论20世纪90年代以来商业电影的形式自觉与叙事转向
发布时间：2018-11-20 08:38
【摘要】：在传统的商业电影中,"讲什么故事"要比"怎么讲故事"重要得多,形式主要被视为内容的附庸和工具,这种电影可以说是内容主导型的。而20世纪90年代以来的商业电影,逐渐打破了线性的内容主导型叙事的统治性地位,出现了从"讲什么故事"到"怎么讲故事"、从注重内容到注重形式的叙事转向,显现出了商业电影的形式自觉。而商业电影从"讲什么故事"向"怎么讲故事"的转向,其中的重要命题便是为商业电影叙事形态注入新意和活力,以适应新环境下观众的观影趣味和观影能力。
[Abstract]:In traditional commercial films, "tell what story" is more important than "how to tell a story", form is mainly regarded as the appendage and tool of content, this kind of film can be said to be content-oriented. Since the 1990s, the commercial films have gradually broken the dominant position of linear content-oriented narration, which has changed from "tell a story" to "how to tell a story," and from a focus on content to a focus on form. Show the form consciousness of commercial film. The important proposition of commercial film is to inject new ideas and vitality into the narrative form of commercial film, so as to adapt the audience's interest and ability to watch film under the new environment.
【作者单位】： 南京大学文学院;
【基金】：2017年中国博士后科学基金资助项目(第61批面上资助项目)(2017M611769)
【分类号】：J905
[Abstract]:In traditional commercial films, "tell what story" is more important than "how to tell a story", form is mainly regarded as the appendage and tool of content, this kind of film can be said to be content-oriented. Since the 1990s, the commercial films have gradually broken the dominant position of linear content-oriented narration, which has changed from "tell a story" to "how to tell a story," and from a focus on content to a focus on form. Show the form consciousness of commercial film. The important proposition of commercial film is to inject new ideas and vitality into the narrative form of commercial film, so as to adapt the audience's interest and ability to watch film under the new environment.
【作者单位】： 南京大学文学院;
【基金】：2017年中国博士后科学基金资助项目(第61批面上资助项目)(2017M611769)
【分类号】：J905
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