“传神阿堵”在动画角色塑造中的作用及意义
发布时间：2018-11-25 21:48
【摘要】：本文以顾恺之的"传神阿堵"论为切入点,通过以人物眼睛的描绘来表达其内心情感,将这种方式运用于动画作品当中,探寻其对于动画作品中角色塑造所起到的作用及意义。本文共分为四个主要章节:开篇为引言,其中包含内容有论文的选题目的及意义、研究概况、研究方法;第一章中谈到了"传神阿堵"论的历史溯源,以及"传神阿堵"论在中国绘画中的继承,还有在民间艺术中的发展和对动画作品中角色塑造的启发;第二章通过结合经典的动画作品实例介绍了以动画角色的眼睛造型而体现出的内在精神,还有以眼睛的神态呈现角色的正反派特征和内心的情绪;第三章以经典动画片为例分析了在剧情当中角色的内心情感通过眼部的动作来表现,其中分别分析了动画角色之间通过对视动作所传递的情感与观众之间形成的无声共鸣,以角色眼睛动作节奏的不同对传达角色情感所产生的影响,以及瞳孔的动作设计对角色内心情感的诠释;第四章通过上述分析对"传神阿堵"论运用于动画角色塑造中所产生的作用和意义进行总结。研究如何表现角色内心情感,使角色具有饱满的性格和丰富的精神世界,以充满生命力的表演将角色内心情感传达给观众,让观众对动画角色有深层次的了解与沟通,进而产生情感上的共鸣,我们需要在创作思路上做出改变,将动画创作的侧重点由表及里进行转移,通过动画角色眼睛造型与动作的设计,达到传情达意的情感体现。让角色用眼睛说话,给动画角色赋予生命,以"传神阿堵"的方式来诠释故事的内涵,使动画作品具有灵魂和生命力。
[Abstract]:This article regards Gu Kaizhi's theory of "impersonation and blockage" as the breakthrough point, expresses his inner emotion through the description of the character's eyes, applies this way to the animation works, and probes into the role and significance of the character shaping in the animation works. This article is divided into four main chapters: the beginning of the introduction, including the content of the purpose and significance of the topic, research overview, research methods; The first chapter talks about the historical origin of the theory, the inheritance of the theory in Chinese painting, the development of folk art and the inspiration to the role shaping in animation works. The second chapter introduces the inner spirit embodied by the eye modeling of the animated characters, and presents the positive and negative features and inner emotions of the characters by the appearance of the eyes. The third chapter takes the classic cartoon as an example to analyze the inner emotion of the characters in the plot through the action of the eyes, and analyzes the silent resonance between the emotion transmitted by the animation characters through the action of looking at each other and the audience. The influence of the rhythm of the role eye movement on the communication of the role emotion, and the interpretation of the character inner emotion by the pupil action design; The fourth chapter summarizes the role and significance of the theory in animation character shaping through the above analysis. This paper studies how to express the inner emotion of the character, make the character have full character and rich spiritual world, convey the inner emotion of the character to the audience with the performance of vitality, so that the audience can have a deep understanding and communication about the animated character. In order to produce emotional resonance, we need to make a change in the creative thinking, the focus of animation creation from the surface to the inside to transfer, through the animation character eye modeling and action design, achieve emotional expression. Let the characters speak with their eyes, give life to the animated characters, interpret the meaning of the story in the way of "impressing the gods", and make the animation works have soul and vitality.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954
本文编号：2357469
[Abstract]:This article regards Gu Kaizhi's theory of "impersonation and blockage" as the breakthrough point, expresses his inner emotion through the description of the character's eyes, applies this way to the animation works, and probes into the role and significance of the character shaping in the animation works. This article is divided into four main chapters: the beginning of the introduction, including the content of the purpose and significance of the topic, research overview, research methods; The first chapter talks about the historical origin of the theory, the inheritance of the theory in Chinese painting, the development of folk art and the inspiration to the role shaping in animation works. The second chapter introduces the inner spirit embodied by the eye modeling of the animated characters, and presents the positive and negative features and inner emotions of the characters by the appearance of the eyes. The third chapter takes the classic cartoon as an example to analyze the inner emotion of the characters in the plot through the action of the eyes, and analyzes the silent resonance between the emotion transmitted by the animation characters through the action of looking at each other and the audience. The influence of the rhythm of the role eye movement on the communication of the role emotion, and the interpretation of the character inner emotion by the pupil action design; The fourth chapter summarizes the role and significance of the theory in animation character shaping through the above analysis. This paper studies how to express the inner emotion of the character, make the character have full character and rich spiritual world, convey the inner emotion of the character to the audience with the performance of vitality, so that the audience can have a deep understanding and communication about the animated character. In order to produce emotional resonance, we need to make a change in the creative thinking, the focus of animation creation from the surface to the inside to transfer, through the animation character eye modeling and action design, achieve emotional expression. Let the characters speak with their eyes, give life to the animated characters, interpret the meaning of the story in the way of "impressing the gods", and make the animation works have soul and vitality.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954
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