中国大陆爱情喜剧电影研究：1990-2013
发布时间：2018-11-29 10:44
【摘要】：中国大陆爱情喜剧电影从1990年代发展至今,已经成为颇受瞩目和十分重要的类型电影之一,尤其是近年来,随着电影市场的繁荣,大陆爱情喜剧电影获得了很好的票房成绩和非常高的社会关注度。本文力图对1990年代以来的中国大陆爱情喜剧电影做比较全面的和系统的研究：第一章将大陆爱情喜剧电影的发展分为两个时期,并对影响爱情喜剧电影发展的因素,以及爱情喜剧电影自身的创作特点进行分析；第二章通过具体的文本阐释来分析大陆爱情喜剧电影随着时代的发展,在主题上所产生的一些变化；第三章通过分析大陆爱情喜剧电影中的人物形象揭示出电影中体现的中国文化对男女地位的固定认知；第四章从审美价值的表现、商业价值的获取和批评反思三个角度来对大陆爱情喜剧电影的发展做全面省思。本文将结合电影本体论、文化学、社会学、女性主义以及接受美学等相关理论对大陆爱情喜剧电影进行研究,期待研究能对爱情喜剧电影未来的发展提供有意义的借鉴。
[Abstract]:Since the development of romantic comedy films in mainland China in the 1990s, they have become one of the most attractive and important types of films, especially in recent years, with the prosperity of the film market. The mainland love comedy movie has got very good box-office result and very high social attention. This paper tries to do a more comprehensive and systematic study on the romantic comedy films in mainland China since the 1990s. The first chapter divides the development of romantic comedy films into two periods, and analyzes the factors that affect the development of romantic comedy films. As well as the love comedy film itself creation characteristic carries on the analysis; The second chapter through the specific text interpretation to analyze the mainland love comedy film with the development of the times, in the theme of some changes; The third chapter reveals the Chinese culture's fixed cognition of the status of men and women by analyzing the characters in the mainland romantic comedy films. The fourth chapter from the aesthetic value of the performance, commercial value of the acquisition and criticism of three angles to the development of the mainland love comedy film to do a comprehensive reflection. This article will combine the movie ontology, the culture, the sociology, the feminism and the reception esthetics and so on related theories to carry on the research to the mainland romantic comedy movie, anticipates that the research can provide the meaningful reference to the love comedy movie future development.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
本文编号：2364778
[Abstract]:Since the development of romantic comedy films in mainland China in the 1990s, they have become one of the most attractive and important types of films, especially in recent years, with the prosperity of the film market. The mainland love comedy movie has got very good box-office result and very high social attention. This paper tries to do a more comprehensive and systematic study on the romantic comedy films in mainland China since the 1990s. The first chapter divides the development of romantic comedy films into two periods, and analyzes the factors that affect the development of romantic comedy films. As well as the love comedy film itself creation characteristic carries on the analysis; The second chapter through the specific text interpretation to analyze the mainland love comedy film with the development of the times, in the theme of some changes; The third chapter reveals the Chinese culture's fixed cognition of the status of men and women by analyzing the characters in the mainland romantic comedy films. The fourth chapter from the aesthetic value of the performance, commercial value of the acquisition and criticism of three angles to the development of the mainland love comedy film to do a comprehensive reflection. This article will combine the movie ontology, the culture, the sociology, the feminism and the reception esthetics and so on related theories to carry on the research to the mainland romantic comedy movie, anticipates that the research can provide the meaningful reference to the love comedy movie future development.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905
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