云南少数民族文化元素在动画艺术设计中的运用研究
发布时间：2018-11-28 18:44
【摘要】：中国动画自诞生以来就一直以其独特的民族特色深入人心,其对于民族文化的运用赢得了世界动画界的认同和赞誉。但后来在商业利益的驱使下,绝大部分的动画制作方为了迎合消费者口味,大量抄袭和模仿日美动画风格,摒弃了中国动画特有的民族特色,失去了民族个性。回首中国动画发展历程,为中国动画赢取了国际赞誉的优秀动画作品,都具有强烈的民族风格。换句话说,重视民族文化、正视民族文化、重拾民族文化以及积极传播民族文化才是现代中国动画的出路。 云南是中国西南地区静待发掘的一块民族艺术宝地。除汉族以外共还有25个少数民族,这些丰富的民族文化和艺术元素是动画艺术创作取之不尽的创新源泉。本文通过对云南少数民族文化的研究,挖掘、归纳、提炼其审美特性,探讨把云南少数民族艺术元素渗入到动画的剧本创作,角色设计和场景设计之中的方法。这对于动画艺术的民族风格创新研究具有非常重要意义的工作。 从另一方面说,云南少数民族地区拥有非常多的非物质文化遗产,这些民族文化的瑰宝正日渐消逝,这对于中华文化是一项无法估量的损失。而动画所具有独特的虚拟性与复原性,可以帮助这些正在消失的非物质文化遗产传承,这种传承对于历史文化遗产和动画艺术都具有非常重要的意义。因此开展民族文化调查、发展民族特色动画、保护传承非物质文化遗产是对我们的挑战,也是我们作为动画工作者的责任。希望本文能给从事民族动画创作的同行带来一些启发。
[Abstract]:Chinese animation has always been popular with its unique national characteristics since its birth, and its use of national culture has won recognition and praise from the world's moving-painting circles. But later, driven by commercial interests, most of the animation producers in order to meet the needs of consumers, a large number of copying and imitation of Japanese and American animation style, abandoned the unique national characteristics of Chinese animation, lost their national personality. Looking back on the development of Chinese animation, Chinese animation won international acclaim excellent animation works, with a strong national style. In other words, attaching importance to national culture, facing up to national culture, recovering national culture and actively propagating national culture are the outlet of modern Chinese animation. Yunnan is a national art treasure in southwest China. There are 25 ethnic minorities in addition to Han nationality. These rich elements of national culture and art are the inexhaustible source of innovation in animation art creation. Based on the research, excavation, induction and extraction of the aesthetic characteristics of Yunnan minority culture, this paper probes into the ways to infiltrate the artistic elements of Yunnan ethnic minorities into the script creation, character design and scene design of the animation. This is of great significance to the study of the national style innovation of animation art. On the other hand, Yunnan ethnic minority areas have a lot of intangible cultural heritage, these national cultural treasures are fading away, which is an incalculable loss to Chinese culture. The unique fictitious and restorative nature of animation can help these intangible cultural heritage which is disappearing which is of great significance to historical cultural heritage and animation art. Therefore, it is our challenge to carry out the investigation of national culture, to develop the animation with national characteristics and to protect and inherit the intangible cultural heritage. Hope this article can bring some inspiration to the counterparts engaged in ethnic animation creation.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954;G122
本文编号：2363919
[Abstract]:Chinese animation has always been popular with its unique national characteristics since its birth, and its use of national culture has won recognition and praise from the world's moving-painting circles. But later, driven by commercial interests, most of the animation producers in order to meet the needs of consumers, a large number of copying and imitation of Japanese and American animation style, abandoned the unique national characteristics of Chinese animation, lost their national personality. Looking back on the development of Chinese animation, Chinese animation won international acclaim excellent animation works, with a strong national style. In other words, attaching importance to national culture, facing up to national culture, recovering national culture and actively propagating national culture are the outlet of modern Chinese animation. Yunnan is a national art treasure in southwest China. There are 25 ethnic minorities in addition to Han nationality. These rich elements of national culture and art are the inexhaustible source of innovation in animation art creation. Based on the research, excavation, induction and extraction of the aesthetic characteristics of Yunnan minority culture, this paper probes into the ways to infiltrate the artistic elements of Yunnan ethnic minorities into the script creation, character design and scene design of the animation. This is of great significance to the study of the national style innovation of animation art. On the other hand, Yunnan ethnic minority areas have a lot of intangible cultural heritage, these national cultural treasures are fading away, which is an incalculable loss to Chinese culture. The unique fictitious and restorative nature of animation can help these intangible cultural heritage which is disappearing which is of great significance to historical cultural heritage and animation art. Therefore, it is our challenge to carry out the investigation of national culture, to develop the animation with national characteristics and to protect and inherit the intangible cultural heritage. Hope this article can bring some inspiration to the counterparts engaged in ethnic animation creation.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J954;G122
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