the cultural significance behind the construction of female image. The third part: gender politics in image communication. From the perspective of semiotics and communication, this paper interprets the gender conflicts in the spreading process of Chinese youth idol dramas, and analyzes the implied relations of desire and power discourse. The fourth part: the idolatry under the mirror image identity. This paper mainly expounds the cause and process of the formation of idols in Chinese youth idol drama, and then expounds in depth what kind of ideology is hidden under these perfect mirror images and what kind of power manipulation is implied. The conclusion summarizes the characteristics of gender politics in Chinese youth idol drama, and points out the way of Chinese youth idol drama in the future, so as to provide reference for the further development of Chinese TV drama and even women's cause.
【学位授予单位】：温州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2294584
[Abstract]:As one of the major types of TV dramas, idol drama has attracted the eyes of many researchers and achieved some research results since its development in the 1990s. On the basis of summing up the previous research results, this paper tries to choose a new research perspective, that is, the standpoint of feminism, the comprehensive use of feminist criticism, symbolic theory and communication theory. To grasp the gender politics and conflict in Chinese youth idol drama as a whole, and open another world of Chinese youth idol drama research. The full text is divided into four parts: the first part: introduction. This paper briefly describes the research object, research status, research methods and contents, from the overall grasp of the research object, grasp the direction of research. The second part: the female image in the image world. Taking the female images in the four typical youth idol dramas as the analysis objects, this paper explains the various male-dominated discourse settings permeated by these female images, and reveals the situation of women being "watched" and "appreciated". Analyze the cultural significance behind the construction of female image. The third part: gender politics in image communication. From the perspective of semiotics and communication, this paper interprets the gender conflicts in the spreading process of Chinese youth idol dramas, and analyzes the implied relations of desire and power discourse. The fourth part: the idolatry under the mirror image identity. This paper mainly expounds the cause and process of the formation of idols in Chinese youth idol drama, and then expounds in depth what kind of ideology is hidden under these perfect mirror images and what kind of power manipulation is implied. The conclusion summarizes the characteristics of gender politics in Chinese youth idol drama, and points out the way of Chinese youth idol drama in the future, so as to provide reference for the further development of Chinese TV drama and even women's cause.
【学位授予单位】：温州大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
【参考文献】
相关期刊论文 前1条
1 杨珍;“被看的女人”——媒介传播中女性形象的符号学批判[J];太原师范学院学报(社会科学版);2004年01期
本文编号：2294584
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