电影中的构成主义
发布时间：2018-10-26 12:02
【摘要】：本文是阿里克谢·甘(Alexei Gan)为构成主义建筑杂志《当代建筑》(SA)撰写的文章,这篇宣言与刊登在《LEF》(LEF)杂志上的构成主义电影写作宣言中的观点有很多相似之处。甘在文章中把爱斯特尔·舒伯的《伟大前程》作为个案,认为该片是通过建构电影文献、创作无演员电影来揭示革命真相的典型作品。电影制作中,舒伯开创性地对已拍摄的镜头进行剪辑。
[Abstract]:This article is written by Alexei (Alexei Gan) for the architectural magazine "Contemporary Architecture" (SA). This manifesto has many similarities with the viewpoints in the "LEF > (LEF)" film writing manifesto. In his article, Gan regards Estelle Schuber's Great Future as a case study, and argues that the film is a typical work that reveals the truth of the revolution through the construction of film documents and the creation of films without actors. In the production of the film, Schuber made a groundbreaking cut of the shot.
【作者单位】： 北京联合大学;北京大学工学院;
【分类号】：J905
本文编号：2295653
[Abstract]:This article is written by Alexei (Alexei Gan) for the architectural magazine "Contemporary Architecture" (SA). This manifesto has many similarities with the viewpoints in the "LEF > (LEF)" film writing manifesto. In his article, Gan regards Estelle Schuber's Great Future as a case study, and argues that the film is a typical work that reveals the truth of the revolution through the construction of film documents and the creation of films without actors. In the production of the film, Schuber made a groundbreaking cut of the shot.
【作者单位】： 北京联合大学;北京大学工学院;
【分类号】：J905
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