论电影《归来》的叙述策略
发布时间：2018-12-05 21:28
【摘要】：作为反映"文革"题材的电影,张艺谋在对原著《陆犯焉识》进行了有效的减法后,《归来》的情节重心从阶级/国家的人民性叙事过渡到家庭/日常的生活化叙事,电影通过温暖的家庭医学来反思造成冯婉瑜心因性失忆症的多维复杂性,通过重建家庭伦理来辩难历史进而修复伤痕。电影从拒绝遗忘的表意范畴内力求寻找诊断历史的可行维度,家庭医学自然衔接了新旧两个时代,《归来》在保持节制的镜头语言中完成了文本的多重表意。
[Abstract]:As a film reflecting the theme of the "Cultural Revolution", Zhang Yimou, after effectively subtracting the original book, "Lu Zhuanyuan", the plot center of "return" has shifted from the people's narrative of the class / country to the family / daily life narrative. The film reflects on the multidimensional complexity of Feng Wanyu's psychogenic amnesia through warm family medicine, and reconstructs family ethics to debate history and repair wounds. The film tries to find the feasible dimension of diagnosis history from the category of refusing to forget. Family medicine naturally links up the old and the new, and returns completes the multiple representations of the text in the restrained lens language.
【作者单位】： 广西教育学院文学院;
【分类号】：J905
本文编号：2365495
[Abstract]:As a film reflecting the theme of the "Cultural Revolution", Zhang Yimou, after effectively subtracting the original book, "Lu Zhuanyuan", the plot center of "return" has shifted from the people's narrative of the class / country to the family / daily life narrative. The film reflects on the multidimensional complexity of Feng Wanyu's psychogenic amnesia through warm family medicine, and reconstructs family ethics to debate history and repair wounds. The film tries to find the feasible dimension of diagnosis history from the category of refusing to forget. Family medicine naturally links up the old and the new, and returns completes the multiple representations of the text in the restrained lens language.
【作者单位】： 广西教育学院文学院;
【分类号】：J905
【参考文献】
相关期刊论文 前1条
1 陶东风;;被抽空了社会历史内涵的爱情绝唱——也谈电影《归来》对《陆犯焉识》的改编[J];当代文坛;2014年05期
，本文编号：2365495
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