论张一白电影的城市建构和情感诉说
发布时间：2018-11-28 17:14
【摘要】：2002年,张一白拍摄处女作《开往春天的地铁》,并提出了“新城市电影”的概念,自此他的电影都围绕着城市进行拍摄,通过这些讲叙都市爱情故事的电影,张一白阐释着他对当下中国城市的认识和想象,大致勾勒出当下中国的都市映像,为行进在高速城市化进程中的当下中国留下了难得的光影记忆。 在中国城市发展日新月异的今天,张一白通过他手中的摄像机,将镜头对准当下的高速发展中的中国城市,构建了他的光影世界,在他的城市电影中细致的展现了当下城市人的复杂心态和特殊爱情,张一白不只是拍摄了当下中国城市的侧影,他还拍摄了当下城市人的内心世界,他的城市电影具有很强的现代意义。 本文以张一白主要电影作品为基础,从城市建构和爱情诉说等方面对张一白的电影进行研究,摆脱单一的电影理论束缚,在电影理论文献的基础上,参考跨学科理论,包括城市学,城市文化学,伦理学,社会学等理论。本文的研究尝试从这样的角度入手：一是通过对张一白电影文本的解读来探讨张一白如何在电影中建构他的城市意象；二是探讨张一白电影中的情感主题,或者说是探讨其建构的城市中的孤单个体经历着怎样的另类爱情,总结其爱情的一贯主题；三是研究其建构的城市空间与爱情主题的相互关系。除此之外,探讨一下张一白的叙事特色以及其可供参考的电影营销对中国电影的意义。
[Abstract]:In 2002, Zhang Yibai shot his first film, the Subway to the Spring, and put forward the concept of "New City Cinema." since then, his films have been shooting around the city, through these movies that tell urban love stories. Zhang Yibai explains his understanding and imagination of the current Chinese cities, outlines the current urban image of China, and leaves a rare light and shadow memory for China in the process of high-speed urbanization. Today, with the rapid development of Chinese cities, Zhang Yibai has built his world of light and shadow through the camera in his hand, focusing the lens on the current high-speed developing Chinese cities. In his city film, he meticulously shows the complex mentality and special love of the present urban people. Zhang Yibai not only filmed the profile of the current Chinese city, he also filmed the inner world of the present urban people. His city film is of great modern significance. Based on Zhang Yibai's main film works, this paper studies Zhang Yibai's films from the aspects of urban construction and love telling, and gets rid of the shackles of a single film theory. On the basis of the film theory literature, it refers to the interdisciplinary theory. Including urban studies, urban culture, ethics, sociology and other theories. This paper attempts to start from such a point of view: first, through the interpretation of Zhang Yibai's film text to explore how Zhang Yibai constructs his city image in the film; The second is to discuss the emotional theme in Zhang Yibai's film, or to discuss the lonely individual's experience of the alternative love in the city constructed by Zhang Yibai, and to sum up the consistent theme of his love. The third is to study the relationship between the urban space and the theme of love. In addition, the narrative characteristics of Zhang Yibai and the significance of film marketing to Chinese films are discussed.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
本文编号：2363656
[Abstract]:In 2002, Zhang Yibai shot his first film, the Subway to the Spring, and put forward the concept of "New City Cinema." since then, his films have been shooting around the city, through these movies that tell urban love stories. Zhang Yibai explains his understanding and imagination of the current Chinese cities, outlines the current urban image of China, and leaves a rare light and shadow memory for China in the process of high-speed urbanization. Today, with the rapid development of Chinese cities, Zhang Yibai has built his world of light and shadow through the camera in his hand, focusing the lens on the current high-speed developing Chinese cities. In his city film, he meticulously shows the complex mentality and special love of the present urban people. Zhang Yibai not only filmed the profile of the current Chinese city, he also filmed the inner world of the present urban people. His city film is of great modern significance. Based on Zhang Yibai's main film works, this paper studies Zhang Yibai's films from the aspects of urban construction and love telling, and gets rid of the shackles of a single film theory. On the basis of the film theory literature, it refers to the interdisciplinary theory. Including urban studies, urban culture, ethics, sociology and other theories. This paper attempts to start from such a point of view: first, through the interpretation of Zhang Yibai's film text to explore how Zhang Yibai constructs his city image in the film; The second is to discuss the emotional theme in Zhang Yibai's film, or to discuss the lonely individual's experience of the alternative love in the city constructed by Zhang Yibai, and to sum up the consistent theme of his love. The third is to study the relationship between the urban space and the theme of love. In addition, the narrative characteristics of Zhang Yibai and the significance of film marketing to Chinese films are discussed.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905
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