匠人之心，诗意武林—《侠女》的中国传统美学内蕴与表现手法研究
发布时间：2018-10-30 18:26
【摘要】：《火烧红莲寺》(1928)开始,华语电影务必留给武侠电影一席之地。纵览武侠电影的百年发展,是胡金铨与他的代表作《侠女》,将武侠电影推出国门,推向世界。胡金铨是一位极具代表性的文人武侠导演,其在历史文化方面的独到见解,在传统美学方面的深厚素养,深深影响了《侠女》的创作。大陆学界对《侠女》的研究少之又少,对《侠女》的深刻解读已属创新。但本文的创新点不仅体现在研究对象的选择上,还在于笔者使用叙事学的研究方法解读《侠女》的中国传统美学内蕴,从而得到了更加严谨和具体的研究体系与研究结论。在文章的绪论中,笔者将阐释选题背景和意义、研究现状和趋势,同时中国传统美学及其方法论进行界定并探讨本文的具体研究方法。主体部分,第一章对胡金铨的个人经历进行介绍并从“电影作者”的角度进行分析,探析《侠女》的创作;第二章从故事情节、人物塑造和物件细节上重点阐释《侠女》的叙事元素;第三章从“境”的营造、“意”的渲染和“象”的组合上分析影片的精妙细致的视听呈现;第四章揭示影片主题,提炼总结出研究对象《侠女》的中国传统美学内蕴,阐释导演的哲理性的思考;第五章笔者将分析《卧虎藏龙》等多部新世纪武侠电影对《侠女》各方面的传承。要而言之,本研究的绪论、第一章为引;第二、三章表现“匠人之心”,即从叙事学的叙事元素和叙事策略上,对影片进行系统详细的归纳赏析,并论证这种叙事的技巧与视听的表达是东方情韵与传统意境的;第四章从影片蕴涵的哲理情思表现“诗意武林”,即探究影片内涵中的儒家文化与佛禅意味;第五章则主要寻求本研究的时代价值与意义。快餐式商业风靡其下,电影评论方面,中国传统美学作为中国电影的重要理论仿佛渐渐烛尽光穷;电影创作方面,电影艺术的门槛似乎越来越低,愿意以艺匠的身份从事电影行业的人越来越少,艺术意味浓郁、民族文化深刻的电影创作困难重重。本文从中国传统美学切入对电影遗产进行研究,所得到的内容与结论也许不过是以蠡测海、以管窥天,只愿能有更实际的意义,能给武侠电影的实际创作带来动力,给相关学者的探究和钻研带来启示。
[Abstract]:Fire Red Lotus Temple (1928), the Chinese film must be reserved for martial arts film space. The century-old development of martial arts movies is Hu Jinquan and his masterpiece, "woman of the Warrior", which push the martial arts film to the world. Hu Jinquan is a representative literary martial arts director whose unique views in history and culture and deep accomplishment in traditional aesthetics have deeply influenced the creation of chivalrous woman. There are few researches on chivalrous women in mainland China, and the profound interpretation of chivalrous women is an innovation. But the innovation of this paper is not only reflected in the choice of research objects, but also in the use of narratology research method to interpret the Chinese traditional aesthetic connotation of "chivalrous woman", thus obtaining a more rigorous and specific research system and research conclusions. In the introduction of the article, the author will explain the background and significance of the topic, the current situation and the trend of the research. At the same time, the traditional Chinese aesthetics and its methodology will be defined and the specific research methods of this paper will be discussed. In the main part, the first chapter introduces Hu Jinquan's personal experience and analyzes it from the angle of "movie author", and analyzes the creation of "chivalrous woman". The second chapter focuses on the narrative elements of the novel from the aspects of story plot, character shaping and object details, and the third chapter analyzes the subtle and detailed audio-visual presentation of the film from the aspects of the creation of the "scene", the rendering of "meaning" and the combination of "image". The fourth chapter reveals the theme of the film, summarizes the research object of "chivalrous woman" of the Chinese traditional aesthetic connotation, explains the director's philosophical thinking; In the fifth chapter, the author will analyze the inheritance of many new century martial arts films, such as Crouching Tiger, Hidden Dragon, etc. To put it in perspective, the introduction of this study, the first chapter is cited; Second, three chapters show "the heart of the craftsman", that is, from the narrative elements and narrative strategies of narratology, the film is systematically and detailedly summarized and appreciated, and proves that this narrative technique and audio-visual expression are oriental and traditional artistic conception. The fourth chapter shows "poetic Wulin" from the philosophical thinking implied in the film, that is, to explore the Confucian culture and the meaning of Buddhism in the connotation of the film, and the fifth chapter mainly seeks the value and significance of this study. Fast food business is popular under the film review, Chinese traditional aesthetics as an important theory of Chinese film seems to be gradually candlelight; In the aspect of film creation, the threshold of film art seems to be lower and lower, and fewer people are willing to engage in film industry as artisans. From the Chinese traditional aesthetics, this paper studies the film heritage, and the content and conclusion may be just to measure the sea, to look into the sky, only wish to have more practical significance, can give the actual creation of martial arts film to bring power, To the relevant scholars to explore and study to bring inspiration.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
