数字好莱坞真人版超级英雄漫画改编电影研究
发布时间：2018-11-27 19:53
【摘要】：自1978年第一部真正意义上的真人版超级英雄电影《超人》诞生以来,到2012年由《复仇者联盟》、《超凡蜘蛛侠》、《蝙蝠侠之黑暗骑士崛起》三部超级英雄巨制掀起的观影热潮以及票房旋风,真人版超级英雄漫画改编电影跟随着新好莱坞的变革脚步走进了数字好莱坞的全新语境。打量这段长达30余年的发展历程,我们发现在超级英雄漫画领域里呈现出的DC和Marvel(漫威)两强争霸的局面已经随着好莱坞产业格局的调整变化而扩散渗透到了电影领域。 新世纪前,由DC领旗推出的《超人》系列电影和《蝙蝠侠》系列电影让超级英雄从漫画转战到电影,虽然依靠众多漫画迷的拥趸也让这些电影风光了一时,但尚未能完全独立行走的超级英雄电影并没有形成自己的类型程式,也没有完成自身的美学自足。进入新世纪的2002年,在数字化浪潮的助推以及奇观化、卡通化的双重协助下,Marvel(漫威)应时推出的第一部《蜘蛛侠》以4亿的北美票房和8.2亿的全球票房,将超级英雄电影的吸金能力提升到了史无前例的高度,也开启了超级英雄真人电影类型创生的新篇章。随后,十年之间,超级英雄真人电影如一石激起的千层浪般层出不穷：《蜘蛛侠》连拍了三部,新的《蝙蝠侠》系列电影相继推出,而《X战警》系列电影则拍了五部,其他诸如《神奇四侠》、《钢铁侠》、《美国队长》等等更是适时而动,一部接着一部地上映。2012年,新一代《超凡蜘蛛侠》重装上阵,威力不减当年,而吹响“英雄集结号”的《复仇者联盟》,则一举将超级英雄片的全球票房纪录推高至了15亿美元。三十年间,超级英雄真人电影从《蜘蛛侠》的一枝独秀到《X战警》、《神奇四侠》、《钢铁侠》、《雷神》、《美国队长》等的百花齐放,从孤军奋战的《超人》、《蝙蝠侠》到各路英雄组队战斗的《复仇者联盟》。纵观这一历程,我们会发现超级英雄真人电影类型创生与演变的轨迹：从早期攀附其他类型电影,到逐步建构起自身类型程式,再到演变出全新制作模式的过程。 新的电影热潮并不是一触而发的,而是自1938年6月第一本超级英雄漫画出版以来,持续了几十年的超级英雄漫画热已经积聚成了一股跨代际的影响势力和受众群体。同时,借助电影数字技术的进步,昔日人们只能在脑海浮想的漫画情节变成了大银幕上的视觉奇观,两力交织,形成了一股强大且持续的类型电影力量,不仅使电影与尖端电脑图像技术、数字技术实现了深度扭结,而且逐步拓展出数字好莱坞的全新价值。
[Abstract]:Since the birth of the first real-life superhero film, Superman, in 1978, by the Avengers, Spiderman, in 2012, "the rise of the Dark Knight of Batman" the movie boom and box office whirlwind caused by the three superhero productions, the live-action superhero comic book adaptation follows the pace of the new Hollywood revolution into the new context of digital Hollywood. After more than 30 years of development, we find that the situation of DC and Marvel (Marvel) competing for hegemony in the field of superhero comics has spread to the film field with the adjustment and change of Hollywood industry pattern. Before the new century, the Superman series and Batman series, led by DC, turned superheroes from comic books to movies, although they were made famous by fans of manga fans. But the superhero films, which have not yet been able to walk completely independently, have not formed their own type of program, nor have they completed their own aesthetic self-sufficiency. Entering the new century, in 2002, with the help of the digital wave and wonders, Marvel (Marvel, with the help of Katonghua), the first Spider-Man film was released with 400 million North American box office and 820 million global box office. The superhero film's ability to attract money has reached an unprecedented level and opened a new chapter in the creation of the superhero's live-action movie genre. Over the next decade, superhero live-action movies sprung up like a rock: Spider-Man made three consecutive films, the new Batman series came out one after another, and the X-Men series produced five. Others, such as Magic four, Iron Man, Captain America, and so on, were released one after the other. In 2012, the new generation of Spider-Man was re-installed, not less powerful than it was in those years. The Avengers, which trumpeted the Hero Assembly, pushed the global box office record for superhero films to $1.5 billion in one fell swoop. Over the past three decades, superhero live-action movies have blossomed from "Spider-Man" to "X-Men," Magic four, "Iron Man," Thor, "Captain America," and so on. Batman: the Avengers to fight in teams of heroes. Throughout this process, we will find the track of the creation and evolution of the type of the superhero's live-action movies: from the early attachment to other types of movies, to the gradual construction of their own type of program, and then to the evolution of a new production model. The new movie boom is not a touch, but since the first superhero comic book was published in June 1938, the superhero manga craze, which has lasted for several decades, has accumulated into an intergenerational influence and audience group. At the same time, with the progress of digital film technology, the comic plot that people could only imagine in the past turned into a visual spectacle on the big screen, and the two forces intertwined, forming a powerful and sustained force for the type of film. Not only the film and cutting-edge computer graphics technology, digital technology to achieve a deep kink, but also gradually expand the new value of digital Hollywood.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
