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《江城警事》:类型范式突破与人物形象反程式化

发布时间:2018-11-26 07:35
【摘要】:公安题材电视剧一直以悬念迭起、剧情紧凑见长,然而《江城警事》的问世改变了观众对这类电视剧的固有印象,无论从叙事方法、情节设置以及人物塑造方面,《江城警事》都做到了与众不同,在叙事方式上无心插柳却有的放矢地采用了仿散文叙事,在情节塑造上摒弃了这类题材惯用的悬念设置法,在桥段细节上发力;在人物角色塑造方面,突破固有的程式化模式,打造了一个接地气的人民警察的形象。朴素简约的风格打造出与老百姓生活紧密相连的艺术作品,《江城警事》可以说为公安题材的电视剧找到了不同的视点和方向,具备案例式的研究价值和艺术价值。
[Abstract]:Police TV dramas have always been in suspense, and the plot is very compact. However, the advent of "Jiangcheng Police" has changed the audience's inherent impression of this kind of TV series, whether in terms of narrative methods, plot settings and character shaping. "Jiangcheng police affairs" has achieved the difference, in the narrative way unintentionally inserted willow but has adopted the imitation prose narration, in the plot mold has abandoned this kind of theme customary suspense setting method, in the bridge section detail has exerted the strength; In the aspect of character-shaping, it breaks through the inherent formulaic pattern and creates an approachable image of the people's police. The simple and simple style creates the works of art which are closely connected with the common people's life. Jiangcheng Police can be said to find different viewpoints and directions for the TV series of public security subject, and has the value of case study and art.
【作者单位】: 湖北黄冈师范学院;
【分类号】:J905

【参考文献】

相关期刊论文 前1条

1 李冬茵;;从电视剧文本的困境架构看编剧的多维性[J];中国广播电视学刊;2009年02期

【共引文献】

相关期刊论文 前2条

1 童杰;王贝贝;;《江城警事》:类型范式突破与人物形象反程式化[J];中国广播电视学刊;2017年06期

2 韩絮;;电视剧《我的青春谁做主》的文本分析[J];新闻世界;2010年07期



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