本文编号：2300809
[Abstract]:Fire Red Lotus Temple (1928), the Chinese film must be reserved for martial arts film space. The century-old development of martial arts movies is Hu Jinquan and his masterpiece, "woman of the Warrior", which push the martial arts film to the world. Hu Jinquan is a representative literary martial arts director whose unique views in history and culture and deep accomplishment in traditional aesthetics have deeply influenced the creation of chivalrous woman. There are few researches on chivalrous women in mainland China, and the profound interpretation of chivalrous women is an innovation. But the innovation of this paper is not only reflected in the choice of research objects, but also in the use of narratology research method to interpret the Chinese traditional aesthetic connotation of "chivalrous woman", thus obtaining a more rigorous and specific research system and research conclusions. In the introduction of the article, the author will explain the background and significance of the topic, the current situation and the trend of the research. At the same time, the traditional Chinese aesthetics and its methodology will be defined and the specific research methods of this paper will be discussed. In the main part, the first chapter introduces Hu Jinquan's personal experience and analyzes it from the angle of "movie author", and analyzes the creation of "chivalrous woman". The second chapter focuses on the narrative elements of the novel from the aspects of story plot, character shaping and object details, and the third chapter analyzes the subtle and detailed audio-visual presentation of the film from the aspects of the creation of the "scene", the rendering of "meaning" and the combination of "image". The fourth chapter reveals the theme of the film, summarizes the research object of "chivalrous woman" of the Chinese traditional aesthetic connotation, explains the director's philosophical thinking; In the fifth chapter, the author will analyze the inheritance of many new century martial arts films, such as Crouching Tiger, Hidden Dragon, etc. To put it in perspective, the introduction of this study, the first chapter is cited; Second, three chapters show "the heart of the craftsman", that is, from the narrative elements and narrative strategies of narratology, the film is systematically and detailedly summarized and appreciated, and proves that this narrative technique and audio-visual expression are oriental and traditional artistic conception. The fourth chapter shows "poetic Wulin" from the philosophical thinking implied in the film, that is, to explore the Confucian culture and the meaning of Buddhism in the connotation of the film, and the fifth chapter mainly seeks the value and significance of this study. Fast food business is popular under the film review, Chinese traditional aesthetics as an important theory of Chinese film seems to be gradually candlelight; In the aspect of film creation, the threshold of film art seems to be lower and lower, and fewer people are willing to engage in film industry as artisans. From the Chinese traditional aesthetics, this paper studies the film heritage, and the content and conclusion may be just to measure the sea, to look into the sky, only wish to have more practical significance, can give the actual creation of martial arts film to bring power, To the relevant scholars to explore and study to bring inspiration.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
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