新世纪国产抗日题材电视剧过度娱乐化现象批判
发布时间：2018-11-27 20:51
【摘要】：抗日战争是中华民族反抗日本侵略的民族战战争。抗日题材电视剧指的是以抗日战争为背景,记录和再现中国人民反抗日本侵略的电视剧。抗日剧承载了中华民族反抗外来侵略的民族精神,在满足了国家意识形态对民族历史记忆重构的同时又满足观众对抗战历史的想象,具有特殊的时代政治意义。国产抗日剧出现在二十世纪八十年代,经历了八十年代严肃的抗日剧、九十年代消费转型的抗日剧到新世纪多元娱乐化的抗日剧三个阶段。新世纪的抗日剧为追求经济利润,随意扭曲历史,嫁接各种商业娱乐元素,将抗战历史游戏化,抗日剧出现了过度娱乐化现象,产生了一系列的负面影响。本文将从梳理国产抗日剧的发展史入手,分析国产抗日剧的过度娱乐化现象,解析国产抗日剧过度娱乐化的原因,对国产抗日剧的过度娱乐化进行价值评判,最后提出笔者对改善国产抗日剧的过度娱乐化现象的发展思考。全文共分为五章,第一章梳理国产抗日剧的发展史。第二章描述新世纪国产抗日剧的过度娱乐化现象,首先分析娱乐和过度娱乐化的区别,指出新世纪国产抗日剧存在过度娱乐化的现象。最后,对新世纪抗日剧的过度娱乐化的表现形态进行分析。第三章主要是分析国产国产抗日剧的过度娱乐化的原因。主要从消费文化下消费观念的渗透、意识形态控制下的纰漏以及对观众观众的审美心理的曲意迎合三个方面分析。第四章主要是对国产抗日剧过度娱乐化现象进行价值评判,笔者认为过度娱乐化的抗日剧是对历史的消解,造成受众对战争的误解,阻碍了观众审美素养的提高,导致了民族精神的虚无。第五章则是笔者对国产抗日剧的发展与思考提出建议,主要分为四点,一是树立理性的消费观念,挖掘抗日剧的精神内涵;二是尊重历史,注重抗日剧的社会效益;三是加强国家层面的监管,完善电视节目审查制度,四是提高审美品位,坚守抗日剧的历史价值定位。最后,对未来抗日剧的发展进行展望,首先肯定抗日剧存在的合理性,如何拍摄抗日剧是抗日剧发展的关键,希望实现抗日剧的社会效益与经济效益的双丰收。
[Abstract]:The War of Resistance against Japan is a national war of the Chinese nation against Japanese aggression. Anti-Japanese TV series refers to the TV series in which the Chinese people resist Japanese aggression against the background of the War of Resistance against Japan. The anti-Japanese drama bears the national spirit of resisting foreign aggression of the Chinese nation and satisfies the reconstruction of national historical memory by national ideology and the imagination of the audience about the history of anti-Japanese war. It has special political significance of the times. The domestic anti-Japanese drama appeared in the eighties of the 20th century and experienced three stages: the serious anti-Japanese drama in the eighties, the anti-Japanese drama in the consumption transition in the 1990s and the multi-entertainment anti-Japanese drama in the new century. In the new century, in order to pursue economic profits, distort history at will, graft various elements of commercial entertainment, and play the history of the War of Resistance against Japan, the anti-Japanese drama has appeared the phenomenon of excessive entertainment, which has produced a series of negative effects. Starting with the history of domestic anti-Japanese drama, this paper analyzes the phenomenon of over-entertainment in domestic anti-Japanese drama, analyzes the causes of over-entertainment of domestic anti-Japanese drama, and evaluates the value of over-entertainment of domestic anti-Japanese drama. Finally, the author put forward to improve the development of the phenomenon of excessive entertainment of domestic anti-Japanese drama. This paper is divided into five chapters. The first chapter combs the history of domestic anti-Japanese drama. The second chapter describes the phenomenon of over-entertainment of domestic anti-Japanese drama in the new century. Firstly, it analyzes the difference between entertainment and over-entertainment, and points out that the phenomenon of over-entertainment exists in domestic anti-Japanese drama in the new century. Finally, the article analyzes the performance of the over-entertainment of anti-Japanese drama in the new century. The third chapter mainly analyzes the reason of excessive entertainment of domestic anti-Japanese drama. It mainly analyzes from three aspects: the penetration of consumption concept under the consumption culture, the flaws under the control of ideology and the pandering to the aesthetic psychology of the audience. The fourth chapter mainly evaluates the phenomenon of excessive entertainment of domestic anti-Japanese drama. The author thinks that the over-entertainment of anti-Japanese drama is the deconstruction of history, which causes the audience to misunderstand the war, and hinders the improvement of the audience's aesthetic literacy. It leads to the nothingness of the national spirit. The fifth chapter is the author's suggestions on the development and thinking of domestic anti-Japanese drama, mainly divided into four points, one is to establish a rational consumption concept, the other is to excavate the spiritual connotation of anti-Japanese drama, second, to respect history and pay attention to the social benefits of anti-Japanese drama; The third is to strengthen the supervision at the national level, to perfect the censorship system of TV programs, and the fourth is to improve the aesthetic taste and adhere to the historical value orientation of anti-Japanese drama. Finally, the development of anti-Japanese drama in the future is prospected. Firstly, the rationality of the existence of anti-Japanese drama is affirmed. How to film anti-Japanese drama is the key to the development of anti-Japanese drama, hoping to achieve the social and economic benefits of anti-Japanese drama double harvest.
