试论新世纪香港黑帮电影暴力表达的现实化倾向
发布时间：2018-11-20 10:32
【摘要】：黑帮片是香港最具特色的电影类型,有着举足轻重的地位,其中"暴力元素"的表达既是该影片类型的特色,也是它扩散影响的重要手段。新世纪后的香港黑帮片在回归祖国、金融危机、CEPA协议(《关于建立更紧密经贸关系的安排》的简称)签订的时代背景下,其文本与以往相比有了一些新的变化和特征,暴力表达的具体手法有了更深层次的探索和尝试,并逐渐形成了不同于前人的文本诉求,最终融合而成了新世纪香港黑帮片的"新形态"。这一新形态最突出的表现即对现实化的强调,包括对世俗价值的强调,对黑帮所在的社会形态的现实化展现。香港的黑帮片试图以一种常态化的写实手法,自主且积极地融入具有特色的香港现实。这一现实化一方面强调人物的现实化、世俗化,另一方面强调背景环境的真实性,强调人物及其空间关系之间形成的新的表达意图和美学特征。区别于上世纪以吴宇森为代表的浪漫化暴力黑帮片,新世纪以来,香港黑帮电影的现实化倾向具有特定的地域文化诉求。这种诉求具有现实意义,是香港对自身身份和本土文化的一种刻意强调,也是香港黑帮电影区别于其他区域电影及类型的基础。香港黑帮片通过暴力表达的现实化创作实现了与社会现实的对照。这一现实化倾向的暴力表达顺应了香港社会的现实发展,并对黑帮电影的后续发展带来启示。
[Abstract]:Gangster film is the most characteristic film type in Hong Kong and plays an important role. The expression of "violent element" is not only the feature of the film type, but also an important means of spreading influence. Under the background of the return to the motherland, the financial crisis, and the signing of the CEPA Agreement ("arrangements for establishing a closer Economic Partnership") after the new century, the Hong Kong gangsters' texts have some new changes and characteristics compared with the past. The concrete means of violent expression have been explored and tried at a deeper level, and gradually formed a text appeal different from that of predecessors, and finally merged into a "new form" of Hong Kong gangster films in the new century. The most prominent manifestation of this new form is the emphasis on reality, including the emphasis on secular value and the realisation of the social formation in which the gang is located. The Hong Kong gangsters try to integrate their own and active features into the Hong Kong reality with a normal realistic technique. On the one hand, this reality emphasizes the reality and secularization of the characters, on the other hand, it emphasizes the authenticity of the background environment, and emphasizes the new expressive intention and aesthetic characteristics formed between the characters and their spatial relations. Different from the Romantic violent gangster film represented by Wu Yusen in the last century, since the new century, the realistic tendency of the Hong Kong gangster film has a specific regional cultural appeal. This appeal is of practical significance and is a deliberate emphasis on Hong Kong's identity and local culture. It is also the basis for Hong Kong's gangster films to be distinguished from other regional films and their types. The Hong Kong gangster film realized the contrast with the social reality through the realistic creation of the violent expression. This realistic expression of violence conforms to the development of Hong Kong society and brings enlightenment to the subsequent development of gangster films.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
本文编号：2344671
[Abstract]:Gangster film is the most characteristic film type in Hong Kong and plays an important role. The expression of "violent element" is not only the feature of the film type, but also an important means of spreading influence. Under the background of the return to the motherland, the financial crisis, and the signing of the CEPA Agreement ("arrangements for establishing a closer Economic Partnership") after the new century, the Hong Kong gangsters' texts have some new changes and characteristics compared with the past. The concrete means of violent expression have been explored and tried at a deeper level, and gradually formed a text appeal different from that of predecessors, and finally merged into a "new form" of Hong Kong gangster films in the new century. The most prominent manifestation of this new form is the emphasis on reality, including the emphasis on secular value and the realisation of the social formation in which the gang is located. The Hong Kong gangsters try to integrate their own and active features into the Hong Kong reality with a normal realistic technique. On the one hand, this reality emphasizes the reality and secularization of the characters, on the other hand, it emphasizes the authenticity of the background environment, and emphasizes the new expressive intention and aesthetic characteristics formed between the characters and their spatial relations. Different from the Romantic violent gangster film represented by Wu Yusen in the last century, since the new century, the realistic tendency of the Hong Kong gangster film has a specific regional cultural appeal. This appeal is of practical significance and is a deliberate emphasis on Hong Kong's identity and local culture. It is also the basis for Hong Kong's gangster films to be distinguished from other regional films and their types. The Hong Kong gangster film realized the contrast with the social reality through the realistic creation of the violent expression. This realistic expression of violence conforms to the development of Hong Kong society and brings enlightenment to the subsequent development of gangster films.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
【参考文献】
相关期刊论文 前10条
1 赵卫防;;建构、解构与再建构——再探香港黑帮电影[J];当代电影;2015年12期
2 杜梁;;帮派逻辑控制下的命运浮沉:香港黑帮电影类型演变[J];电影新作;2013年06期
3 武云溥;;香港黑社会发展秘史 香江风云,黑色传奇[J];国家人文历史;2013年09期
4 张_";;杜琪峰的暴力美学[J];当代电影;2013年02期
5 许乐;;香港警匪片创作新动向[J];当代电影;2012年03期
6 葛亮;;对照记——论都市书写的“镜像”式观照[J];武汉大学学报(人文科学版);2011年04期
7 翁君怡;;黑色江湖的“道义”与“暴力”——香港黑帮片的自塑华人形象[J];东南传播;2011年04期
8 列孚;;香港电影潮起?潮落?——香港电影工业十年生态漫谈[J];电影艺术;2010年04期
9 邱宝林;钱春莲;;城市影像中的电视:个体身份和群体身份——大陆、香港、台湾青年电影导演影片中的“城市”表征[J];当代电影;2009年04期
10 龚金平;;在褪色“江湖”中寻找“英雄”的再生——香港黑帮片的叙事学研究[J];电影新作;2007年05期
相关硕士学位论文 前1条
1 周宇洁;香港黑社会电影研究[D];山东大学;2010年
，本文编号：2344671
本文链接：https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2344671.html
