当前位置:主页 > 文艺论文 > 影视论文 >

数字音频工作站技术对影视声音创作的影响

发布时间:2018-11-09 12:51
【摘要】:技术是由人创造的,也是其“本质力量的对象化”。在大英百科全书(EncyclopediaBritannica)中,艺术的定义为“凭借技巧、意愿、想象力、经验等综合人为因素的融合与平衡以创作隐含美学的器物、环境、影像、动作或声音的表达模式,以指和他人分享美的或有深意的情感与意识的人类用以表达既有感知的且将个人或群体体验沉淀与展现的过程”。说明艺术的展现过程不仅与技巧、意愿、想象力和经验这些人为因素有关,还和创作者的表达模式有关。由此可见,艺术的主体和技术的主体都是人。作为技术和艺术的重要纽带,人的思维和行为在其中起到十分重要的作用。技术和艺术的相互促进与融合,一直伴随着人类文明的发展;这之间的争论,也在理论的长河中时常浮现。 影视声音创作,即指影视创作主体通过对影视作品的理解,对其中所需要的音乐、音效及人声进行的声音综合造型设计和制作,最后配合画面形成完整的影视作品。在影视作品创作过程中,数字音频工作站不仅能提供影视作品当中声音制作所需的全部功能以及声音的分解以及综合质量保证,而且比传统音频制作更直观、更精确、更有效。相比于以往的技术手段,工作站技术的出现对创作的环境、过程、创作者的创作手段、对象、创作观念,甚至影响到了创作者如何给自己的创作行为下定义。数字音频工作站技术在创作的过程中可以提高工作效率,使从业者从繁琐的重复工作当中解脱出来,它提升了制作过程当中的精确程度,不但促进了影视艺术的多元化,还使更多人可以真正的参与到制作环节中。但尽管是这样,工作站技术对创作的阻碍作用也是十分明显的:工作站带来的便利使人们增加了对技术的依赖,,照本宣科的填鸭式教育遏制了创作者的灵感,大量的复制带来了影视作品中声音的雷同化我们必须理性的对待数字音频工作站技术给我们带来的影响。
[Abstract]:Technology is created by man and is the objectification of its essential power. In the Encyclopedia Britannica (EncyclopediaBritannica), art is defined as "the combination and balance of human factors, such as skill, will, imagination, experience, etc., to create an implicit aesthetic expression of objects, environments, images, movements, or sounds." It refers to the process by which human beings share beauty or deep feelings and consciousness with others to express what is perceived and to precipitate and manifest personal or group experiences. " It shows that the process of artistic expression is not only related to artistry, will, imagination and experience, but also to the expression pattern of the creator. Thus, the subject of art and the subject of technology are people. As an important link between technology and art, people's thinking and behavior play a very important role. The mutual promotion and integration of technology and art have been accompanied by the development of human civilization. Film and television sound creation means that the main body of film and television works through the understanding of the film and television works, the music, sound effects and human voice for which the sound comprehensive design and production, finally with the screen to form a complete film and television works. In the process of film and television creation, digital audio workstation can not only provide all the functions required for sound production in film and television works, but also provide the decomposition and comprehensive quality assurance of sound, and is more intuitive, accurate and effective than traditional audio production. Compared with the previous technical means, the emergence of workstation technology on the creation of the environment, process, creative means, objects, creative ideas, and even affect how the creators define their own creative behavior. Digital audio workstation technology can improve work efficiency in the process of creation, so that practitioners can free themselves from tedious repeated work. It enhances the accuracy of the production process, and not only promotes the diversity of film and television art, Also enable more people to really participate in the production process. But even so, workstation technology is also an obvious hindrance to creativity: workstation facilities increase people's dependence on technology, and script-feeding education stifles creators' inspiration. A large number of replicas have brought about the same sound in film and television. We must treat the influence of digital audio workstation technology to us rationally.
【学位授予单位】:东北师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J933

【参考文献】

相关期刊论文 前3条

1 陈越红;裴磊;;电影声音技术:人类思维的外化显现[J];北京电影学院学报;2008年03期

2 宋奕勤;;论数字化技术对艺术设计的影响[J];科技创业月刊;2008年11期

3 潘俊;科学技术对艺术设计的影响[J];湖北广播电视大学学报;2002年01期



本文编号:2320468

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2320468.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户9e6e6***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com