1997—2012香港警匪电影的类型嬗变
发布时间：2018-11-19 11:07
【摘要】：香港警匪电影,作为最具独特性的香港电影类型之一,给观众留下了无数经典的回忆,伴随了几代人的成长。虽然其历史不算太长,但是质量和数量在世界影坛上都有着举足轻重的地位,而且在香港金像奖当中也是如鱼得水,受到广大观众及影评人的喜爱。2002年,电影《无间道》的上映带动了香港警匪电影一次新的创作热潮,让人们感到香港警匪电影的“转型”,以及政治、经济、文化的变迁对这一香港特有类型的影响。2012年,先有《逆战》,后有《大追捕》和《寒战》等陆续到来,也已然宣告香港警匪电影热潮的再次兴起。香港警匪电影的长盛不衰和不断创新对中国类型电影的创作来说无疑也是一个积极的参照。同时随着对香港电影研究的日益丰满,有必要对回归后的香港警匪电影的类型发展进行分析和总结。 本文针对香港警匪电影这一独特的电影类型,欲以1997年香港回归为始到2012年止,采用类型学的研究方法,从类型演变和类型元素的角度分析回归后的香港警匪电影的类型发展的大体轮廓和特征,以总结香港警匪电影的类型变化规律和未来的发展趋势。 回归前,香港警匪电影大致经过了从初具雏形到英雄片、成龙警察系列、枭雄片、古惑仔系列这样一个发展脉络。回归后,由于社会历史的变迁,香港文化认同的转变,香港警匪电影创作者为了应对一系列复杂变化而不得不做出相应改变,随即出现了具有黑色性质的香港警匪电影,仿效好莱坞的“大片模式”,还有《无间道》的上映也逐渐改变了以往香港警匪电影中飞车追逐、火爆枪战等动感场面,进而出现了以智斗为主的警匪模式。但随着全球化进程的加快,包括香港警匪电影在内的合拍片在世界范围蔓延开来,尤其是CEPA的签订,使得香港警匪电影从融资模式、拍摄主题、表现手段等从创作到制片,从商业到艺术等都又发生了重要变化。随着两岸三地电影资源的优化整合以及和国外的合作,香港警匪电影将逐渐蜕变成更加国际化的华语警匪电影,继续发扬民族特色,彰显制作实力,使其屹立于世界电影之林。
[Abstract]:As one of the most unique types of Hong Kong films, Hong Kong police and bandit films have left audiences with countless classic memories, accompanied by the growth of several generations. Although its history is not too long, both quality and quantity play an important role in the world film world, and it is also very popular among the Hong Kong Awards and is popular with the general public and film critics. In 2002, The release of the film "Infernal Affairs" has led to a new creative boom in Hong Kong's police and bandit films. People are aware of the "transformation" of Hong Kong's police and bandit films, as well as the impact of political, economic and cultural changes on this particular type of Hong Kong. In 2012, First, there was "the reverse War", then "the Great pursuit" and "the Cold War" came one after another, and also announced that the Hong Kong police and bandits movie boom was rising again. The Hong Kong police and bandit films are also a positive reference for the creation of Chinese films. At the same time, it is necessary to analyze and summarize the development of Hong Kong police and bandit films. In view of the unique film type of Hong Kong police and bandit films, this paper intends to adopt typology research methods from the beginning of Hong Kong's return to China in 1997 to the end of 2012. From the angle of type evolution and type elements, this paper analyzes the general outline and characteristics of the type development of Hong Kong police and bandit films after the return to China, in order to summarize the changing law of the types of Hong Kong police and bandit films and the development trend in the future. Before the reunification, the Hong Kong police and bandit films went through the development from the beginning to the hero film, the Jackie Chan police series, the great hero film, and the ancient bogus series. After the reunification, as a result of the social and historical changes and the changes in Hong Kong's cultural identity, the Hong Kong police and bandits film creators had to make corresponding changes in order to cope with a series of complex changes. Then came the black nature of the Hong Kong police and bandit films. Following Hollywood's "blockbuster model" and "Infernal Affairs," the release of the movie has gradually changed the past Hong Kong police movie car chase, firefight and other dynamic scenes, and then the emergence of intelligent fighting mainly the pattern of police and bandits. However, with the acceleration of the globalization process, co-productions, including Hong Kong police bandit films, have spread all over the world, especially with the signing of CEPA, which has made Hong Kong police and bandits films from financing modes, shooting themes, means of expression, etc., from creation to production. Important changes have taken place from business to art. With the optimization and integration of the film resources of the three places and the cooperation with foreign countries, Hong Kong police and bandit films will gradually transform into more international Chinese language movies, continue to develop their national characteristics, highlight their production strength, and make them stand in the world film forest.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905;J909.2
本文编号：2342122
[Abstract]:As one of the most unique types of Hong Kong films, Hong Kong police and bandit films have left audiences with countless classic memories, accompanied by the growth of several generations. Although its history is not too long, both quality and quantity play an important role in the world film world, and it is also very popular among the Hong Kong Awards and is popular with the general public and film critics. In 2002, The release of the film "Infernal Affairs" has led to a new creative boom in Hong Kong's police and bandit films. People are aware of the "transformation" of Hong Kong's police and bandit films, as well as the impact of political, economic and cultural changes on this particular type of Hong Kong. In 2012, First, there was "the reverse War", then "the Great pursuit" and "the Cold War" came one after another, and also announced that the Hong Kong police and bandits movie boom was rising again. The Hong Kong police and bandit films are also a positive reference for the creation of Chinese films. At the same time, it is necessary to analyze and summarize the development of Hong Kong police and bandit films. In view of the unique film type of Hong Kong police and bandit films, this paper intends to adopt typology research methods from the beginning of Hong Kong's return to China in 1997 to the end of 2012. From the angle of type evolution and type elements, this paper analyzes the general outline and characteristics of the type development of Hong Kong police and bandit films after the return to China, in order to summarize the changing law of the types of Hong Kong police and bandit films and the development trend in the future. Before the reunification, the Hong Kong police and bandit films went through the development from the beginning to the hero film, the Jackie Chan police series, the great hero film, and the ancient bogus series. After the reunification, as a result of the social and historical changes and the changes in Hong Kong's cultural identity, the Hong Kong police and bandits film creators had to make corresponding changes in order to cope with a series of complex changes. Then came the black nature of the Hong Kong police and bandit films. Following Hollywood's "blockbuster model" and "Infernal Affairs," the release of the movie has gradually changed the past Hong Kong police movie car chase, firefight and other dynamic scenes, and then the emergence of intelligent fighting mainly the pattern of police and bandits. However, with the acceleration of the globalization process, co-productions, including Hong Kong police bandit films, have spread all over the world, especially with the signing of CEPA, which has made Hong Kong police and bandits films from financing modes, shooting themes, means of expression, etc., from creation to production. Important changes have taken place from business to art. With the optimization and integration of the film resources of the three places and the cooperation with foreign countries, Hong Kong police and bandit films will gradually transform into more international Chinese language movies, continue to develop their national characteristics, highlight their production strength, and make them stand in the world film forest.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905;J909.2
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