[Abstract]:Since the birth of the first real-life superhero film, Superman, in 1978, by the Avengers, Spiderman, in 2012, "the rise of the Dark Knight of Batman" the movie boom and box office whirlwind caused by the three superhero productions, the live-action superhero comic book adaptation follows the pace of the new Hollywood revolution into the new context of digital Hollywood. After more than 30 years of development, we find that the situation of DC and Marvel (Marvel) competing for hegemony in the field of superhero comics has spread to the film field with the adjustment and change of Hollywood industry pattern. Before the new century, the Superman series and Batman series, led by DC, turned superheroes from comic books to movies, although they were made famous by fans of manga fans. But the superhero films, which have not yet been able to walk completely independently, have not formed their own type of program, nor have they completed their own aesthetic self-sufficiency. Entering the new century, in 2002, with the help of the digital wave and wonders, Marvel (Marvel, with the help of Katonghua), the first Spider-Man film was released with 400 million North American box office and 820 million global box office. The superhero film's ability to attract money has reached an unprecedented level and opened a new chapter in the creation of the superhero's live-action movie genre. Over the next decade, superhero live-action movies sprung up like a rock: Spider-Man made three consecutive films, the new Batman series came out one after another, and the X-Men series produced five. Others, such as Magic four, Iron Man, Captain America, and so on, were released one after the other. In 2012, the new generation of Spider-Man was re-installed, not less powerful than it was in those years. The Avengers, which trumpeted the Hero Assembly, pushed the global box office record for superhero films to $1.5 billion in one fell swoop. Over the past three decades, superhero live-action movies have blossomed from "Spider-Man" to "X-Men," Magic four, "Iron Man," Thor, "Captain America," and so on. Batman: the Avengers to fight in teams of heroes. Throughout this process, we will find the track of the creation and evolution of the type of the superhero's live-action movies: from the early attachment to other types of movies, to the gradual construction of their own type of program, and then to the evolution of a new production model. The new movie boom is not a touch, but since the first superhero comic book was published in June 1938, the superhero manga craze, which has lasted for several decades, has accumulated into an intergenerational influence and audience group. At the same time, with the progress of digital film technology, the comic plot that people could only imagine in the past turned into a visual spectacle on the big screen, and the two forces intertwined, forming a powerful and sustained force for the type of film. Not only the film and cutting-edge computer graphics technology, digital technology to achieve a deep kink, but also gradually expand the new value of digital Hollywood.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
【参考文献】
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