民族奇幻片的类型自觉与类型超越
发布时间：2018-11-14 14:01
【摘要】：暑期商业大片《盗墓笔记》在市场上的成功,可从编剧、导演和表演三方面的外部因素来总结,主要可归为三点:分别是"南派三叔和大IP小说改编""李仁港动作片的美学套路"以及"井柏然和鹿晗的冷萌表演"。内在的原因可归之于奇幻片的类型自觉和类型超越给年轻观众以熟悉的"陌生感"所造成的诸多看点,这也为辉煌的票房成绩奠定了坚实的基础。
[Abstract]:The success of the summer commercial blockbuster Tomb Theft in the market can be summed up from three external factors: screenwriter, director and performance. It can be classified into three main points: the adaptation of three Uncle and Big IP novels of the Southern School, the Aesthetic routine of Li Rengang's Action Film, and the Coldly adorable performance of Jing Buran and Lu Han. The internal reasons can be attributed to the type consciousness and type transcendence of fantasy films, which makes the young audience familiar with "strangeness", which also lays a solid foundation for the brilliant box office achievement.
【作者单位】： 同济大学电影研究所;
【分类号】：J905
，
本文编号：2331361
[Abstract]:The success of the summer commercial blockbuster Tomb Theft in the market can be summed up from three external factors: screenwriter, director and performance. It can be classified into three main points: the adaptation of three Uncle and Big IP novels of the Southern School, the Aesthetic routine of Li Rengang's Action Film, and the Coldly adorable performance of Jing Buran and Lu Han. The internal reasons can be attributed to the type consciousness and type transcendence of fantasy films, which makes the young audience familiar with "strangeness", which also lays a solid foundation for the brilliant box office achievement.
【作者单位】： 同济大学电影研究所;
【分类号】：J905
，
本文编号：2331361
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