《我不是潘金莲》中的中国特色美学结构
发布时间：2018-11-12 16:32
【摘要】：电影作为多种艺术形式的集合体,不同于现实的地方往往在于它是独立自存的理想世界,对于电影,最重要的地方就是如何巧妙突破现实中空间与时间的限制,摆脱对图像叙事的真实时间的限制,这是在利用放映时间表现时间和心理的游戏,这就是电影的魅力。本文试图结合电影《我不是潘金莲》,研究中国特色的美学结构运用在电影中所产生的影响,研究利用中国传统元素的表象,超越传统意味的表达,为中国的电影拍摄拓宽思路。
[Abstract]:As a collection of various art forms, film is different from reality in that it is an independent and self-existing ideal world. The most important place for film is how to subtly break through the limitations of space and time in reality. To get rid of the limitation on the real time of image narration, this is a game of showing time and psychology, which is the charm of film. Based on the film "I am not Pan Jinlian", this paper attempts to study the influence of the aesthetic structure with Chinese characteristics on the film, to study and utilize the representation of Chinese traditional elements and to transcend the expression of traditional meaning. To broaden the thinking for Chinese film shooting.
【作者单位】： 长春科技学院;
【分类号】：J901
本文编号：2327604
[Abstract]:As a collection of various art forms, film is different from reality in that it is an independent and self-existing ideal world. The most important place for film is how to subtly break through the limitations of space and time in reality. To get rid of the limitation on the real time of image narration, this is a game of showing time and psychology, which is the charm of film. Based on the film "I am not Pan Jinlian", this paper attempts to study the influence of the aesthetic structure with Chinese characteristics on the film, to study and utilize the representation of Chinese traditional elements and to transcend the expression of traditional meaning. To broaden the thinking for Chinese film shooting.
【作者单位】： 长春科技学院;
【分类号】：J901
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，本文编号：2327604
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