中国谍战题材电视剧中女间谍形象的嬗变

发布时间：2018-11-12 08:19

【摘要】：1981年《敌营十八年》拉开了谍战题材电视剧的序幕,在之后将近三十年的道路中,谍战题材作为比较特殊的电视剧类型,陪伴电视剧大家族共同走过无数个春夏秋冬。这一题材的电视剧在很多方面都呈现出巨大的变化,譬如角色设置、叙事方式、主题彰显以及美学旨趣等。谍战题材电视剧在这将近三十年的变化中,既反映出了大众审美文化正在向多元化迈进,同时也展现出谍战题材电视剧自身艺术魅力的雄浑壮魄。近年来谍战题材电视剧中,出现了越来越多的女间谍形象,并且这些曾经在剧中只是以配角出现的女性形象,如今也越来越多的成为剧中的主角。这些鲜活而又富有个性的女间谍形象,使女间谍这一角色成为剧中一道亮丽的风景,而不再是男性英雄主义的追随者。这些谍战题材电视剧不仅在电视剧类型上有新的闪光点,创作内容也更加富有内涵,将女间谍形象处于整个社会大变革背景下来进行描绘,而且加深了对女间谍人物性格、情感世界、内心感受、职业以外的生活等方面的描述。符号化的性别定位、模式化的职业特征、格式化的情感历程,这些对女间谍形象的传统描绘似乎在文艺作品中慢慢消退,使女间谍形象在性别立场和主体意识方面更加突现,并且开始彰显和突出女性的主体地位和自我力量。谍战剧中女间谍的性别特征从缺位到凸现；形象从单一到丰富；职业从符号化到多元化；情感从依附到独立,众多方面都在改进,但在女性意识方面还没有完全独立,因此,如何使女间谍形象冲破传统思想观念的束缚,刻画出更有深度与内涵的人物形象,塑造出更加真实、立体的女间谍形象,使女性意识在谍战题材电视剧中真正的彰显与体现,这些都是值得探究的问题。人物是电视剧的灵魂,一部电视剧的成功与否大部分取决于人物形象塑造。中国谍战题材电视剧中女间谍形象的研究,对谍战题材电视剧整体的发展具有推动意义。
[Abstract]:In 1981, "18 years of enemy operation" opened the prelude of espionage drama. In the following 30 years, spy warfare as a relatively special type of TV series accompanied the TV series family through countless years of spring, summer, autumn and winter. The TV series on this subject shows great changes in many aspects, such as role setting, narrative mode, theme manifestation and aesthetic purport. The espionage TV series has changed for nearly 30 years, which not only reflects the diversity of aesthetic culture of the masses, but also shows the charm of espionage TV drama itself. In recent years, there have been more and more female spy characters in espionage TV dramas. These vivid and individual female spy characters, the role of female spy become a beautiful scenery in the play, no longer a follower of male heroism. These espionage TV dramas not only have new bright spots in the TV series types, but also have more connotations in their creative content. They depict the image of female spies in the context of the great changes in society as a whole, and deepen the character of the female spy characters. A description of the emotional world, inner feelings, life outside the profession, etc. The symbolic sex orientation, the stylized professional characteristics, the formatted emotional process, the traditional portrayal of the female spy image seems to fade slowly in the literary works, and the female spy image is more prominent in the gender standpoint and the subject consciousness. And began to highlight and highlight the main position of women and self-power. The sex character of female spy in spy drama is from absence to prominence, image from single to rich, profession from symbolization to diversity; Emotion from attachment to independence, many aspects are improving, but in the female consciousness is not completely independent, therefore, how to make the female spy image break through the shackles of traditional ideas, portray more depth and connotation of the character image, Creating a more real, three-dimensional female spy image, so that the female consciousness in espionage TV series really manifest and reflect, these are worthy of exploration. Characters are the soul of TV dramas, and the success of a TV play depends mostly on the portrayal of characters. The study on the image of female spy in Chinese espionage TV series is of great significance to the development of espionage TV series as a whole.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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