新世纪中国大陆喜剧电影叙事研究

发布时间：2018-11-17 12:37

【摘要】：纵观当今中国电影,无论从创作数量还是从票房排名来看,喜剧电影都占据着重要分量,可谓撑起中国电影市场的一片天地,注重本土文化和日常生活的喜剧电影,能够充分发挥电影媒介与观众对话的功能,达成与本土观众高度的心理契合,从而以其特定魅力保持着自己的生存空间。本文以新世纪中国喜剧电影的叙事艺术为研究对象,从叙事学角度对中国喜剧电影的叙事内容、叙事结构、叙事策略进行分析研究,系统梳理新世纪中国大陆喜剧片的叙事特征,探讨其中呈现的审美价值。主要分为以下五个部分:第一部分:首先,借鉴定义,并结合自己对众多喜剧影片的理解,对喜剧电影进行定义和分类;其次,详细地梳理20世纪以来中国大陆喜剧电影的发展脉络,并通过前后对比分析总结新世纪大陆喜剧电影的特征,为下文从叙事角度具体分析喜剧电影奠定基础。第二部分:分析新世纪大陆喜剧电影的叙事内容,从叙事主题和角色塑造这两方面来具体阐述,总结出新世纪中国大陆喜剧电影的三类主题,在角色塑造方面主要是从草根化、丑角化、市民化这三方面进行论述。第三部分:主要探究喜剧电影的叙事结构,主要是结合具体影片,对常规式线性结构、并行式多线索结构、段落式拼贴结构和梦幻式心理结构这四种结构进行详细分析,探究叙事上的节奏感。第四部分:探讨新世纪大陆喜剧电影的叙事策略,主要从游戏化叙事技巧、幽默的语言和观众接受这三方面进行阐释。第五部分:指出当前喜剧电影创作中存在的问题,并提出要突出主体精神的构建、叙事逻辑的彰显和文艺本真的坚守,以期中国大陆喜剧电影能够在商业化大潮中立稳根基,把牢方向,健康发展,创造出更多的精品和经典。
[Abstract]:Throughout today's Chinese films, comedy films occupy an important role in terms of both the number of films created and the box office rankings. They can be described as supporting the Chinese film market and focusing on the local culture and daily life of comedy films. It can give full play to the function of dialogue between the film media and the audience, reach a high degree of psychological fit with the local audience, and thus maintain its own living space with its special charm. Taking the narrative art of Chinese comedy film in the new century as the research object, this paper analyzes the narrative content, narrative structure and narrative strategy of Chinese comedy film from the perspective of narratology. The narrative features of Chinese mainland comedies in the new century are systematically combed, and the aesthetic value of them is discussed. It is mainly divided into the following five parts: the first part: first, draw on the definition, and combined with their own understanding of many comedy films, the definition and classification of comedy films; Secondly, combing the development of Chinese mainland comedy film since the 20th century in detail, and summarizing the characteristics of the new century mainland comedy film through the comparative analysis before and after, laying a foundation for the following analysis of comedy film from the perspective of narrative. The second part: analyze the narrative content of the mainland comedy film in the new century, expound concretely from the narrative theme and the character shaping, sum up the three kinds of themes of the Chinese mainland comedy film in the new century, mainly from the root of the root in the role shaping aspect. Clown, the city of these three aspects of the discussion. The third part: mainly explores the narrative structure of comedy film, mainly combines the concrete film, carries on the detailed analysis to the conventional linear structure, the parallel multi-clue structure, the paragraph collage structure and the dreamlike psychological structure. Explore the rhythm of narration. The fourth part: discusses the narrative strategy of the new century mainland comedy film, mainly from the game narrative skills, humorous language and audience acceptance of these three aspects to explain. The fifth part: points out the problems existing in the current comedy film creation, and puts forward that the construction of the main body spirit, the display of narrative logic and the adherence to the literary and artistic truth should be emphasized in order to establish the foundation of the comedy film in the commercial tide in the mainland of China. Put the firm direction, healthy development, create more fine products and classics.
【学位授予单位】：扬州大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905

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