李安“家庭三部曲”中父亲形象的文化探寻
发布时间：2018-11-09 18:44
【摘要】：李安作为多次夺得国际电影大奖的华人导演，其电影中蕴含着丰富的人文精神和文化品格。在他的电影中，父亲形象一直是一个鲜明而带有丰富意指的文化形象，这一形象的塑造，与李安受到的台湾电影的影响息息相关。一直以来，台湾家庭伦理剧在台湾电影中占有重要地位，其中“父亲”也是其中一重要形象，父亲形象经历了初步建构、解构、重新建立期。李安电影中的父亲继承并发展了这一脉络。 论文分为三部分。在“绪论”中，主要是对李安的创作历程进行概述，并对近代台湾家庭伦理电影发展史、父亲形象的演变进行简单梳理。第一章，初步阐释父亲形象，分别从传统语境下看父亲形象的传统性、父权衰落背景下父亲形象的式微和在鸿沟和代沟之间父亲形象的演变。第二章立足父子/父女关系，首先父子关系经历了由冲突到和解的过程，矛盾的化解既有儿子的认同，更多来源于父亲的妥协；父女中，，父女关系则较为温和，由最初的代沟逐渐走向对话，最后实现了和解。父子/父女关系都与李安对于父亲的感情息息相关。最后一章探究父亲形象的文化意蕴，首先，父亲形象不仅体现了李安自身的认同困惑，也是他寻求身份认同的努力；其次，父亲折射出离散化人对于“文化中国”想象及李安对于传统文化的守望；再次，也表达了李安对于家庭伦理的思考；第四，从文化品格方面看，父亲形象折射了中国人的传统人文品格：和、礼、敛。
[Abstract]:As a Chinese director who has won international film awards many times, Ang Lee's films contain rich humanistic spirit and cultural character. In his films, the father image has always been a vivid and rich cultural image, which is closely related to Ang Lee's influence on Taiwan films. For a long time, Taiwanese family ethics plays an important role in Taiwanese films, among which "Father" is one of the important images. The father image has undergone a preliminary construction, deconstruction, and re-establishment period. Lee's father in the film inherited and developed this thread. The paper is divided into three parts. In introduction, it mainly summarizes Lee's creative history, and briefly combs the history of the development of Taiwan's family ethics film and the evolution of his father's image. In the first chapter, the author explains the father image, and looks at the tradition of the father image from the traditional context, the decline of the father image under the background of the decline of the patriarchal power and the evolution of the father image between the gap and the generation gap. The second chapter is based on the relationship between father and son. Firstly, the relationship between father and son goes through the process from conflict to reconciliation. Among the father and daughter, the father-daughter relationship is more moderate, gradually from the initial generation gap to dialogue, and finally achieved reconciliation. Father-son / father-daughter relationship is closely related to Ang Lee's affection for his father. The last chapter explores the cultural implications of the father image. Firstly, the father image not only reflects Lee's identity confusion, but also his efforts to seek identity. Secondly, the father reflects the discrete person's imagination of "cultural China" and Ang Lee's watch over the traditional culture, third, he also expresses Lee's thoughts on family ethics. Fourth, from the aspect of cultural character, the father image reflects the Chinese traditional humanistic character: harmony, ceremony, convergence.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2321256
[Abstract]:As a Chinese director who has won international film awards many times, Ang Lee's films contain rich humanistic spirit and cultural character. In his films, the father image has always been a vivid and rich cultural image, which is closely related to Ang Lee's influence on Taiwan films. For a long time, Taiwanese family ethics plays an important role in Taiwanese films, among which "Father" is one of the important images. The father image has undergone a preliminary construction, deconstruction, and re-establishment period. Lee's father in the film inherited and developed this thread. The paper is divided into three parts. In introduction, it mainly summarizes Lee's creative history, and briefly combs the history of the development of Taiwan's family ethics film and the evolution of his father's image. In the first chapter, the author explains the father image, and looks at the tradition of the father image from the traditional context, the decline of the father image under the background of the decline of the patriarchal power and the evolution of the father image between the gap and the generation gap. The second chapter is based on the relationship between father and son. Firstly, the relationship between father and son goes through the process from conflict to reconciliation. Among the father and daughter, the father-daughter relationship is more moderate, gradually from the initial generation gap to dialogue, and finally achieved reconciliation. Father-son / father-daughter relationship is closely related to Ang Lee's affection for his father. The last chapter explores the cultural implications of the father image. Firstly, the father image not only reflects Lee's identity confusion, but also his efforts to seek identity. Secondly, the father reflects the discrete person's imagination of "cultural China" and Ang Lee's watch over the traditional culture, third, he also expresses Lee's thoughts on family ethics. Fourth, from the aspect of cultural character, the father image reflects the Chinese traditional humanistic character: harmony, ceremony, convergence.
【学位授予单位】：河北师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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