试论新世纪以来的台湾青春电影
发布时间：2018-11-25 20:27
【摘要】：21世纪以来的台湾青春电影几经沉浮,终于有了令人欣慰的发展曲线。第一章的第一节分析了整个亚洲青春题材电影的大环境,具体介绍了日本、韩国、泰国、印度、台湾等地的青春题材电影的发展环境、发展概况。第二节旨在阐述台湾新一代青春电影的成功与本土元素的积极介入、台湾当局的特有电影体制、对本土青年心灵历程的关注是分不开的。 第二章结合台湾青春电影的成长、爱情、对抗等母题进一步分析台湾电影,根据不同类型人物的命运,自我认知与获取社会认同的过程,进一步揭示台湾青春电影中,重视反应人性、褒扬善与美的艺术追求。另外,关注此类影片对于电影市场的把握,博得受众喜爱的基本途径。 本文第三章首先分析了当前内地青春电影的发展状况：一方面,青年文化作为一种亚文化被主流文化所侵蚀,阻碍了青春电影的发展；另一方面,内地青春电影创作中商业元素和艺术元素相互对立,主旋律影片、娱乐片和艺术片有着截然不同的票房和影响力,青春电影很容易被票房诱惑,失却思想性和审美特质。其次,本章探讨了台湾青春电影在相关方面做法的可取之处。包括注重商业追求和精神探讨相结合,适度引入流行元素等。最后,本文认为,两岸在青春电影产业上存在着较大的互补空间,完善相关的法律法规,可促进双方发挥互补优势。
[Abstract]:After several ups and downs since the 21 st century, Taiwan youth films have finally had a gratifying curve of development. The first section of the first chapter analyzes the environment of the whole Asian youth films, and introduces the development environment and general situation of youth films in Japan, South Korea, Thailand, India, Taiwan and so on. The second section aims to explain that the success of the new generation of Taiwan youth films and the active involvement of local elements, Taiwan's unique film system, local youth pay attention to the spiritual process is inseparable. The second chapter further analyzes the Taiwan films based on the themes of growth, love, confrontation and so on. According to the fate of different types of characters, self-cognition and the process of obtaining social identity, it further reveals the youth films in Taiwan. Attach importance to reflecting human nature and praise the artistic pursuit of goodness and beauty. In addition, pay attention to this kind of film to the movie market grasp, win the basic way that the audience likes. The third chapter first analyzes the current situation of the development of youth films in the mainland: on the one hand, youth culture as a subculture is eroded by the mainstream culture, which hinders the development of youth films; On the other hand, the commercial and artistic elements of youth films in the mainland are in opposition to each other. Theme films, entertainment films and art films have very different box office and influence. Youth films are easily tempted by the box office. The loss of ideological and aesthetic characteristics. Secondly, this chapter discusses the relevant aspects of Taiwan youth film practice. Including the focus on commercial pursuit and spiritual exploration, moderate introduction of popular elements and so on. Finally, this paper argues that there is a large complementary space between the two sides in the youth film industry, and the improvement of relevant laws and regulations can promote the two sides to play complementary advantages.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2357287
[Abstract]:After several ups and downs since the 21 st century, Taiwan youth films have finally had a gratifying curve of development. The first section of the first chapter analyzes the environment of the whole Asian youth films, and introduces the development environment and general situation of youth films in Japan, South Korea, Thailand, India, Taiwan and so on. The second section aims to explain that the success of the new generation of Taiwan youth films and the active involvement of local elements, Taiwan's unique film system, local youth pay attention to the spiritual process is inseparable. The second chapter further analyzes the Taiwan films based on the themes of growth, love, confrontation and so on. According to the fate of different types of characters, self-cognition and the process of obtaining social identity, it further reveals the youth films in Taiwan. Attach importance to reflecting human nature and praise the artistic pursuit of goodness and beauty. In addition, pay attention to this kind of film to the movie market grasp, win the basic way that the audience likes. The third chapter first analyzes the current situation of the development of youth films in the mainland: on the one hand, youth culture as a subculture is eroded by the mainstream culture, which hinders the development of youth films; On the other hand, the commercial and artistic elements of youth films in the mainland are in opposition to each other. Theme films, entertainment films and art films have very different box office and influence. Youth films are easily tempted by the box office. The loss of ideological and aesthetic characteristics. Secondly, this chapter discusses the relevant aspects of Taiwan youth film practice. Including the focus on commercial pursuit and spiritual exploration, moderate introduction of popular elements and so on. Finally, this paper argues that there is a large complementary space between the two sides in the youth film industry, and the improvement of relevant laws and regulations can promote the two sides to play complementary advantages.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
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