【学位授予单位】：广西师范学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
本文编号：2362001
[Abstract]:The War of Resistance against Japan is a national war of the Chinese nation against Japanese aggression. Anti-Japanese TV series refers to the TV series in which the Chinese people resist Japanese aggression against the background of the War of Resistance against Japan. The anti-Japanese drama bears the national spirit of resisting foreign aggression of the Chinese nation and satisfies the reconstruction of national historical memory by national ideology and the imagination of the audience about the history of anti-Japanese war. It has special political significance of the times. The domestic anti-Japanese drama appeared in the eighties of the 20th century and experienced three stages: the serious anti-Japanese drama in the eighties, the anti-Japanese drama in the consumption transition in the 1990s and the multi-entertainment anti-Japanese drama in the new century. In the new century, in order to pursue economic profits, distort history at will, graft various elements of commercial entertainment, and play the history of the War of Resistance against Japan, the anti-Japanese drama has appeared the phenomenon of excessive entertainment, which has produced a series of negative effects. Starting with the history of domestic anti-Japanese drama, this paper analyzes the phenomenon of over-entertainment in domestic anti-Japanese drama, analyzes the causes of over-entertainment of domestic anti-Japanese drama, and evaluates the value of over-entertainment of domestic anti-Japanese drama. Finally, the author put forward to improve the development of the phenomenon of excessive entertainment of domestic anti-Japanese drama. This paper is divided into five chapters. The first chapter combs the history of domestic anti-Japanese drama. The second chapter describes the phenomenon of over-entertainment of domestic anti-Japanese drama in the new century. Firstly, it analyzes the difference between entertainment and over-entertainment, and points out that the phenomenon of over-entertainment exists in domestic anti-Japanese drama in the new century. Finally, the article analyzes the performance of the over-entertainment of anti-Japanese drama in the new century. The third chapter mainly analyzes the reason of excessive entertainment of domestic anti-Japanese drama. It mainly analyzes from three aspects: the penetration of consumption concept under the consumption culture, the flaws under the control of ideology and the pandering to the aesthetic psychology of the audience. The fourth chapter mainly evaluates the phenomenon of excessive entertainment of domestic anti-Japanese drama. The author thinks that the over-entertainment of anti-Japanese drama is the deconstruction of history, which causes the audience to misunderstand the war, and hinders the improvement of the audience's aesthetic literacy. It leads to the nothingness of the national spirit. The fifth chapter is the author's suggestions on the development and thinking of domestic anti-Japanese drama, mainly divided into four points, one is to establish a rational consumption concept, the other is to excavate the spiritual connotation of anti-Japanese drama, second, to respect history and pay attention to the social benefits of anti-Japanese drama; The third is to strengthen the supervision at the national level, to perfect the censorship system of TV programs, and the fourth is to improve the aesthetic taste and adhere to the historical value orientation of anti-Japanese drama. Finally, the development of anti-Japanese drama in the future is prospected. Firstly, the rationality of the existence of anti-Japanese drama is affirmed. How to film anti-Japanese drama is the key to the development of anti-Japanese drama, hoping to achieve the social and economic benefits of anti-Japanese drama double harvest.
【学位授予单位】：广西师范学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
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