当代影视英雄形象塑造艺术研究

发布时间：2018-11-13 06:24

【摘要】：气吞山河、大义凛然的英雄是人们心目中敬仰和崇拜的偶像。小说文本作品和影视作品中存在大量的不同历史时期、不同性格特点的英雄群像，这些英雄人物的塑造丰满、鲜明、独特，感染和影响着共和国一代又一代人，深受观众喜爱。英雄观随着时代背景的变迁与社会的发展而改变，英雄形象的塑造也由单一的视角向多元化发展。传统的英雄叙事强调宏大叙事，更多以正义战胜邪恶、崇高代替平庸、进取对抗消沉等价值体系作为叙事的主导倾向；以英雄的道德精神和价值取向为指向，即刚强、勇猛、冒险、魄力，以终极性的历史目的作为行动取向，历史发展，社会进步，时代精神，，拯救民众构成这种叙事法则的主流元素。英雄的出现是对时代精神的强烈呼唤，不同的历史分期对英雄形象的塑造具有不同的时代意义。英雄人物始终以国家的利益，社会荣辱观和人民的崇德尚义作为价值取向，其整体形象在文本和影视作品中的塑造由最初的传统化向人性化发展，更多的人性特点逐渐被强调和重视。新中国成立后，党和国家非常重视文化事业的发展，电影拍摄题材内容、表现技巧、人物塑造等都有重大的突破。出现在这一时期的英雄形象在银屏上的表现都是用仰视镜头表现顶天立地、无私无畏的高、大、全式的完美人物形象；文革时期，文化事业受到前所未有的冲击，影视英雄形象的塑造模式化、单一化、脸谱化，成为政治生活的标签与传声筒；改革开放以后，各种英雄叙事的影视作品层出不穷，形象塑造向多元化、立体化发展，出现了一些有血有肉的鲜活的本真英雄；新时期以来，受西方现代、后现代思潮的影响，中国影视中的英雄形象的塑造打破了传统思维的束缚，在人性反思、终极关怀的维度反思英雄的成长。本文将当代影视作品分为四个时期来研究，分别阐明当代影视作品中英雄形象塑造艺术的主旨及其美学风格，从不同的精神文化层面分析了影视英雄形象对社会价值体系的及人的精神风貌的影响。
[Abstract]:Devouring the mountains and rivers, the righteous hero is the idols that people admire and worship in their hearts. There are a large number of heroic images with different historical periods and different characters in the works of novels and films. The portrayal of these heroes is plump, distinctive and unique, infecting and influencing the generation after generation of the Republic, and being loved by the audience. The concept of hero changes with the change of the background of the times and the development of society, and the shaping of hero image also develops from a single angle of view to diversification. The traditional heroic narration emphasizes the grand narrative, and takes justice over evil as the dominant tendency of narration, while sublime takes place of mediocrity, enterprising against depression and so on. Taking the moral spirit and value orientation of the hero as the direction, that is, being strong, brave, adventurous, enterprising, taking the ultimate historical aim as the action orientation, historical development, social progress, the spirit of the times, Saving the people constitutes the mainstream element of this narrative law. The emergence of heroes is a strong call for the spirit of the times. The hero always regards the national interest, the social honor and disgrace view and the people's Zong Tak Shangyi as the value orientation, its overall image molds in the text and the film and television works from the original tradition to the humanity development. More and more characteristics of human nature are gradually emphasized and attached importance to. After the founding of the people's Republic of China, the Party and the country attached great importance to the development of cultural undertakings. In this period of the heroic image in the screen performance is to look up the lens performance of the sky, selfless high, large, all-type perfect character image; During the period of the Cultural Revolution, the cultural cause suffered an unprecedented impact, the film and television hero image molding model, single, Facebook, become the label and voice of political life; After the reform and opening up, a variety of heroic narration film and television works emerge in endlessly, the image mold to the diversification, the three-dimensional development, has appeared some flesh and blood fresh real hero; Since the new era, under the influence of western modern and postmodern thoughts, the heroic image in Chinese film and television has broken the shackles of traditional thinking and reflected the growth of heroes in the dimension of human nature reflection and ultimate concern. This article divides the contemporary film and television works into four periods to study, respectively expounding the gist and aesthetic style of the heroic image shaping art in the contemporary film and television works. This paper analyzes the influence of film and television hero image on social value system and human spirit from different spiritual and cultural aspects.
【学位授予单位】：齐齐哈尔大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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