基于萨特存在主义对《我们生来就是孤独》人物表达研究
发布时间：2018-11-19 17:31
【摘要】：萨特作为20世纪最具代表性的哲学家之一,其提出的存在主义哲学思想对现当代哲学界都产生了深厚的影响,而这影响也慢慢渗透于文学、戏剧、影视、绘画、音乐等多种领域。我组以萨特存在主义为理论基础,创作了《我们生来就是孤独》这部微电影,影片贴近现年龄段,是以真实生活经历为创作来源,反映年轻人浮躁、空虚的生活状态的影片。本文根据对萨特戏剧主体特征的研究及分析,结合影片实际内容,将戏剧角色的主体特征在我组作品中人物形象上的体现,舞台空间设置对影片的影响进行更深度的阐述和解析,在人物形象设置及行为动作表达中体现了萨特存在主义的主要内容：存在先于本质、自由理论。萨特自由观所包含的内容：自由、选择、责任。通过对人物的分析,来一一解读萨特存在主义哲学思想在影片中的体现、对人物形象的填充,由此引出本片所要表达的中心思想。本文一共包含了四章内容：第一章从大体上来阐述了课题研究的意义,国内外研究现状以及研究的重点难点和主要工作；第二章简要的概述了萨特的存在主义哲学,“存在先于本质”的基本原则和对于“自由选择”的解读；第三章研究分析了萨特戏剧的主体特征,包括戏剧角色表现出的主体特征和舞台空间对戏剧表现的影响；第四章结合我组影片,解析了存在主义在影片人物形象中的体现,包括对人物身份选择的思考和对人物行为的解读,还有对主要角色更加详细的人物分析。
[Abstract]:As one of the most representative philosophers in the 20th century, Sartre's philosophy of existentialism has exerted a profound influence on modern and contemporary philosophy, which has gradually penetrated into literature, drama, film and television, and painting. Music and other fields. On the basis of Sartre existentialism, our group has created "We are born alone", which is close to the present age. It is based on real life experience and reflects the impetuous and empty life of young people. Based on the research and analysis of the main features of Sartre's drama and the actual content of the film, this paper presents the main features of the dramatic characters in my group works. The impact of stage space settings on the film is further elaborated and analyzed. The main content of Sartre's existentialism is embodied in the characters' image setting and action expression: existence precedes the essence and the theory of freedom. The content of Sartre's concept of freedom: freedom, choice, responsibility. Through the analysis of the characters, this paper interprets the embodiment of Sartre's philosophy of existentialism in the film and the filling of the characters' images, which leads to the central idea to be expressed in this film. This paper contains four chapters: the first chapter from a general point of view of the significance of the subject, the status of domestic and foreign research, as well as the key and difficult points of the study and the main work; The second chapter gives a brief overview of Sartre's existential philosophy, the basic principle of "being before nature" and the interpretation of "free choice". The third chapter analyzes the main features of Sartre's drama, including the main features of the role of drama and the impact of stage space on the performance of the drama. The fourth chapter analyzes the embodiment of existentialism in the character image of the film, including the reflection of the character identity selection and the interpretation of the character behavior, as well as the more detailed character analysis of the main characters.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905
本文编号：2342957
[Abstract]:As one of the most representative philosophers in the 20th century, Sartre's philosophy of existentialism has exerted a profound influence on modern and contemporary philosophy, which has gradually penetrated into literature, drama, film and television, and painting. Music and other fields. On the basis of Sartre existentialism, our group has created "We are born alone", which is close to the present age. It is based on real life experience and reflects the impetuous and empty life of young people. Based on the research and analysis of the main features of Sartre's drama and the actual content of the film, this paper presents the main features of the dramatic characters in my group works. The impact of stage space settings on the film is further elaborated and analyzed. The main content of Sartre's existentialism is embodied in the characters' image setting and action expression: existence precedes the essence and the theory of freedom. The content of Sartre's concept of freedom: freedom, choice, responsibility. Through the analysis of the characters, this paper interprets the embodiment of Sartre's philosophy of existentialism in the film and the filling of the characters' images, which leads to the central idea to be expressed in this film. This paper contains four chapters: the first chapter from a general point of view of the significance of the subject, the status of domestic and foreign research, as well as the key and difficult points of the study and the main work; The second chapter gives a brief overview of Sartre's existential philosophy, the basic principle of "being before nature" and the interpretation of "free choice". The third chapter analyzes the main features of Sartre's drama, including the main features of the role of drama and the impact of stage space on the performance of the drama. The fourth chapter analyzes the embodiment of existentialism in the character image of the film, including the reflection of the character identity selection and the interpretation of the character behavior, as well as the more detailed character analysis of the main characters.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905
【参考文献】
相关期刊论文 前1条
1 袁翠莲;;试论萨特存在主义的绝对自由观以及承担责任的绝对性——读《存在主义是一种人道主义》[J];吉林广播电视大学学报;2014年05期
，本文编号：2342957
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