女性主义视阈下的国产宫斗剧研究
发布时间：2018-11-13 18:59
【摘要】：近年来国产宫斗剧逐步走入大众的视野,成为当下最受瞩目的热播剧类型,它凭借新颖的故事情节、激烈的戏剧冲突以及华丽的场景设置,吸引了大批国内观众,创下一波又一波的收视狂潮,以至2012年被誉为宫斗剧热播年,受到人们的广泛关注。宫斗剧以女性的视角展开叙述,描绘了在专制宫廷里苦苦挣扎的女性群像,这些虚构的艺术世界中投射出真实的现实世界的光与影,既揭示了封建后宫里的明争暗斗和血雨腥风,又传达出在一个极端化的男权制环境里,女性身心所受到的戕害。 本文共分为五个部分,第一章是绪论,概括总结了宫斗剧热潮下的研究背景,并从现阶段国内外的研究成果出发,论述课题研究的意义和目的,其中用女性主义的观点透析宫斗剧,成为本文的主要论点。第二章主要通过分析剧中的人物形象,揭示出女性尽管居于舞台中央,但是依然受到男权社会的清理支配。第三章则介绍了女性在后宫中的生存状态。第四章着重从传统文化和弱者身份的角度,折射出当代女性追求平等对话的困境。第五章是结语,对全文的主要观点做了总结。
[Abstract]:In recent years, Chinese Palace Dou Opera has gradually entered the public's field of vision, becoming the most popular type of TV drama at present. It attracts a large number of domestic audiences by virtue of its novel storylines, fierce dramatic conflicts and gorgeous scene settings. After a wave of viewers, 2012 was hailed as the year of the palace war drama and received wide attention. Miyagou dramas are narrated from a female perspective, depicting the images of women struggling in autocratic courts, who project the light and shadow of the real world in these fictional artistic worlds. It not only reveals the war and blood in the feudal palace, but also conveys the harm to the female body and mind in an extreme patriarchal environment. This paper is divided into five parts. The first chapter is the introduction, which summarizes the research background under the upsurge of Gong Dou drama, and discusses the significance and purpose of the research from the current research results at home and abroad. Among them, using the feminist point of view to analyze the palace play, become the main point of this paper. The second chapter, by analyzing the characters in the play, reveals that women are still dominated by the patriarchal society, although they are in the center of the stage. The third chapter introduces the living state of women in the harem. The fourth chapter focuses on the traditional culture and the identity of the weak, reflecting the plight of contemporary women in pursuit of equal dialogue. The fifth chapter is the conclusion, to the full text main viewpoint has made the summary.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2330146
[Abstract]:In recent years, Chinese Palace Dou Opera has gradually entered the public's field of vision, becoming the most popular type of TV drama at present. It attracts a large number of domestic audiences by virtue of its novel storylines, fierce dramatic conflicts and gorgeous scene settings. After a wave of viewers, 2012 was hailed as the year of the palace war drama and received wide attention. Miyagou dramas are narrated from a female perspective, depicting the images of women struggling in autocratic courts, who project the light and shadow of the real world in these fictional artistic worlds. It not only reveals the war and blood in the feudal palace, but also conveys the harm to the female body and mind in an extreme patriarchal environment. This paper is divided into five parts. The first chapter is the introduction, which summarizes the research background under the upsurge of Gong Dou drama, and discusses the significance and purpose of the research from the current research results at home and abroad. Among them, using the feminist point of view to analyze the palace play, become the main point of this paper. The second chapter, by analyzing the characters in the play, reveals that women are still dominated by the patriarchal society, although they are in the center of the stage. The third chapter introduces the living state of women in the harem. The fourth chapter focuses on the traditional culture and the identity of the weak, reflecting the plight of contemporary women in pursuit of equal dialogue. The fifth chapter is the conclusion, to the full text main viewpoint has made the summary.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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